| Let Us Break Bread Together Chorale SATB Daybreak Music
Composed by Traditional Spiritual. Arranged by Patti Drennan. Daybreak Choral Se...(+)
Composed by Traditional
Spiritual. Arranged by
Patti Drennan. Daybreak
Choral Series. Communion,
General Worship, Lent,
Sacred, Spiritual.
Octavo. 8 pages.
Published by Daybreak
Music (HL.248933).
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Poul Ruders: Break-Dance (Score) [Conducteur] Wilhelm Hansen
Brass Ensemble, Trumpet, Trombone and Piano SKU: HL.14027970 Composed by ...(+)
Brass Ensemble, Trumpet,
Trombone and Piano
SKU: HL.14027970
Composed by Poul Ruders.
Music Sales America.
Classical. Score. 16
pages. Edition Wilhelm
Hansen #KP00263.
Published by Edition
Wilhelm Hansen
(HL.14027970). ISBN
9788759859353.
16.75x11.75x0.425 inches.
English. Break-Danc
e is an obvious next of
kin to the two Clarinet
trios Vox In Rama and
Tattoo For Three. This
piece, however, combines
the roaring despair of
the first trio with the
twisted rhythmical
display of the latter.
The title, of course, is
a reference to the modern
street-dance electric
boogie, but the very
music itself takes the
naming most literally
indeed: formally and
rhythmically, after a
straightforward head-on
opening, it breaks into
isolated, jagged
fragments, winding up in
a bouncing piano cadenza.
Albeit not an obvious
piano concerto, the piano
part hovers in the front
line, the same way the
horizontal guy, ringing
himself on the pavement,
is doubtless an
eye-catcher to
passers-by. The springy
'body-language' that
kicks off the piece
suddenly stiffens and
freezes into hard-edged
blocks and the real
'dance of breaks' emerges
into focus. Break-dance
is commissioned by and
dedicated to Yvar
Mikhashoff and Spectrum.
Arranged for 2 Trumpets,
3 Trombones, and
Piano. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Poul Ruders: Break-Dance (Parts) Wilhelm Hansen
Brass Ensemble, Trumpet, Trombone and Piano SKU: HL.14027971 Composed by ...(+)
Brass Ensemble, Trumpet,
Trombone and Piano
SKU: HL.14027971
Composed by Poul Ruders.
Music Sales America. 20th
Century. Set of Parts. 50
pages. Edition Wilhelm
Hansen #KP00264.
Published by Edition
Wilhelm Hansen
(HL.14027971). ISBN
9788759859360.
English. Break-Danc
e is an obvious next of
kin to the two Clarinet
trios Vox In Rama and
Tattoo For Three. This
piece, however, combines
the roaring despair of
the first trio with the
twisted rhythmical
display of the latter.
The title, of course, is
a reference to the modern
street-dance electric
boogie, but the very
music itself takes the
naming most literally
indeed: formally and
rhythmically, after a
straightforward head-on
opening, it breaks into
isolated, jagged
fragments, winding up in
a bouncing piano cadenza.
Albeit not an obvious
piano concerto, the piano
part hovers in the front
line, the same way the
horizontal guy, ringing
himself on the pavement,
is doubtless an
eye-catcher to
passers-by. The springy
'body-language' that
kicks off the piece
suddenly stiffens and
freezes into hard-edged
blocks and the real
'dance of breaks' emerges
into focus. Break-dance
is commissioned by and
dedicated to Yvar
Mikhashoff and Spectrum.
Arranged for 2 Trumpets,
3 Trombones, and
Piano. $69.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Day Break Shadows Flee Piano seul Chester
Piano SKU: HL.14043546 Piano Solo. Composed by Judith Weir. Music ...(+)
Piano SKU:
HL.14043546 Piano
Solo. Composed by
Judith Weir. Music Sales
America. Classical,
Contemporary. Book
[Softcover]. 20 pages.
Chester Music #CH82709.
Published by Chester
Music (HL.14043546).
9.0x12.0x0.088
inches. Judith Weir
'S Day Break Shadows Flee
For Solo Piano. This 10
Minute Work Was
Commissioned By Bbc Radio
3. It Was First Performed
By Benjamin Grosvenor On
1St September 2014, As
Part Of The Proms Chamber
Music Series At Cadogan
Hall. ' Day Break Shadows
Flee , Written For
Benjamin Grosvenor, Is A
Two-Part Invention, A
Piano Solo Composition In
Which The Two Hands Work
In Close Co-Ordination
But Independently. My
Intention Was Generally
To Avoid Using Thick
Chords (Although Octaves
And Other Clear
Sonorities Are Included)
While Allowing Both The
Right And Left-Hand Lines
To Be Free, Mobile And
Expressive. The Treble
And Bass Sectors Of The
Keyboard Are Clearly
Contrasted AndOften
Widely Separated. In
Atmosphere And Expression
The Music Is Another Kind
Of Two-Part Invention,
Contrasting Bright,
Upwards-Arching Phrases
(Heard At The Opening And
Evoking The Arrival Of
Light At The Beginning Of
The Day) With Veiled,
Mysterious Scurryings,
Suggesting The Stranger,
More Nervous Life Lived
At Night And In The Early
Morning. ' - Judith
Weir. $15.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let Us Break Bread Together Chorale SATB SATB, Piano - Débutant GIA Publications
SATB choir, cantor, assembly, keyboard accompaniment - Beginning SKU: GI.G-49...(+)
SATB choir, cantor,
assembly, keyboard
accompaniment - Beginning
SKU: GI.G-4962
Communion Rite.
Composed by Joe Camacho
and Marty Haugen.
Arranged by Various.
Ritual Prayer. Tune name:
Let Us Break Bread.
