| Together As One Shawnee Press
Choral (Studiotrax CD) SKU: HL.369160 Unison Anthems for Worship. ...(+)
Choral (Studiotrax CD)
SKU: HL.369160
Unison Anthems for
Worship. Composed by
Various. Arranged by
Various. Shawnee Sacred.
General Worship, Sacred.
CD. 1 pages. Published by
Shawnee Press
(HL.369160). ISBN
9781705142912. UPC:
840126989496.
5.0x5.0x0.119
inches. This
outstanding new resource
is sure to be useful for
choirs returning to the
loft. Presented with a
sensitivity to musical
diversity, this
approachable collection
will provide wonderful
options for slim Sundays
or for times when quick
learning is necessary.
Cued notes are also
included for range
considerations, and
tasteful accompaniment
tracks will give
additional choices for
directors to consider.
Songs include: A Joyful
One Hundred; Lord, I
Worship You; Come, Sing
to the Lord; Dreamers and
Doubters; Ascribe to the
Lord; Every Valley Needs
a Lily; Mercy Still; Come
and See; In Everything
Give Thanks; Write Your
Truth Upon My Heart; May
the Words of My Mouth.
For the Accompaniment
Tracks: Audio is accessed
online using the unique
code generated upon
purchase and can be
streamed or downloaded.
The audio files include
PLAYBACK+, a
multi-functional audio
player that allows you to
slow down audio without
changing pitch, set loop
points, change keys, and
pan left or right.
HL00380829: Accompaniment
Tracks. $79.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Songs of Hope & Restoration (Stereo Accompaniment CD) Chorale SATB Lillenas Publishing Co.
SATB choir SKU: LP.765762074521 Arranged for Any Choir. Arranged b...(+)
SATB choir SKU:
LP.765762074521
Arranged for Any
Choir. Arranged by
Marty Parks. Choral. Any
Choir Series.
Multicultural and Sacred.
Stereo accompaniment CD.
Published by Lillenas
Publishing Company
(LP.765762074521).
UPC:
765762074521. Stere
o accompaniment trax for
performance use. High
quality orchestral
performance and
recording. Note - does
not include rehearsal
(internal) CD points. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Still Points: Harmonic Fantasy on a Theme by Tallis Schott
Performing Score Viola Duet (PERF SCORE) SKU: HL.49047276 2 Violas Per...(+)
Performing Score Viola
Duet (PERF SCORE) SKU:
HL.49047276 2
Violas Performing
Score. Composed by
Garth Knox. String
Ensemble. Classical.
Softcover. 16 pages.
Duration 600 seconds.
Schott Music #ED23660.
Published by Schott Music
(HL.49047276). ISBN
9798350112610. UPC:
196288183228.
9.0x12.0x0.084
inches. $13.99 - Voir plus => Acheter | | |
| Canarios [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS114F
Suite from
Española. Composed
by Gaspar Sanz. Arranged
by Deborah Baker Monday.
Concert String Orchestra
(CAS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#CAS114F. Published by
Carl Fischer Music
(CF.CAS114F). ISBN
9781491151709. UPC:
680160909209. 9 x 12
inches. Canarios is
a movement taken from the
Suite Espanola for guitar
by Gaspar Sanz, a leading
composer of Spanish
Baroque music.? Deborah
Baker Monday presents
this delightful
arrangement in D major
which engages all
sections of the ensemble
in the interplay between
6/8 and 3/4.? The rich
and resonant texture
makes this piece a great
concert or festival
selection.
Gaspar Sanz
lived from ca.16401710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: 1 Espanoletas - Gallarda y
villano
- Danza de las
hachas
- Rujero y
paradetas
- Zarabanda al
ayre espanol
- Passacalle de la
cavalleria de
Napoles
- Folias
- La Minona de
Cataluna
- Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from ca.1640a1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: A A 1
EspaA+-oletas - Gallarda y
villano
- Danza de las
hachas
- Rujero y
paradetas
- Zarabanda al
ayre
espaA+-ol
- Passacalle de la
cavalleria de
Napoles
- Folias
- La MiA+-ona de
CataluA+-a
- Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from ca.1640a1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: A A 1
EspaA+-oletas - Gallarda y
villano
- Danza de las
hachas
- Rujero y
paradetas
- Zarabanda al
ayre
espaA+-ol
- Passacalle de la
cavalleria de
Napoles
- Folias
- La MiA+-ona de
CataluA+-a
- Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from ca.1640-1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: 1 Espanoletas - Gallarda y
villano
- Danza de las
hachas
- Rujero y
paradetas
- Zarabanda al
ayre espanol
- Passacalle de la
cavalleria de
Napoles
- Folias
- La Minona de
Cataluna
- Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from ca.1640-1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory. The
Suite Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: 1 Espanoletas
Gallarda y villano Danza
de las hachas Rujero y
paradetas Zarabanda al
ayre espanol Passacalle
de la cavalleria de
Napoles Folias La Minona
de Cataluna Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from
ca.1640–1710. He
was a leading composer of
music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.The
Suite Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements:Â Â 1
Españoletas Gallarda y
villano Danza de las
hachas Rujero y paradetas
Zarabanda al ayre
español Passacalle de
la cavalleria de Napoles
Folias La Miñona de
Cataluña Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Canarios - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS114
Suite from
Española. Composed
by Gaspar Sanz. Arranged
by Deborah Baker Monday.
