| Concerto in Eb Major Trompette, Piano Carl Fischer
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (17...(+)
For Trumpet in Bb and
Piano, S. 49.
Composed by Johann
Nepomuk Hummel
(1778-1837). Edited by
Elisa Koehler. Arranged
by Elisa Koehler.
Romantic. Score and
part(s). With Standard
notation. 36 8 pages.
Carl Fischer #W002681.
Published by Carl Fischer
(CF.W2681).
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Trumpet Trompette [Partie séparée] Alfred Publishing
By Vittorio Giannini. For Trumpet. Brass - B-Flat Cornet (Trumpet) Solo. 36 page...(+)
By Vittorio Giannini. For
Trumpet. Brass - B-Flat
Cornet (Trumpet) Solo. 36
pages. Published by
Alfred Publishing.
$12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto For Trumpet Trompette, Piano Novello & Co Ltd.
By Edward Gregson. For Trumpet, Piano. 20th Century. Sheet Music. 58 pages. Publ...(+)
By Edward Gregson. For
Trumpet, Piano. 20th
Century. Sheet Music. 58
pages. Published by
Novello and Co Ltd.
$27.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Zatten Concerto for Trumpet & Piano Trompette, Piano - Avancé Cherry Classics
Trumpet in C and piano - advanced SKU: CY.CC2871 Composed by Roger T. Pet...(+)
Trumpet in C and piano -
advanced SKU:
CY.CC2871 Composed by
Roger T. Petrich.
Contemporary. Solo part
and Piano accompaniment.
Published by Cherry
Classics (CY.CC2871).
û¿Zat
ten was
commissioned in 2005 by
Trumpeter Paul Neebe
during the composer's
vacation to do ancestral
research in the town of
Zatten, currently part of
Poland. Roger Petrich
writes the following
about his Zatten Concerto
for Trumpet: The
'DNA' of this compostion
tracks back to my
great-grandfather and the
tiny Plattdeutsch village
where he was born.
Zatten, [then] located in
the eastern part of
Berlin/Brandenburg is in
an area of forest and
small farms dating back
to the 1600's. My
grandfather R. T.
Petrich, whose initials I
bear, was six years old
when he, along with his
parents, sister, and
older brother left
Prussia to start a new
life in the USA. My
own childhood memories
include many visits to
the family homestead in
Dakota Territory, where I
used to play in the barn
which hosted many summer
dances. The Dakota sky
was vast by day, and
nights could become
magical with the addition
of the Northern Lights.
Though not a professional
musician, my father kept
up his trumpet playing
all his life. In a
special way it was his
voice - a sound that
deeply imprinted all my
growing up years. All of
this is mixed together in
my Zatten
Concerto The Zatten
Concerto is in three
movements, the two outer
movements faster and the
middle is a Largo. This
work is appropriate for
advanced
performers. The title
Zatten (the
name of the small village
in Germany where his
family was located before
immigrating to the USA)
is spelled out in Morse
Code in the very opening
eight bars of the work.
The Concerto is
originally written for
Trumpet and String
Orchestra, this version
using a reduction for
Piano. $37.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto in E Major Trompette Carl Fischer
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano,
Trumpet SKU:
CF.W2682 For
Trumpet in E and Piano,
S.49. Composed by
Johann Hummel. Edited by
Elisa Koehler. Set of
Score and Parts. With
Standard notation. 36+8
pages. Carl Fischer Music
#W2682. Published by Carl
Fischer Music (CF.W2682).
ISBN 9781491144954.
UPC: 680160902453. 9 x 12
inches. Key: E
major. Edited by
Elisa Koehler, Associate
Professor and Chair of
the Music Department at
Goucher College, this new
edition of Johann Nepomuk
Hummel's Concerto in E
Major for trumpet in E
and piano presented in
its original key. The
concerto by Johann
Nepomuk Hummel
(1778–1837)holds a
unique place in the
trumpet repertoire. Like
theconcerto by Joseph
Haydn (1732–1809)
it was written forthe
Austrian trumpeter Anton
Weidinger
(1766–1852) andhis
newly invented keyed
trumpet, performed a few
timesby Weidinger, and
then forgotten for more
than 150 yearsuntil it
was revived in the
twentieth century. But
unlikeHaydn’s
concerto in Eb major,
Hummel’s Concerto
a Trombaprincipale (1803)
was written in the key of
E major for atrumpet
pitched in E, not
E≤. This difference
of key proved tobe quite
a conundrum for
trumpeters and music
publishersin the
twentieth century. The
first modern edition,
publishedby Fritz Stein
in 1957, transposed the
concerto down onehalf
step into the key of
E≤ to make it more
playable on atrumpet in
Bb, which had become the
standard instrumentfor
trumpeters by the middle
of the twentieth
century.Armando Ghitalla
made the first recording
of the Hummel in1964 in
the original key of E (on
a C-trumpet) after
editinga performing
edition in 1959 in the
transposed key of
E≤ (forBb trumpet)
published by Robert King
Music. Needless tosay,
the trumpet had changed
dramatically in terms of
design,manufacture, and
cultural status between
1803 and 1957, andthe
notion of classical solo
repertoire for the modern
trumpetwas still in its
formative stages when the
Hummel concertowas
reborn.These factors
conspired to create
confusion regarding
thenumerous
interpretative challenges
involved in performingthe
Hummel concerto according
to the composer’s
originalintentions on
modern trumpets. For
those seeking the
bestscholarly
information, a facsimile
of Hummel’s
originalmanuscript score
was published in 2011
with a separatevolume of
analytical commentary by
Edward H. Tarr,1 whoalso
published the first
modern edition of the
concertoin the original
key of E major (Universal
Edition, 1972).This
present
edition—available
in both keys: Eb and
Emajor—strives to
build a bridge between
scholarship
andperformance traditions
in order to provide
viable options forboth
the purist and the
practitioner.Following
the revival of the Haydn
trumpet concerto, acase
could be made that some
musicians were
influencedby a type of
normalcy bias that
resulted in
performancetraditions
that attempted to make
the Hummel morelike the
Haydn by putting it in
the same key,
insertingunnecessary
cadenzas, and adding
trills where they
mightnot belong.2 Issues
concerning tempo and
ornamentationposed
additional challenges. As
scholarship and
performancepractice
surrounding the concerto
have become betterknown,
trumpeters have
increasingly sought to
performthe concerto in
the original key of E
major—sometimes
onkeyed
trumpets—and to
reconsider more recent
performancetraditions in
the transposed key of
Eb.Regardless of the key,
several factors need to
be addressedwhen
performing the Hummel
concerto. The most
notoriousof these is the
interpretation of the
wavy line (devoid of
a “trâ€
indication), which
appears in the second
movement(mm. 4–5
and 47–49) and in
the finale (mm.