Sacred. Octavo. With
guitar chord names. 12
pages. GIA Publications
#4962. Published by GIA
Publications (GI.G-4962).
Text by Traditional
Spiritual. $1.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Handel: Break Forth Into Joy SATB Music Sales
Handel 'Break Forth Into Joy' arranged for mixed voice choir SATB with organ acc...(+)
Handel 'Break Forth Into
Joy' arranged for mixed
voice choir SATB with
organ accompaniment
$3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Break Through [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Suspended Cymbal,
Timpani, Triangle and
more. - Grade 2 SKU:
CF.YPS257F Composed
by Mark Lortz. Yps. Full
score. 12 pages. Duration
3 minutes, 18 seconds.
Carl Fischer Music
#YPS257F. Published by
Carl Fischer Music
(CF.YPS257F). ISBN
9781491161968. UPC:
680160920648. Break
Through is my musical
representation of one's
struggle to pass through
a barrier or move beyond
an obstacle. This could
be a literal breakthrough
or a metaphorical
achievement. The
composition is centered
around the key of G minor
to achieve a dark,
resonant emotion. The
percussion is the
heartbeat and pulse for
the introduction and
should follow all
dynamics to match the
winds. Soft rolling
mallets should be used
for the bass drum and
gong rolls, creating a
dark timbre without
overpowering the
ensemble. At Rehearsal
13, work to have a
balanced section where
the clarinets can be
heard on the melody and
the tenor sax and horn on
the countermelody.
Rehearsal 21 provides a
fully scored variation of
the theme and should
continue to be as dark as
possible. Rehearsal 29 is
the final musical
struggle before the
Rehearsal 38 'break
through' climax of the
composition. The
resolution of the
relative major of Bb
should be majestic and
triumphant. Finally,
rehearsal 48 transitions
to a recapitulation of
the opening theme, moving
towards a contemplative
ending back to G minor. I
hope you and your
ensemble enjoy
perforinming Break
Through. Break Through
is my musical
representation of
one’s struggle to
pass through a barrier or
move beyond an obstacle.
This could be a literal
breakthrough or a
metaphorical achievement.
The composition is
centered around the key
of G minor to achieve a
dark, resonant emotion.
The percussion is the
heartbeat and pulse for
the introduction and
should follow all
dynamics to match the
winds. Soft rolling
mallets should be used
for the bass drum and
gong rolls, creating a
dark timbre without
overpowering the
ensemble. At Rehearsal
13, work to have a
balanced section where
the clarinets can be
heard on the melody and
the tenor sax and horn on
the countermelody.
Rehearsal 21 provides a
fully scored variation of
the theme and should
continue to be as dark as
possible. Rehearsal 29 is
the final musical
struggle before the
Rehearsal 38 ‘break
through’ climax of
the composition. The
resolution of the
relative major of Bb
should be majestic and
triumphant. Finally,
rehearsal 48 transitions
to a recapitulation of
the opening theme, moving
towards a contemplative
ending back to G minor.I
hope you and your
ensemble enjoy
perforinming Break
Through. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Break Through - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Gong, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Suspended Cymbal,
Timpani, Triangle and
more. - Grade 2 SKU:
CF.YPS257 Composed by
Mark Lortz. Yps. Set of
Score and Parts.
8+2+4+4+2+2+5+2+2+4+4+4+3
+3+3+2+3+1+1+1+4+2+12
pages. Duration 3
minutes, 18 seconds. Carl
Fischer Music #YPS257.
Published by Carl Fischer
Music (CF.YPS257).
ISBN 9781491161500.
UPC:
680160920136. Break
Through is my musical
representation of one's
struggle to pass through
a barrier or move beyond
an obstacle. This could
be a literal breakthrough
or a metaphorical
achievement. The
composition is centered
around the key of G minor
to achieve a dark,
resonant emotion. The
percussion is the
heartbeat and pulse for
the introduction and
should follow all
dynamics to match the
winds. Soft rolling
mallets should be used
for the bass drum and
gong rolls, creating a
dark timbre without
overpowering the
ensemble. At Rehearsal
13, work to have a
balanced section where
the clarinets can be
heard on the melody and
the tenor sax and horn on
the countermelody.
Rehearsal 21 provides a
fully scored variation of
the theme and should
continue to be as dark as
possible. Rehearsal 29 is
the final musical
struggle before the
Rehearsal 38 'break
through' climax of the
composition. The
resolution of the
relative major of Bb
should be majestic and
triumphant. Finally,
rehearsal 48 transitions
to a recapitulation of
the opening theme, moving
towards a contemplative
ending back to G minor. I
hope you and your
ensemble enjoy
perforinming Break
Through. Break Through
is my musical
representation of
one’s struggle to
pass through a barrier or
move beyond an obstacle.
This could be a literal
breakthrough or a
metaphorical achievement.
The composition is
centered around the key
of G minor to achieve a
dark, resonant emotion.
The percussion is the
heartbeat and pulse for
the introduction and
should follow all
dynamics to match the
winds. Soft rolling
mallets should be used
for the bass drum and
gong rolls, creating a
dark timbre without
overpowering the
ensemble. At Rehearsal
13, work to have a
balanced section where
the clarinets can be
heard on the melody and
the tenor sax and horn on
the countermelody.
Rehearsal 21 provides a
fully scored variation of
the theme and should
continue to be as dark as
possible. Rehearsal 29 is
the final musical
struggle before the
Rehearsal 38 ‘break
through’ climax of
the composition. The
resolution of the
relative major of Bb
should be majestic and
triumphant. Finally,
rehearsal 48 transitions
to a recapitulation of
the opening theme, moving
towards a contemplative
ending back to G minor.I
hope you and your
ensemble enjoy
perforinming Break
Through. $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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