| Call of Champions Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Composed by Romeyn. For concert band. Young Band. Rising Band. Grade 2. Score an...(+)
Composed by Romeyn. For
concert band. Young Band.
Rising Band. Grade 2.
Score and parts. Duration
2 minutes, 02 seconds.
Published by C.L.
Barnhouse
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Roadrunner Rally Orchestre à Cordes - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS10 Composed by Doris ...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS10
Composed by Doris Gazda.
Edited by Amy Rosen. Carl
Fischer Young String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
16+4+16+10+10+4+10+12
pages. Carl Fischer Music
#YAS10. Published by Carl
Fischer Music (CF.YAS10).
ISBN 9780825848261.
UPC: 798408048266. 8.5 X
11 inches. Key: D
major. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody of Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner
Rally ends with a
loudly emphasized honking
noise, the beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody ofA Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course,A Roadrunner
Rally ends with a
loudly emphasized honking
noise, theA beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody ofA Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course,A Roadrunner
Rally ends with a
loudly emphasized honking
noise, theA beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody of Roadrunner
Rally will remind
you of the sight of a
roadrunner traveling
along at breakneck speed.
A crisp spiccato
accompanied by pizzicato
in the cello and bass
paints the picture of the
bird running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner
Rally ends with a
loudly emphasized honking
noise, the beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners. The repeated
notes in the opening
melody of Roadrunner
Rally will remind you of
the sight of a roadrunner
traveling along at
breakneck speed. A crisp
spiccato accompanied by
pizzicato in the cello
and bass paints the
picture of the bird
running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner Rally
ends with a loudly
emphasized honking noise,
the beep that we
associate with the
humorous picture of the
roadrunner. When
traveling through the
desert southwest of the
United States, you may be
fortunate enough to come
across a strange looking
brown and white streaked
bird called the
Roadrunner. It has a blue
patch of skin circling
the eyes, a tiny dot of
bright red behind the
eyes, a bushy crest on
the top of its head and a
long tail that bobs up
and down. A member of the
cuckoo family, it is New
Mexico's state bird, and
can run in bursts of
speed from between ten to
twenty miles per hour.
Because it is equipped to
run rather than fly, its
feet are different from
other bird species,
having two toes in front
and two toes in the back.
Its tracks looks like the
letter X. Although
roadrunners can become
airborne, they are
basically ground birds
and do not fly. They eat
insects, scorpions, small
rodents, birds, lizards
and snakes. They do make
noise when in danger;
however, the clicks and
clatters do not resemble
the sound of a honking
horn that we think of
from the Hollywood
cartoon version of
roadrunners.The repeated
notes in the opening
melody of Roadrunner
Rally will remind you of
the sight of a roadrunner
traveling along at
breakneck speed. A crisp
spiccato accompanied by
pizzicato in the cello
and bass paints the
picture of the bird
running through the
desert. At m. 17 you will
hear that raucous honk,
honk that is associated
with the roadrunner
saying Out of my way! The
syncopation can easily be
learned by feel as well
as by counting carefully.
At m. 25 and similar
passages, the first
violins will have fun
learning the jazz licks.
The walking bass like at
m.69 with the jerky sound
of the octaves in the
upper strings will remind
you of the awkward
appearance of this
ungainly bird. And of
course, Roadrunner
Rally ends with a loudly
emphasized honking noise,
the beep that we
associate with the
humorous picture of the
roadrunner. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dance of the Harlequins - Facile Carl Fischer
Orchestra String Sextet, Piano - Grade 2 SKU: CF.YAS99F Composed by Larry...(+)
Orchestra String Sextet,
Piano - Grade 2 SKU:
CF.YAS99F Composed by
Larry Clark. FS SWS. Carl
Fischer Young String
Orchestra Series. Full
score. With Standard
notation. 12 pages.
Duration 3 minutes, 25
seconds. Carl Fischer
Music #YAS99F. Published
by Carl Fischer Music
(CF.YAS99F). ISBN
9780825884191. UPC:
798408084196. 8.5 x 11
inches. Dance of
the Harlequins is a
lively work that uses the
harmonic progression of
the famous Pachelbel
Canon as its foundation.