218–221).
InHummel’s
manuscript score, the
wavy line resembles a
sinewave with wide,
gentle curves, rather
than the tight,
buzzingappearance of a
traditional trill line.
Some have argued that
itmay indicate intense
vibrato or a fluttering
tremolo betweenopen and
closed fingerings on a
keyed trumpet.3 In
Hummel’s1828 piano
treatise, he wrote that a
wavy line without a
“trâ€sign
indicates uneigentlichen
Triller oder den
getrillertenNoten
[“improperâ€
trills or the notes that
are trilled],
andrecommends that they
be played as main note
trills that arenot
resolved [ohne
Nachschlag].4
Hummel’s piano
treatisewas published
twenty-five years after
he wrote the
trumpetconcerto, and his
advocacy for main note
trills (rather thanupper
note trills) was
controversial at the
time, so trumpetersshould
consider all of the
available options when
formingtheir own
interpretation of the
wavy line.Unlike Haydn,
Hummel did not include
any fermatas
wherecadenzas could be
inserted in his trumpet
concerto. The endof the
first movement, in
particular, includes
something likean
accompanied cadenza
passage (mm.
273–298), a
featureHummel also
included at the end of
the first movement ofhis
Piano Concerto No. 5 in
Ab Major, Op. 113 (1827).
Thethird movement
includes a quote
(starting at m. 168)
fromCherubini’s
opera, Les Deux
Journées (1802), that
diverts therondo form
into a coda replete with
idiomatic fanfares
andvirtuosic figuration.5
Again, no fermata appears
to signal acadenza, but
the obbligato gymnastics
in the solo trumpetpart
function like an
accompanied cadenza.Other
necessary considerations
include tempo choicesand
ornamentation. Hummel did
not include
metronomemarkings to
quantify his desired
tempi for the
movements,but clues may
be gleaned through the
surface evidence(metric
pulse, beat values,
figuration) and from the
stratifiedtempo table
that Hummel included in
his 1828 piano
treatise,where the first
movement’s
“Allegro con
spirito†is
interpretedas faster than
the “Allegroâ€
(without a modifier) of
the finale.6In the realm
of ornamentation, Hummel
includes severalturns and
figures that are open to
interpretation. This
editionincludes
Hummel’s original
symbols (turns and
figuration)along with
suggested realizations to
provide musicians
withoptions for forming
their own
interpretation.Finally,
trumpeters are encouraged
to listen to Mozart
pianoconcerti as an
interpretive context for
Hummel’s
trumpetconcerto. Hummel
was a noted piano
virtuoso at the end ofthe
Classical era, and he
studied with Mozart in
Vienna asa young boy.
Hummel also composed his
own cadenzas forsome of
Mozart’s piano
concerti, and the
twenty-five-year-oldcompo
ser imitated
Mozart’s
orchestral gestures and
melodicfiguration in the
trumpet concerto (most
notably in the
secondmovement, which
resembles the famous slow
movement
ofMozart’s Piano
Concerto No. 21 in C
Major, K. 467). $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Richard Rodney Bennett: Concerto For Trumpet (Trumpet and Piano Reduction) Trompette, Piano Music Sales
Trumpet and Piano - intermediate-advanced SKU: HL.14002566 Composed by Ri...(+)
Trumpet and Piano -
intermediate-advanced
SKU: HL.14002566
Composed by Richard
Rodney Bennett. Music
Sales America. Post-1900.
Book [Softcover]. Music
Sales #NOV361044.
Published by Music Sales
(HL.14002566).
8.25x11.75x0.162
inches. The Trumpet
and Piano Reduction of
Richard Rodney Bennett's
Concerto For Trumpet, for
Tim Reynish. $30.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| John Williams: Concerto For Trumpet And Orchestra Trompette, Piano Hal Leonard
Composed by John Williams. For Bb or C Trumpet and piano. Includes instrumental ...(+)
Composed by John
Williams. For Bb or C
Trumpet and piano.
Includes instrumental
solo parts and piano
reduction. With Bb
Trumpet solo part, C
Trumpet solo part and
piano accompaniment
(orchestral reduction).
20th century and movies.
Series: John Williams
Signature. 44 pages. 9x12
inches. Published by Hal
Leonard
(2)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto For Trumpet - Trumpet/Piano Trompette, Piano [Set de Parties séparées] Associated
Set of performance parts. By Karel Husa. (Trumpet). Brass Solo. Size 9x12 inche...(+)
Set of performance parts.
By Karel Husa.
(Trumpet). Brass Solo.
Size 9x12 inches. 56
pages. Published by
Associated.
$35.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
Plus de résultats boutique >> |