| Soneto de la Noche (Nocturnes) Chorale SATB SATB A Cappella [Partition] Peermusic Classical
By Morten Lauridsen (1943-). SATB A Cappella. Peermusic Classical. Softcover. 14...(+)
By Morten Lauridsen
(1943-). SATB A Cappella.
Peermusic Classical.
Softcover. 14 pages.
Peermusic #62129-121.
Published by Peermusic
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Why Was Cupid a Boy? Chorale SATB SATB A Cappella Edward B. Marks Music Company
Choral (SATB choir a cappella) SKU: HL.124203 Composed by William Bolcom....(+)
Choral (SATB choir a
cappella) SKU:
HL.124203 Composed by
William Bolcom. E.B.
Marks. Classical. Octavo.
8 pages. Published by
Edward B. Marks Music
(HL.124203). ISBN
9781480367388. UPC:
884088964702. 6.75x10.5
inches. Commissione
d by the New York
Virtuoso Singers and its
conductor Harold
Rosenbaum for the
Singers' 25th
Anniversary. “Why
Was Cupid a Boy?”
is a short William Blake
poem untied to one of the
larger works, though it
reprises a common theme
in Blake: the
bewilderment of Man faced
with Love contrasted with
Woman's relative comfort
in it. $1.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Heart of It All Orchestre - Facile Alfred Publishing
Orchestra - Grade 2 SKU: AP.29656 Featuring: One Heart / Some Hearts /...(+)
Orchestra - Grade 2
SKU: AP.29656
Featuring: One Heart /
Some Hearts / Put a
Little Love in Your
Heart. Arranged by
Douglas E. Wagner.
Performance Music
Ensemble; Single Titles;
String Orchestra. Pop
Beginning String
Orchestra. Form: Medley.
Light Concert; Pop. Score
and Part(s). 78 pages.
Duration 2:40. Alfred
Music #00-29656.
Published by Alfred Music
(AP.29656). UPC:
038081322049.
English. This
entertaining medley, with
its infectious driving
rock feel throughout,
brings together three pop
favorites with a common
thread: One Heart, from
Céline Dion's hit
album of the same name,
Some Hearts, as sung by
American Idol winner
Carrie Underwood, and Put
a Little Love In Your
Heart, Jackie DeShannon's
early single which was
also featured in the
movie Scrooged. Audiences
will love it and less
experienced players will
be amazed at how quickly
they master the
arrangement. It's a
winner, written to help
bring out the very best
from your students and
perfect for Valentine's
Day. Don't miss it!
(2:40). $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Soneto De La Noche Chorale SATB SATB A Cappella Peermusic Classical
SATB Choir a cappella SKU: BT.PMC3603 From Nocturnes. Composed by ...(+)
SATB Choir a cappella
SKU: BT.PMC3603
From Nocturnes.
Composed by Morten
Lauridsen. Peermusic
Classical. Classical.
Choral Score. 14 pages.
Peermusic Classical
#PMC3603. Published by
Peermusic Classical
(BT.PMC3603).
Four poems
sharing a common motif of
'Night' provide the texts
for my choral cycle
Nocturnes, the American
Choral Directors
Association's
commissioned work for its
2005 national convention.
For Rilke's atmospheric
Sa nuit d'ete,several
melodic themes are
supported by dense,
colorful harmonies in
both the choral and piano
parts, leading to a
climactic section where
all are combined and
stated simultaneously.
Neruda's Soneto de la
Noche, from his
CienSonetos de Amor,
speaks of an eternal love
that transcends death
while reaffirming life.
My a cappella setting of
this gorgeous poem is
predominantly quiet,
serene and folk-like,
utilizing direct
harmonies accompanying
long,lyrical vocal lines.
Agee's wondrous Sure on
this Shining Night is set
much like a song from the
American musical theater,
a genre for which I have
held a life-long esteem.
Rilke's poignant Voici le
soir recalls the opening
bellsounds and
jazz-tinged chords of the
first movement and serves
as an epilogue, quietly
concluding this cycle of
night songs as darkness
descends. --Morten
Lauridsen. $3.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rasa Sayang Chorale SATB SATB divisi, A Cappella [Octavo] Earthsongs
(Feeling of Love). Arranged by TOH Ban Sheng. For SATB choir divisi, a cappella....(+)
(Feeling of Love).
Arranged by TOH Ban
Sheng. For SATB choir
divisi, a cappella. Malay
Folk Song. Indonesia,
Malaysia, Singapore.
Octavo. Text Language:
Malay. Published by
Earthsongs
$2.10 $1.995 (- 5%) Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On Music Carl Fischer
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute SKU:
CF.CM9583 Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852). Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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