Concert String Orchestra
(CAS). Set of Score and
Parts. With Standard
notation.
16+4+16+10+10+10+4+12
pages. Duration 2
minutes, 13 seconds. Carl
Fischer Music #CAS114.
Published by Carl Fischer
Music (CF.CAS114).
ISBN 9781491151334.
UPC: 680160908837. 9 x 12
inches. Key: D
major. Canarios is
a movement taken from the
Suite Espanola for guitar
by Gaspar Sanz, a leading
composer of Spanish
Baroque music.? Deborah
Baker Monday presents
this delightful
arrangement in D major
which engages all
sections of the ensemble
in the interplay between
6/8 and 3/4.? The rich
and resonant texture
makes this piece a great
concert or festival
selection.
Gaspar Sanz
lived from ca.16401710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: 1 Espanoletas - Gallarda y
villano
- Danza de las
hachas
- Rujero y
paradetas
- Zarabanda al
ayre espanol
- Passacalle de la
cavalleria de
Napoles
- Folias
- La Minona de
Cataluna
- Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from ca.1640a1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: A A 1
EspaA+-oletas - Gallarda y
villano
- Danza de las
hachas
- Rujero y
paradetas
- Zarabanda al
ayre
espaA+-ol
- Passacalle de la
cavalleria de
Napoles
- Folias
- La MiA+-ona de
CataluA+-a
- Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from ca.1640a1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: A A 1
EspaA+-oletas - Gallarda y
villano
- Danza de las
hachas
- Rujero y
paradetas
- Zarabanda al
ayre
espaA+-ol
- Passacalle de la
cavalleria de
Napoles
- Folias
- La MiA+-ona de
CataluA+-a
- Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from ca.1640-1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.
The Suite
Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: 1 Espanoletas - Gallarda y
villano
- Danza de las
hachas
- Rujero y
paradetas
- Zarabanda al
ayre espanol
- Passacalle de la
cavalleria de
Napoles
- Folias
- La Minona de
Cataluna
- Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from ca.1640-1710.
He was a leading composer
of music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory. The
Suite Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements: 1 Espanoletas
Gallarda y villano Danza
de las hachas Rujero y
paradetas Zarabanda al
ayre espanol Passacalle
de la cavalleria de
Napoles Folias La Minona
de Cataluna Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points. Gaspar Sanz
lived from
ca.1640–1710. He
was a leading composer of
music from the Baroque
period in Spain, but it
is his guitar music which
has given him the most
attention. He wrote three
collections of pieces as
an Instruction for guitar
and they include about 90
pieces which are part of
the guitar repertory.The
Suite Espanola has become
popular as a performance
piece in the modern
guitar world. It contains
numerous movements of
which Canarios is one of
the most popular. Many
guitar concerts include a
selection of these
wonderful dance
movements:Â Â 1
Españoletas Gallarda y
villano Danza de las
hachas Rujero y paradetas
Zarabanda al ayre
español Passacalle de
la cavalleria de Napoles
Folias La Miñona de
Cataluña Canarios
Canarios is written in
6/8 and explores the
unique relation to 3/4
and how the accents can
be manipulated so
cleverly. It is a
brilliant piece which can
enrich your classroom
with many teaching
points.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Buskers Fake Book All Time Hit Piano seul Music Sales
| | |
| tellement froid que [Conducteur] Carus Verlag
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics,
Scene SKU:
CA.1631000
(georgiques I), fur
bass flute and live
electronics. Composed
by Walter Feldmann. This
edition: Paperbound.
