PARTITIONS GRATUITES : CLARINETTE, PIANO
- The Entertainer: Score

Piano

SKU: HL.14010420

Composed by Scott Joplin. Music Sales America. Pop & Rock. Book [Softcover]. Composed 2002. 8 pages. Music Sales #AM14127. Published by Music Sales (HL.14010420).

UPC: 884088487263. 9.0x12.0x0.047 inches.

Two turn-of-the-century ragtime numbers by Scott Joplin (1868 - 1917). 'The Entertainer' was used in the score of the film 'The Sting', and 'Maple Leaf Rag' remains a Dixieland jazz standard.

Choral SSA Choir, piano, flute

SKU: CF.CM9583

Composed by Christopher Gabel. Sws. Performance Score. 20 pages. Duration 4 minutes, 9 seconds. Carl Fischer Music #CM9583. Published by Carl Fischer Music (CF.CM9583).

ISBN 9781491154052. UPC: 680160912551. 6.875 x 10.5 inches. Key: Eb major. English. Thomas Moore (1779-1852).

Thomas Moore (17791852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Filld with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasures dream is gone, Its memory lives in Musics breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendships balmy words may feign, Loves are even more false than they; Oh! tis only musics strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779a1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music a Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fillad with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasureas dream is gone, Its memory lives in Musicas breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendshipas balmy words may feign, Loveas are even more false than they; Oh! atis only musicas strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779–1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song.We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life?On Music – Thomas MooreWhen through life unblest we rove,Losing all that made life dear,Should some notes we used to love,In days of boyhood, meet our ear,Oh! how welcome breathes the strain!Wakening thoughts that long have slept,Kindling former smiles againIn faded eyes that long have wept.Like the gale, that sighs alongBeds of oriental flowers,Is the grateful breath of song,That once was heard in happier hours.Fill’d with balm the gale sighs on,Though the flowers have sunk in death;So, when pleasure’s dream is gone,Its memory lives in Music’s breath.Music, oh, how faint, how weak,Language fades before thy spell!Why should Feeling ever speak,When thou canst breathe her soul so well?Friendship’s balmy words may feign,Love’s are even more false than they;Oh! ’tis only music’s strainCan sweetly soothe, and not betray.Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.

Quintet 2 Trumpets, Horn in F, Trombone and Tuba - Grade 4

SKU: KN.19182

Composed by Various. Arranged by Gary D. Ziek. Ensemble. Kendor Ensemble Series. Kendor Music Inc #19182. Published by Kendor Music Inc (KN.19182).

UPC: 822795191820.

This grade 3-5 anthology offers brass quintets a treasure trove of classical repertoire. A complete concert program can be found in this convenient volume and will be a valuable resource for practically any type of performance.

Conte nts:
Ases Tod (Grieg), Three Renaissance Dances (Gervaise), Largo From The New World Symphony (Dvorak), Three EnglishaEUR^Madrigals (Traditional), The Thunderer (Sousa), The Entertainer (Joplin), March Militaire (Schubert), Fanfare For Brass Quintet (Ziek), Badinerie (Bach), Hungarian Dance No. 5 (Brahms).

Joplin's Entertainer for Alto Sax and Piano composed by Scott Joplin (1868-1917). Arranged by Tony Santorella. For alto sax solo and piano accompaniment. Solo with Accompaniment. Ragtime. Score and solo part. Text Language: English. 12 pages. Published by Santorella Publications

Joplin's Entertainer for Flute and Piano composed by Scott Joplin (1868-1917). Arranged by Tony Santorella. For flute solo and piano accompaniment. Solo with Accompaniment. Ragtime. Score and solo part. Text Language: English. 12 pages. Published by Santorella Publications

Joplin's Entertainer for Trumpet and Piano composed by Scott Joplin (1868-1917). Arranged by Tony Santorella. For trumpet solo and piano accompaniment. Solo with Accompaniment. Ragtime. Score and solo part. Text Language: English. 12 pages. Published by Santorella Publications

Piano

SKU: SP.ME1033

Composed by Scott Joplin. Solo; Ragtime. Score. Santorella Publications #ME1033. Published by Santorella Publications (SP.ME1033).

