| Forget You Alfred Publishing
(For a Minimum of Five Steel Drums, Plus Drumset, and Optional Bass Guitar). Com...(+)
(For a Minimum of Five
Steel Drums, Plus
Drumset, and Optional
Bass Guitar). Composed by
Christopher Brown, Peter
Hernandez, Ari Levine,
Philip Lawrence, and
Thomas Cee Lo Callaway.
Arranged by Jeff Moore.
For Steel Drum Ensemble.
Part(s); Percussion -
Steel Drum Ensemble;
Score. Alfred's Pop Steel
Drum Ensemble Series. 42
pages. Published by
Alfred Music
$18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Adagietto Ensemble de Percussions [Conducteur et Parties séparées] - Intermédiaire Tapspace Publications
(from Symphony No. 5). By Gustav Mahler (1860-1911). Arranged by Jeffrey D. Grub...(+)
(from Symphony No. 5). By
Gustav Mahler
(1860-1911). Arranged by
Jeffrey D. Grubbs. For
percussion ensemble (5
players) (5 players).
This edition: Percussion
quintet. Concert
percussion ensembles.
Note: each marimba is
shared by two players.
Alternately, four
marimbas can be used..
Medium. Score and parts
on CD-Rom. 14 pages.
Duration 10:30
$30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| When Hearts Tremble Orchestre d'harmonie - Intermédiaire Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS75 Composed by Brant Karrick. SW...(+)
Band concert band - Grade
4.5 SKU: CF.SPS75
Composed by Brant
Karrick. SWS FS. Carl
Fischer Symphonic
Performance Series. Set
of Score and Parts. With
Standard notation.
3+12+12+6+12+12+12+6+6+6+
6+6+6+9+9+9+6+6+9+9+9+9+6
+12+6+9+3+9+9+40 pages.
Duration 6 minutes, 44
seconds. Carl Fischer
Music #SPS75. Published
by Carl Fischer Music
(CF.SPS75). ISBN
9781491147702. UPC:
680160905201. 9 x 12
inches. Key: F
major. When Hearts
Tremble is an emotion
packed piece dedicated to
musician friends lost all
to soon. This beautiful
composition by Brant
Karrick reflects on the
fragility of human
existence, joyous
memories of loved ones
and their effect on
everyone around them, and
maintaining hope for what
the future will hold when
all feels lost. This tour
de force piece perfectly
displays Karrick's
polished compositional
craft with impeccable
scoring, beautiful
melodic writing, and
exceptional
orchestrational
color. While the
day-to-day grind of our
lives can be filled with
overwhelming obligations,
goals and commitments, it
is sometimes very easy to
forget just how precious
and fragile life is . It
is so easy to get caught
up in our own personal
feelings and worries that
we sometimes don’t
realize and appreciate
the many blessings we
have, especially
friendships . On
Wednesday, November 18,
2015 the Jefferson High
School Band in Jefferson,
Georgia lost two of its
members to a fatal car
accident . The victims
were brothers . Music was
a constant part of their
lives, and the boys were
talented percussionists
in the marching band . To
help with the grieving
process the school and
community commissioned
this piece to celebrate
the lives of William and
Alex Trimble .As a
father, I cannot imagine
losing a child, let alone
two, and beginning this
piece was very difficult
as I felt extreme
anguish, especially for
the parents . But it was
decided the piece should
primarily reflect the
enthusiasm, youthful
spirits and positive
influence these two young
men demonstrated as they
were deeply loved by
their band mates,
community and family .
There are four main
themes, each representing
the feelings and emotions
that are certain to occur
after a loss of loved
ones . The first theme is
a short, introductory
fanfare, strong and bold,
to stand for courage . A
second dance-like melody
features a liltingly
mixed meter to portray a
youthful and carefree
innocence . This soon
changes into a third more
song-like, and stately
theme intended to provide
encouragement as we move
forward through life .The
middle of the piece
includes a soft
transition as two snare
drummers give voice to
the boys, allowing them
to thank their friends
and assuring them that it
will be okay . This moves
directly into a slow
melody introduced by the
saxophones (Alex, the
younger brother was also
a saxophonist) and is a
time for reflection and
allows for feelings of
sadness at losing beloved
friends . However, a
second statement of the
same theme, now at full
volume with a strong
percussion cadence,
intends to lift the
spirits and allows all
friends to unite in
joyous celebration of
life . Both the
enthusiastic dance theme
and stately lyrical theme
return, now in different
keys, and work their way
toward the highly
energetic burst of
glorious sound in the
short and wild coda .
When Hearts Tremble was
written to celebrate the
joys of youth and life,
and should remind us that
our friends and loved
ones are precious, and we
should live each day to
bring more joy into the
world and into the lives
of others . $140.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I've Fallen in Love With You [Conducteur et Parties séparées] - Intermédiaire Music Sales
Flexible Wind Quartet and Percussion - intermediate SKU: BT.1239-05-070-MS(+)
Flexible Wind Quartet and
Percussion - intermediate
SKU:
BT.1239-05-070-MS
Composed by Carla Thomas.
Arranged by Peter Kleine
Schaars. Music Box. Pop &
Rock. Set (Score &
Parts). Composed 2006. 12
pages. Music Sales
#1239-05-070 MS.
Published by Music Sales
(BT.1239-05-070-MS).
9x12 inches.
English-German-French-Dut
ch. The English
female pop/rock singer
Joss Stone, who was born
in 1987, grew up with
American soul and R&B
music. Stone's impressive
style of singing has
depth and conveys
emotion. Her unique
phrasing and large voice
make us forget how young
this singer actually is.