(r)TELLEMENT FROID QUE-
(GEORGIQUES I). Full
score. Composed 1995-96.
66 pages. Duration 20
minutes. Carus Verlag #CV
16.310/00. Published by
Carus Verlag
(CA.1631000). ISBN
9790007242800. Language:
all
languages. 1989.
Stay in Aix-en-Provence,
France, doing a language
course. Reading,
discussing and analyzing
Les Georgiques; this
pursuit is going to be
the foundation of the
multiple intellectual and
literary levels of my
composing. 2. THE WOODEN
PLATFORM IS COVERED WITH
FINE WHITE SAND (OR
SALT), THE TWO SHELVES
WITH BLACK CLOTH ... At
the time I work on my
first serious piece,
still a far cry from the
under-standing of writing
music I have today. <<
tellement froid que >>
(georgiques I) for bass
flute, electronics and
scene (1995-96), sections
1-7. << comme si le froid
>> (georgiques II) for
baritone saxophone,
timpani and piano (1998),
sections 18-24. <<
n'etait le froid >>
(georgiques III) for
orchestra (2000-2002),
sections not yet decided.
3. THE INTERPRETER WILL
BE DRESSED IN BLACK AND
WHITE, MAINLY WHITE IF
BLUISH LIGHT IS AT HAND
... The enormously rich
vocabulary and the
accuracy of expression -
in temporal, spatial and
material terms - is
particularly impressive.
To comprehend all of it,
a reading on three
different levels is
called for: a first
reading of one passage,
then the acquisition of
unknown vocabulary;
thirdly a repeated -
knowing - reading, which
points out the utopia of
precise expression: The
text is treated in a
rather problematic (cold:
le froid?) manner: it's
not the semantic content
that is primarily
dominant, but rather the
outward appearance, the
mise en page and the
syntactic structure. 4.
THE INTERPRETER ENTERS
THE STAGE WITH ALL THE
FLUTES (S)HE WILL PLAY
DURING THE CONCERT AND
DEPOSITS THEM - EXCEPT
FOR THE BASS FLUTE - ON
SHELF B; IF (S)HE ONLY
PLAYS THIS PIECE, (S)HE
SHOULD PUT THE PROGRAMME
OF THE CONCERT THERE; IN
ANY CASE THE INSTRUCTIONS
IN BAR 195 MUST BE
FOLLOWED ... In concrete
terms the 10 centimetres
of a line in the minuit
edition correspond to 10
seconds of musical
structure (which is three
times as slow as the
average reading speed).
Only seven years later is
the term / expression
casse ferique changed
into casse ferrique, and
thus its secret is
revealed, which almost
becomes - due to its
unreadability - the key
to the planned musical
cycle. The text is
measured from section to
section (big format: each
section is marked with a
continuous, ,,cold chord
by the bass flute, played
on tape recorder), from
full stop to full stop
(new entry of keynote
material), from comma to
comma (tripling of
continuous resonances)
etc. 5. DURING THE
PERFORMANCE UP TO BAR
195, THE INTERPRETER WILL
TRY - IN A KIND OF
THEATRICAL ADAPTATION -
TO EXPRESS HIS/HER OWN
FEELING OF IRREPRESSIBLY
GROWING FRUSTRATION; FROM
BAR 195 ONWARDS (S)HE
WILL DEFINITELY HAVE PUT
UP WITH THE BASS FLUTE
... Brackets in the text
bring about a reduction
of sound (the
differentiating micro
tones are no longer
used), the syntactical
progression to
subordinate clauses of
the remotest degree has
its immediate effect on
dynamics (degree of
volume). Then: the
perception of a logical
and yet erratic syntax,
vastly progressive layers
of subordinate clauses
and brackets (lowering
tone of voice?), a
polyphony of ,,memoire,
which leads to a
maelstrom of attention, a
tonally centric /
concentrated (main
material?) and
progressive (subordinate
and brackets-material?)
reading, listening and
proceeding. The different
levels are constantly in
touch - transferring the
sensuous moment of scenes
of bodily encounter
(Tryptique) that are
evoked again and again -
in perpetual excitement
of text and imagination,
memory and remembering
sensitivity. 6. THE BODY
MOVEMENTS AND FIXATION
(FIGE) , BOTH CLEARLY
PERCEPTIBLE, WILL EVOKE
AND SUPPORT THE SAME
EMOTIONS ... The basic
moods of the text will be
reflected in the
relationship (which is
very important here) of
the interpreter to the
music; (s)he is somehow
at the mercy of given
(and not always
transparent) structures
on the one hand and the
complexity of musical
sensations on the other,
which has to be defeated
inspite of exhaustion.