ISBN 9781585607457.

The Masterpiece Edition series, published exclusively by Santorella Publications, is a collection of original piano works, as well as challenging arrangements and transcriptions designed for the experienced to advanced pianist. The series is meticulously engraved and printed on heavy cover stock and quality paper to last for generations. With original works from the great masters, Bach, Beethoven, Mozart, and alike, as well as arrangements and transcriptions from some of the greatest works of all time, these Masterpiece Editions are sure to be popular favorites while enhancing the repertoire of most any serious pianist. In this case, we are extremely proud to release the original, unedited, Masterpiece Edition of Joplin's Solace, Entertainer and Maple Leaf Rag as a 3 in 1 sheet in its purest form. Our ultimate goal is to emphasize the necessity of exceptional quality in printed sheet music. Time has heard the strains of a myriad of musical styles. Some styles liven with age while others fade. The same is true of the composers themselves; some are regarded as brilliant masters from the beginning of their lives while others are praised only posthumously. Endurance is the ultimate test. Scott Joplin endured great injustices and criticism, yet he remains the King of Ragtime. We remember the genius of Scott Joplin by publishing Solace, The Entertainer, and Maple Leaf Rag in a remarkable 3 in 1 original edition. Joplin's most popular rag, The Entertainer reached high acclaim in 1973 as a recognizable theme from the film classic, The Sting. This Academy Award-Winning film was solely responsible for the resurgence of ragtime in general, but more specifically brought renewed interest in the works of Scott Joplin. Solace was frequently heard in the background of many scenes in which the character was deep in thought. Subtitled, A Mexican Serenade, Solace has a serene Latin feel, unlike no other samba written and is the favorite of many Joplin enthusiasts. While the Maple Leaf Rag, actually became quite popular during Joplin's lifetime, so much so that it was the first printed sheet of music to sell over one million copies. We are pleased to combine these three original rags in one sheet as a special part of our Masterpiece Ragtime Selections. These newly engraved editions are clean, sharp, distinct, and accurate. An absolute pleasure to read as each crisp note seems to pop off the page.

Piano

SKU: SP.ME1032

Composed by Scott Joplin. Solo; Ragtime. Score. Santorella Publications #ME1032. Published by Santorella Publications (SP.ME1032).

ISBN 9781585607440.

The Masterpiece Edition series, published exclusively by Santorella Publications, is a collection of original piano works, as well as challenging arrangements and transcriptions designed for the experienced to advanced pianist. The series is meticulously engraved and printed on heavy cover stock and quality paper to last for generations. With original works from the great masters, Bach, Beethoven, Mozart, and alike, as well as arrangements and transcriptions from some of the greatest works of all time, these Masterpiece Editions are sure to be popular favorites while enhancing the repertoire of most any serious pianist. In this case, we are extremely proud to release the original, unedited, Masterpiece Edition of Joplin's Entertainer and Maple Leaf Rag as a 2 in 1 sheet in its purest form. Our ultimate goal is to emphasize the necessity of exceptional quality in printed sheet music. Time has heard the strains of a myriad of musical styles. Some styles liven with age while others fade. The same is true of the composers themselves; some are regarded as brilliant masters from the beginning of their lives while others are praised only posthumously. Endurance is the ultimate test. Scott Joplin endured great injustices and criticism, yet he remains the King of Ragtime. We remember the genius of Scott Joplin by publishing The Entertainer and Maple Leaf Rag in this 2 in 1 original edition. Joplin's most popular rag, The Entertainer reached high acclaim in 1973 as a recognizable theme from the film classic, The Sting. This Academy Award-Winning film was solely responsible for the resurgence of ragtime in general, but more specifically brought renewed interest in the works of Scott Joplin. The Maple Leaf Rag, unlike so many others, became quite popular during Joplin's lifetime, so much so that it was the first sheet of music to sell over one million copies. We are pleased to combine these two rags in one as a special part of our Masterpiece Ragtime Selections. This newly engraved edition is clean, sharp, distinct, and accurate. An absolute pleasure to read as each crisp note seems to pop off the page.