She embraced the
opportunity to record the
soul song I've Fallen
in Love with You,
originally performed in
the 1960s by the Memphis
Queen Carla Thomas. Peter
Kleine Schaars has taken
this beautiful song and
created an arrangement
for five-part flexible
ensemble.
Het
soulnummer I've Fallen
in Love with You van
‘Memphis Queen'
Carla Thomas is weer
helemaal actueel in de
vertolking van de jonge
Engelse pop/rockzangeres
Joss Stone. Peter Kleine
Schaars heeft van deze
mooie song een
arrangement voor
vijfstemmige variabele
bezetting geschreven.
I’ve
Fallen in Love with
You, ein
Soulklassiker aus den
sechziger Jahren von
Carla Thomas, ist die der
Interpretation des
englischen Stimmwunders
Joss Stone ein
topaktueller Hit. Peter
Kleine Schaars reagierte
schnell und machte dieses
wunderschöne Lied
für eine variable
fünfstimmige
Bläserbesetzung
spielbar.
Part 1
Fl Ob Kl B S-Sax Trp Part
2 Fl Kl B Alt-Kl A-Sax
Trp Hrn Part 3 Alt-Kl
T-Sax Fg Hrn Pos Euph
Part 4 T-Sax Fg Pos Euph
Part 5 B-Kl B-Sax Fg Pos
Euph Tuba Kb Opt. Drum
I’ve
Fallen in Love with
You è un classico
della musica soul degli
anni ’60. La
canzone è divenuta un
successo
nell’interpretazio
ne di Joss Stone. Peter
Kleine Schaars ha
arrangiato questa
splendida melodia per
ensemble a strumentazione
variabile a cinue
voci. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christmas Troika Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Curnow Music
By James Curnow. (Score and Parts). Curnow Concert Band Full Set. Published by ...(+)
By James Curnow. (Score
and Parts). Curnow
Concert Band Full Set.
Published by Curnow
Music.
$69.00 $65.55 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rituals Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabas...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Oboe, Percussion,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2,
Tuba, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.44641192L
For 5 Percussionists
and Orchestra.
Composed by Ellen Taaffe
Zwilich. Contemporary.
Large Score. With
Standard notation.
Composed 2003. 72 pages.
Duration 30 minutes.
Theodore Presser Company
#446-41192L. Published by
Theodore Presser Company
(PR.44641192L). UPC:
680160610860. 11 x 14
inches. One of my
greatest pleasures in
writing a concerto is
exploring the new world
that opens for me each
time I enter the
sometimes alien, but
always fascinating, world
of a solo instrument or
instruments. For me, the
challenge is to discover
the deepest nature of the
solo instrument (its
karma, if you will) and
to allow that essential
character to guide the
shape and form of the
work and the nature of
the interaction between
soloists and orchestra.
In recent years, many of
us have become more aware
of the musical world
outside the Western
tradition of musics that
follow different
procedures and spring
from other aesthetics.
And contemporary
percussionists have
opened many of these
worlds to us, as they
have ventured around the
globe, participating in
Brazilian Samba schools,
studying Gamelan and
African drumming with
local experts, collecting
instruments from Asia and
Africa and South America
and the South Pacific,
widening our horizons in
the process. I will never
forget our first meeting
in Toronto when Nexus
invited me into their
world of hundreds of
exciting percussion
instruments. The vast
array of instruments in
the collection of the
Nexus ensemble is truly
global in scope as well
as offering a thrilling
sound-universe. I was
inspired by the
incredible range of sound
and moved by the fact
that so many of these
instruments were musical
reflections of a
spiritual dimension.
After long consideration,
I decided that it would
not only be impossible,
but even undesirable for
this
Western-tradition-steeped
composer to attempt to
use these instruments in
a culturally authentic
way. My goal was an
existential kind of
authenticity: searching
instead for universal
ideas that would be true
to both myself and the
performers while
acknowledging the
traditional uses of the
instruments. Since many
percussion instruments
are associated with
various kinds of ritual,
I decided that I would
allow that concept to
shape my piece. Rituals
is in four movements,
each issuing from a
ritual associated with
percussion, but with the
orchestral interaction
providing an essential
element in the musical
form. I. Invocation
alludes to the traditions
of invoking the spirit of
the instruments, or the
gods, or the ancestors
before performing. II.
Ambulation moves from a
processional, through
march and dance to
fantasy based on all
three. III. Remembrances
alludes to traditions of
memorializing. IV.
Contests progresses from
friendly competition
games, contests to a
suggestion of a battle of
big band drummers, to
warlike exchanges. In the
2nd and 4th movements,
another percussion
tradition, improvisation,
is employed. Written into
these movements are a
number of seeds for
improvisation.
Indications in the score
call for the soloists to
improvise in three
different ways, marked A
for percussion alone;
marked B for percussion
with and in response to
the orchestra; and C
where the percussionists
are free to add and
embellish the written
parts. These
improvisations should
grow out of and embellish
previous motives and
gestures in the
movement. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Audio Recording Boot Camp Alfred Publishing
(Hands-On Basic Training for Musicians). Composed by Bobby Owsinski. Book; Books...(+)
(Hands-On Basic Training
for Musicians). Composed
by Bobby Owsinski. Book;
Books and DVDs; DVD;
Method/Instruction; Pro
Audio; Pro Audio
Textbook; Reference
Textbooks. Boot Camp. 160
pages. Published by
Alfred Music
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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