It's not only here that
semantic agreement
(besides the
materialistic structure)
of music and text can be
felt: On top of that
there's the existential
helplessness in view of
the mercilessly flowing
polyphony of levels and
events -- as a mirror of
this there are the
remembered scenes of the
Flemish cold in the
second chapter (Les
Georgiques). The
interpreters are
confronted with unusual
directions which
correspond to the
adjectives in the
respective passages of
the text: anachronique,
engourdi, glace et acre,
monotone et desert etc.
The possibilities of
interpretation are
amplified, the ability to
perceive and personal
reaction is opened. The
impression of this
inexorability is
multiplied in the
extremest way by the fact
that the particular
layers can be found in
Simon's complete works.
It's a continuous work of
art in which each novel
turns into a chapter of a
complex, cyclic whole;
its title denoting only
one main strand, as it
were. A personal comment
is made also as regards
the clearly defined
stage; the mise en scene
points out the
extra-musical elements
and the correlation
between text, human being
and music. 7. THE
INTERPRETER IS ASKED TO
MOVE FREELY WITHIN A
DEFINED SPOT WITHOUT
LOOKING ARTIFICIAL;
SOUNDS CAUSED BY THE FEET
MOVING ON THE SAND ARE
WELCOME DURING THE WHOLE
PIECE ... And here the
idea of a cycle is born,
an attempt to transfer
these nuances of
memorized structures,
this clarity and
coldness, to transform
the text into musical
material. Walter
Feldmann. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tempo di Minuetto - Facile Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2 - Grade 3.5 SKU: CF.CA...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2 - Grade 3.5
SKU: CF.CAS135
In the style of
Pugnani. Composed by
Fritz Kreisler. Arranged
by Deborah Baker Monday.
Carl Fischer Concert
String Orchestra Series.
Set of Score and Parts.
12+16+16+10+10+10 pages.
Duration 4 minutes, 28
seconds. Carl Fischer
Music #CAS135. Published
by Carl Fischer Music
(CF.CAS135). ISBN
9781491159248. UPC:
680160917822. Fritz
Kreisler (1875-1962) was
considered one of the
greatest violinists of
all time. He was also
known for composing a
number of pieces for
violin to be played as
solos for encores. Many
of them are known as
pastiches, which are
works composed in the
styles of other
composers. He also wrote
operettas, a string
quartet and many cadenzas
which are the most often
played by violinists
today. Tempo di Minuetto
is in the style of
Gaetano Pugnani. Kreisler
also composed his well
known Praeludium and
Allegro in the style of
this eighteenth-century
Italian
composer/violinist. Tempo
di Minuetto is a work for
violin and piano which is
a standard in the solo
repertoire. In this
arrangement, the solo
violin part has been
integrated into the
string orchestra. The
parts have been cleverly
adapted so that all
string parts have
thematic interest. It is
written in a basic
minuet-and-trio form
which will offer many
teaching points on style
and historical
perspective. The arranger
suggests that the
director and students
become acquainted with
the original work for
solo violin and piano to
familiarize them with the
style intended by
Kreisler. This will help
them recreate these
styles in their
orchestral
performance. Fritz
Kreisler
(1875–1962) was
considered one of the
greatest violinists of
all time. He was also
known for composing a
number of pieces for
violin to be played as
solos for encores. Many
of them are known as
“pastiches,â€
which are works composed
in the styles of other
composers. He also wrote
operettas, a string
quartet and many cadenzas
which are the most often
played by violinists
today.Tempo di Minuetto
is in the style of
Gaetano Pugnani. Kreisler
also composed his well
known Praeludium and
Allegro in the style of
this eighteenth-century
Italian
composer/violinist. Tempo
di Minuetto is a work for
violin and piano which is
a standard in the solo
repertoire.In this
arrangement, the solo
violin part has been
integrated into the
string orchestra. The
parts have been cleverly
adapted so that all
string parts have
thematic interest. It is
written in a basic
minuet-and-trio form
which will offer many
teaching points on style
and historical
perspective.The arranger
suggests that the
director and students
become acquainted with
the original work for
solo violin and piano to
familiarize them with the
style intended by
Kreisler. This will help
them recreate these
styles in their
orchestral
performance.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
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