Larry Clark uses this
line as a jumping-off
point to create an
ingenuous work that shows
the many moods of the
Harlequin clown, from
joyous to
melodramatic. When I
started to write this
piece I came up with the
main melody first, then I
harmonized it. In the
process of doing that I
realized that I was
composing a new piece
that was based on the
harmonic progression
found in the famous Canon
by Johann Pachelbel. At
first this sort of
worried me, but then by
doing a little research
on the famous canon, I
realized I was far from
alone. There is even an
incredibly funny YouTube
video called
“Pachelbel
Rant†where
comedian Rob Paravonian
points out many of the
usages of the chord
progression from
Pachelbel’s Canon
found in many
popular/rock songs. Watch
it if you get a chance it
is very funny! So, I
decided to forge ahead
and complete the
piece.After the main
theme begins without
introduction that
includes short
punctuations of the
harmony in the lower
strings, the main theme
is repeated with a
countermelody playedby
the violas. The cellos
then take up a new B
theme with the
countermelody to this
section covered by the
first violins. The main
theme with counter melody
is stated one more time
before it is followed by
a transition to a more
lyrical and augmented
theme that is first
presented in the violas.
This theme repeats now
with the melody in the
first violins and a
countermelody added in
the violas. One more
statement of the lyrical
section theme is
presented, but now the
celli state the original
main theme in
augmentation along with
the lyrical theme and
countermelody. This is
followed by an extended
transition that leads
back tot the B section
theme now presented in
the violins. After an
extended cadence and
build, the main theme
returns one last time
followed by a lively coda
to complete the
piece.There is something
about the use of this
famous chord progression
that just makes it feel
so right. I hope that I
did justice to it and
provided you and your
students with a musical
vehicle that will be
enjoyable and at the same
time educational.It has
been my pleasure to have
the opportunity to write
this piece. I hope you
and your students enjoy
it and find it useful for
your
program.—LARRY
CLARKLakeland, FL
2011.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| First Steps with The Nutcracker GIA Publications
SKU: GI.G-10492 An Adventure with Movement Exploration. Composed b...(+)
SKU: GI.G-10492
An Adventure with
Movement Exploration.
Composed by Lillie
Feierabend. First Steps
in Music. Music
Education. 48 pages. GIA
Publications #10492.
Published by GIA
Publications
(GI.G-10492). ISBN
9781622775620. Incl
udes book, DVD, and
unique code to access DVD
online. Â The ultimate
goal of Movement
Exploration, one of the
eight parts of John
Feierabend’s First
Steps in Music
curriculum, is to use the
body to appropriately
demonstrate the
expressiveness of the
music. Experiencing
various movements with
accompanying music helps
children develop lifelong
sensitivities toward the
expressiveness—or
the “art
partâ€â€”of
music. There is no better
vehicle for this than
Tchaikovsky’s The
Nutcracker. The music and
the story come alive when
children are invited to
actively participate, to
become each character,
and to respond
expressively to their
signature music. At the
same time, each theme
offers an opportunity to
expand students’
creative movement
vocabulary. Lillie
Feierabend has presented
The Nutcracker for over
twenty years to the
delight of her entire
school community. Join
her as she guides the
first, second, and third
grade students of the
Indianapolis
Children’s Choir
in dancing each character
and discovering the
delight of moving
expressively and
musically to the Movement
Exploration themes. Also
included on this DVD: A
voiceover track with John
and Lillie Feierabend
discussing each component
of Movement Exploration
Complete storyline with
Movement Exploration
themes and implementation
ideas Parent engagement
as they dance with their
children Lillie
Feierabend is known for
her work with young
children and instilling a
love of music within
them. She has been a
general music teacher in
Connecticut for thirty
years and a director of
the Connecticut
Children’s Chorus
for seventeen. She is a
frequent clinician at
local, state, national,
and international
conferences, speaking on
many aspects of early
childhood music. Dr. John
Feierabend is considered
one of the leading
authorities on child
development in music and
movement. He is a
Professor Emeritus and
former Director of Music
Education at the
University of
Hartford’s The
Hartt School and is a
past President of the
Organization of American
Kodály Educators
(OAKE). $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa in C minor K. 427 "Great Mass in C minor" Barenreiter
2MixedCh-SATB (Mixed choirs (SATB) (2)) SKU: BA.BA09188-91 Composed by Wo...(+)
2MixedCh-SATB (Mixed
choirs (SATB) (2))
SKU: BA.BA09188-91
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Classical. Choral score.
KV 427. 44 pages.
Baerenreiter Verlag
#BA09188_91. Published by
Baerenreiter Verlag
(BA.BA09188-91). ISBN
9790006565139. 27 x 19 cm
inches. Key: C minor.
Text Language:
Latin. Mozart's
magnificent
unfinishedGreat Mass in C
minor K. 427is impressive
not only for its
monumentality and musical
beauty but for its
fragmentary state which
has fascinated scholars
and performers for
decades.
Working
together with the
International Mozarteum
Foundation in Salzburg,
Barenreiter now presents
a new edition of this
work, reflecting the
cutting edge of
scholarship while doing
justice to the needs of
performers.
