PARTITIONS GRATUITES : QUATUOR DE CUIVRES
- Christ Above All - F Horn 3

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo - Grade 4

SKU: CA.3124809

Cantatas I-III. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. 1x 31.248/21 flute 1, 1x 31.248/22 flute 2, 1x 31.248/23 oboe 1, 1x 31.248/24 oboe 2, 1x 31.248/25 English horn 1, 1x 31.248/26 English horn 2, 4x 31.248/31 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. German title: Weihnachtsoratorium 1-3. Sacred, Oratorios; Stuttgart Urtext editions; Use during church year: Christmas. Set of Orchestra Parts. Composed circa 1734. BWV 248. 106 pages. Duration 90 minutes. Carus Verlag #CV 31.248/09. Published by Carus Verlag (CA.3124809).

ISBN 9790007211462. Language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score and parts available separately - see item CA.3124800.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/2 oboe d'amore, 2 oboe d'caccia, 3 trumpets, timpani, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3124879

Cantatas IV-VI. Composed by Johann Sebastian Bach. This edition: urtext. 1x 31.248/91 oboe 1, 1x 31.248/92 oboe 2, 1x 31.248/93 horn 1, 1x 31.248/94 horn 2, 4x 31.248/95 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. German title: Weihnachtsoratorium 4-6 N.N.E. Sacred, Stuttgart Urtext editions; Use during church year: Christmas. Set of Orchestra Parts. Composed 1734. BWV 248. 96 pages. Carus Verlag #CV 31.248/79. Published by Carus Verlag (CA.3124879).

ISBN 9790007211585. Language: German/English.

Wit h the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's autograph score and the original parts. The conducting score contains an appendix with a concise Critical Report which provides information about the sources and their readings; when necessary, the latter are discussed in more detail, especially with regard to how the editor arrived at solutions for questions of articulation which differ from those found in previous editions. The representative, clothbound volume is supplemented by a study score as well as a choral score, a vocal score and complete orchestral material. In the orchestral material short excerpts containing the conclusions of the secco recitatives are rendered with cue notes in separate vocal systems printed above the score where the instrumentalists pause, thus enabling them make their entrances in the movements which follow these recitatives. This work is also available in carus music, the choir app! Score and parts available separately - see item CA.3124800.

Woodwinds (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-30

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Early modern. Set of parts. 196 pages. Duration 15'. Breitkopf and Haertel #OB 5653-30. Published by Breitkopf and Haertel (BR.OB-5653-30).

ISBN 9790004348314. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Violin 1 (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-15

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 5653-15. Published by Breitkopf and Haertel (BR.OB-5653-15).

ISBN 9790004348260. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.

Violoncello (Picc.3.3.Eh.3 (3. in D/E flat).B-clar.3.dble bsn - 4.3.3.1 - timp - perc - str)

SKU: BR.OB-5653-23

Tone Poem for Large Orchestra - Urtext. Composed by Richard Strauss. Edited by Nick Pfefferkorn. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Early modern. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 5653-23. Published by Breitkopf and Haertel (BR.OB-5653-23).

ISBN 9790004348291. 10 x 12.5 inches.

Richard Strauss was aware (especially following the success of his Don Juan) of his reputation and above all of his value as a composer, which led him to rewrite several of his successful works by hand and leave them to his descendants as valuable Christmas gifts. In the case of the Eulenspiegel score, however, it was a genuine revision, which he marked with the instruction: [...] with the second fair copy October 1944 | once again revised and | to be regarded as a new print (especially in the complete edition of my works). | Dr. Richard Strauss. Hundreds of more precisely defined indications for articulation, dynamics and tempo, but especially an altered scoring at the end of the work (waiver of additional horns and trumpets) present the Till Eulenspiegel in this Urtext edition for the first time in the version bequeathed by Strauss as the final version. The dedicatee of the work changed as well. Whereas the first edition was dedicated to the dear friend Dr. Arthur Seidl, Strauss dedicated his revision to the good Till on his 50th birthday.