|
| Fantasy on 'The Wee Cooper of Fife'
Orchestre à Cordes - Intermédiaire
Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS18 Composed by Douglas To...(+)
Orchestra String
Orchestra - Grade 3
SKU: CF.CAS18
Composed by Douglas
Townsend. Carl Fischer
Concert String Orchestra
Series. Score and Parts.
With Standard notation.
12 pages. Carl Fischer
Music #CAS18. Published
by Carl Fischer Music
(CF.CAS18). ISBN
9780825855016. UPC:
798408055011. 8.5 X 11
inches. Key: F
major. A truly
masterful fantasy on an
English folk song, this
piece shows the
exceptional musical
development found in many
of the greatest classical
symphonies. The fantasy
is roughly in the style
of the classical rondo
(ABACA) and features fine
counterpoint and engaging
melodies. This piece can
be played in an
orchestral and quartet
setting and is both
challenging and fun to
play.
My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend.
MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend.
MyA
Fantasy on The Wee
Cooper of FifeA was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is calledA
Rissoldy Rossoldy.A
Except for a few
notes, the song was
almost identical to the
English folksongA The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend.
My
Fantasy on The Wee
Cooper of Fife was
one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for
a few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife,
which begins: There was a
Wee Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!
The Fantasy is
roughly in the style of
the classical rondo,
which is ABACA coda, such
as one finds in the last
movements of some of
Haydn's later symphonies.
This composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend.
My Fantasy
on The Wee Cooper of Fife
was one of four such
fantasies I wrote for my
daughter April when she
was studying the violin,
and I had hopes that when
she reached the age of
wisdom and proficiency
she would play them with
her friends. Life being
what is it, she
eventually gave up the
violin and chose a
completely different
career for herself-though
we are still the best of
friends! I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The Wee
Cooper of Fife, which
begins: There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin.... The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems! The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies. This
composition may be
performed by a string
orchestra or solo string
quartet. - Douglas
Townsend.
My Fantas
y on The Wee Cooper of
Fife was one of four
such fantasies I wrote
for my daughter April
when she was studying the
violin, and I had hopes
that when she reached the
age of wisdom and
proficiency she would
play them with her
friends. Life being what
is it, she eventually
gave up the violin and
chose a completely
different career for
herself-though we are
still the best of
friends!I found the song
in a collection of folk
songs for children where
it is called Rissoldy
Rossoldy. Except for a
few notes, the song was
almost identical to the
English folksong The
Wee Cooper of Fife, which
begins:There was a Wee
Cooper named Fife /
nickity nackety roo noo
roo / He took him to wed
a gentle wife / nickity
nackety roo noo roo / She
would na card she would
na spin / for fear 't
would harm her gentle
skin....The tune is
rollicking and words are
amusing, and yes,
eventually they worked
out their problems!The
Fantasy is roughly in the
style of the classical
rondo, which is ABACA
coda, such as one finds
in the last movements of
some of Haydn's later
symphonies.This
composition may be
performed by a string
orchestra or solo string
quartet.- Douglas
Townsend.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| From Holberg's Time Op. 40
Breitkopf & Härtel
Violin 2 SKU: BR.EOS-20897-16 Suite in Olden Style. Composed by Ed...(+)
Violin 2 SKU:
BR.EOS-20897-16
Suite in Olden
Style. Composed by
Edvard Grieg. Edited by
Richard Clarke.
Orchestra; stapled.
Eulenburg Orchestral
Series. Breitkopf is
currently preparing the
release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg. Romantic
period. Part. 12 pages.
Duration 20'. Breitkopf
and Haertel #EOS
20897-16. Published by
Breitkopf and Haertel
(BR.EOS-20897-16).
ISBN 9790004780077. 10
x 12.5 inches. In
1884 the Norwegian city
of Bergen celebrated the
200th birthday of Ludvig
Holberg, one of its most
famous sons and a
symbolic figure of the
late Baroque era. For
this occasion Grieg wrote
the piano suite Aus
Holbergs Zeit , which he
orchestrated for string
orchestra. To this day,
the Suite - particularly
in this arrangement -
ranks among Grieg's most
popular works. By using
the romantic string
sound, Grieg brings the
late Baroque orchestral
suite and its various
dance forms to life
again. Along with the
string serenades of
Dvorak and Tchaikovsky,
Aus Holbergs Zeit is
regarded as the third
great late-romantic work
for string orchestra.
Breitkopf is currently
preparing the release of
new and complete
performance material in
the framework of its
cooperation with
Eulenburg.
Breitko
pf is currently preparing
the release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg. $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| From Holberg's Time Op. 40
Alto seul
Breitkopf & Härtel
Viola SKU: BR.EOS-20897-19 Suite in Olden Style. Composed by Edvar...(+)
Viola SKU:
BR.EOS-20897-19
Suite in Olden
Style. Composed by
Edvard Grieg. Edited by
Richard Clarke.
Orchestra; stapled.
Eulenburg Orchestral
Series. Breitkopf is
currently preparing the
release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg. Romantic
period. Part. 12 pages.
Duration 20'. Breitkopf
and Haertel #EOS
20897-19. Published by
Breitkopf and Haertel
(BR.EOS-20897-19).
ISBN 9790004780084. 10
x 12.5 inches. In
1884 the Norwegian city
of Bergen celebrated the
200th birthday of Ludvig
Holberg, one of its most
famous sons and a
symbolic figure of the
late Baroque era. For
this occasion Grieg wrote
the piano suite Aus
Holbergs Zeit , which he
orchestrated for string
orchestra. To this day,
the Suite - particularly
in this arrangement -
ranks among Grieg's most
popular works. By using
the romantic string
sound, Grieg brings the
late Baroque orchestral
suite and its various
dance forms to life
again. Along with the
string serenades of
Dvorak and Tchaikovsky,
Aus Holbergs Zeit is
regarded as the third
great late-romantic work
for string orchestra.