High
scholarly standards, the
completion and
reconstruction of
movements: this
pioneering publication
incorporates all this in
order to come as close as
possible to the work
itself: -
TheKyrieandGloria, both
of which survive complete
in Mozart's hand, are
edited in accordance with
scholarly standards. -
The first two sections of
theCredohave been
meticulously completed by
the editor Ulrich
Leisinger, drawing on
original Mozart
compositions e.g. the
ariaDeh vieni non
tardarfromThe Marriage of
Figaroand paying
attention to a
stylistically appropriate
and transparent
sound. -
TheSanctusandBenedictus(w
ith theHosanna), which
are either incomplete or
survive only in secondary
sources, have been
reconstructed by the
editor.
Sections
without any known sources
are left out in this
edition. Rounding off the
publication is an
extensive Foreword
(Ger/Eng).
The
first performance of
Ulrich Leisinger's new
edition was given in
April 2019 in the
Elbphilharmonie Hamburg
by the Hamburg State
Philharmonic Orchestra
and the ChorWerk Ruhr
under the baton of Kent
Nagano. The first
Austrian premiere took
place in Salzburg on
August 2019 in the Great
Hall of the Mozarteum,
with Andrew Manze
conducting the Salzburg
Camerata to rousing
applause from audience
and critics
alike.
The C-minor
Mass reconstruction by
Helmut Eder on the basis
of the New Mozart Edition
(BA 4846) is still
available: the score and
performance material are
on hire, the vocal score
is on sale.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Coal Mountain Portrait Orchestre d'harmonie [Conducteur et Parties séparées] - Avancé TRN Music Publisher
By David R. Holsinger. For Concert Band. Grade 5 . Score and parts. Published by...(+)
By David R. Holsinger.
For Concert Band. Grade 5
. Score and parts.
Published by TRN Music
Publisher
$125.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Navigating Music Learning Theory GIA Publications
SKU: GI.G-9691 A Guide for General Music Teachers. Composed by Jil...(+)
SKU: GI.G-9691
A Guide for General
Music Teachers.
Composed by Jill Reese.
Music Learning Theory
(MLT). Music Education.
296 pages. GIA
Publications #9691.
Published by GIA
Publications (GI.G-9691).
ISBN
9781622774029. Edwi
n E. Gordon is widely
regarded as one of the
most influential figures
in the field of music
education, and his
groundbreaking Music
Learning Theory (MLT)
remains one of the most
significant and effective
approaches to teaching
music skills and content
to students. Navigating
Music Learning
Theory, by author and
educator Jill Reese, is
an accessible and
practical guide for
general music teachers
interested in
incorporating the
innovative concepts and
ideas of Music Learning
Theory in their own
instruction. The book is
divided into three parts.
In the first part, Reese
provides an overview of
the core pedagogical
principles of Music
Learning Theory,
including a breakdown of
its foundational Skill
Learning Sequence. The
second and third parts
take a detailed look at
Learning Sequence
Activities (the tonal and
rhythm patterns used to
teach skills and content)
and Classroom Activities
(applying skills and
content to songs, chants,
and recordings). Central
to this resource are over
one hundred pages of
scripted lesson plans
designed to guide
teachers in presenting
tonal patterns, rhythm
patterns, songs, and
chants with efficient and
pedagogically sound
language. The scripted
materials are
intentionally flexible,
allowing teachers to use
them as written or to
modify them for their
unique teaching context.
In keeping with Edwin
Gordon’s ideas,
Reese emphasizes the
importance of balancing
class instruction with
individualized
instruction and provides
a number of tools and
opportunities for
assessment and tracking
toward individual
differences between
students. Regardless of a
teacher’s
experience or familiarity
with Edwin
Gordon’s
ideas, Navigating
Music Learning
Theory is certain to
help any teacher design
and implement a robust
music curriculum with
engaging lessons that
will maximize the musical
potential of each
student. Dr. Jill
Reese is Associate
Professor of Music
Education at The State
University of New York at
Fredonia. She is also on
the teaching faculty for
the Gordon Institute for
Music Learning (GIML).
She holds degrees in
Music Education from
Temple University (PhD),
University of Michigan
(MM), and Michigan State
University (BM). $41.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy on an English Carol (The Holly and the Ivy) Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Belwin
Fantasy on an English Carol (The Holly and the Ivy) by Traditional. Arranged by ...(+)
Fantasy on an English
Carol (The Holly and the
Ivy) by Traditional.
Arranged by Michael Story
and Michael Story.
Concert Band. Concert
Band. Belwin Young Band.
Christmas; Sacred;
Winter. Grade 2.
Conductor Score and
Parts. Duration 2:20.
Published by Belwin
Publishing
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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