Breitkopf is currently
preparing the release of
new and complete
performance material in
the framework of its
cooperation with
Eulenburg.
Breitko
pf is currently preparing
the release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg. $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| Piano Concerto [No. 17] in G major K. 453
Breitkopf & Härtel
Viola (solos: pno - 1.2.0.2 - 2.0.0.0 - str) SKU: BR.OB-15108-19 Urtex...(+)
Viola (solos: pno -
1.2.0.2 - 2.0.0.0 - str)
SKU:
BR.OB-15108-19
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical.
Part. 8 pages. Duration
30 '. Breitkopf and
Haertel #OB 15108-19.
Published by Breitkopf
and Haertel
(BR.OB-15108-19). ISBN
9790004339619. 10 x 12.5
inches. Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
In
Cooperation with G. Henle
Verg. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| Piano Concerto [No. 17] in G major K. 453
Breitkopf & Härtel
Violin 1 (solos: pno - 1.2.0.2 - 2.0.0.0 - str) SKU: BR.OB-15108-15 Ur...(+)
Violin 1 (solos: pno -
1.2.0.2 - 2.0.0.0 - str)
SKU:
BR.OB-15108-15
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical.
Part. 12 pages. Duration
30 '. Breitkopf and
Haertel #OB 15108-15.
Published by Breitkopf
and Haertel
(BR.OB-15108-15). ISBN
9790004339596. 10 x 12.5
inches. Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
In
Cooperation wh G. Henle
Verlag. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| Piano Concerto [No. 17] in G major K. 453
Breitkopf & Härtel
Violin 2 (solos: pno - 1.2.0.2 - 2.0.0.0 - str) SKU: BR.OB-15108-16 Ur...(+)
Violin 2 (solos: pno -
1.2.0.2 - 2.0.0.0 - str)
SKU:
BR.OB-15108-16
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. You will
find the original
cadenzas under Mozart, 36
Cadenzas for his own
Piano Concertos. Solo
concerto; Classical.
Part. 12 pages. Duration
30 '. Breitkopf and
Haertel #OB 15108-16.
Published by Breitkopf
and Haertel
(BR.OB-15108-16). ISBN
9790004339602. 10 x 12.5
inches. Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
In
Cooperation with G. Henl
Verlag. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| From Holberg's Time Op. 40
Violoncelle
Breitkopf & Härtel
Violoncello SKU: BR.EOS-20897-23 Suite in Olden Style. Composed by...(+)
Violoncello SKU:
BR.EOS-20897-23
Suite in Olden
Style. Composed by
Edvard Grieg. Edited by
Richard Clarke.
Orchestra; stapled.
Eulenburg Orchestral
Series. Breitkopf is
currently preparing the
release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg. Romantic
period. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #EOS
20897-23. Published by
Breitkopf and Haertel
(BR.EOS-20897-23).
ISBN 9790004780091. 10
x 12.5 inches. In
1884 the Norwegian city
of Bergen celebrated the
200th birthday of Ludvig
Holberg, one of its most
famous sons and a
symbolic figure of the
late Baroque era. For
this occasion Grieg wrote
the piano suite Aus
Holbergs Zeit , which he
orchestrated for string
orchestra. To this day,
the Suite - particularly
in this arrangement -
ranks among Grieg's most
popular works. By using
the romantic string
sound, Grieg brings the
late Baroque orchestral
suite and its various
dance forms to life
again. Along with the
string serenades of
Dvorak and Tchaikovsky,
Aus Holbergs Zeit is
regarded as the third
great late-romantic work
for string orchestra.
Breitkopf is currently
preparing the release of
new and complete
performance material in
the framework of its
cooperation with
Eulenburg.
Breitko
pf is currently preparing
the release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg. $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| From Holberg's Time Op. 40
Contre Basse
Breitkopf & Härtel
Double bass SKU: BR.EOS-20897-27 Suite in Olden Style. Composed by...(+)
Double bass SKU:
BR.EOS-20897-27
Suite in Olden
Style. Composed by
Edvard Grieg. Edited by
Richard Clarke.
Orchestra; stapled.
Eulenburg Orchestral
Series. Breitkopf is
currently preparing the
release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg. Romantic
period. Part. 4 pages.
Duration 20'. Breitkopf
and Haertel #EOS
20897-27. Published by
Breitkopf and Haertel
(BR.EOS-20897-27).
ISBN 9790004780107. 10
x 12.5 inches. In
1884 the Norwegian city
of Bergen celebrated the
200th birthday of Ludvig
Holberg, one of its most
famous sons and a
symbolic figure of the
late Baroque era. For
this occasion Grieg wrote
the piano suite Aus
Holbergs Zeit , which he
orchestrated for string
orchestra. To this day,
the Suite - particularly
in this arrangement -
ranks among Grieg's most
popular works. By using
the romantic string
sound, Grieg brings the
late Baroque orchestral
suite and its various
dance forms to life
again. Along with the
string serenades of
Dvorak and Tchaikovsky,
Aus Holbergs Zeit is
regarded as the third
great late-romantic work
for string orchestra.
Breitkopf is currently
preparing the release of
new and complete
performance material in
the framework of its
cooperation with
Eulenburg.
Breitko
pf is currently preparing
the release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg. $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
|
Cooperation
