| Sarah Quartel : Songbird Chorale 3 parties SSA A Cappella [Vocal Score] Oxford University Press
By Sarah Quartel. For SSA choir, a cappella. Upper Voices. Songbird. Secular, Ch...(+)
By Sarah Quartel. For SSA
choir, a cappella. Upper
Voices. Songbird.
Secular, Choral Leaflet.
Vocal score. 12 pages.
Duration 2.5'. Published
by Oxford University
Press
$3.65 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Songbird [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS115F
Composed by Yukiko
Nishimura. Concert String
Orchestra (CAS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #CAS115F.
Published by Carl Fischer
Music (CF.CAS115F).
ISBN 9781491151716.
UPC: 680160909216. 9 x 12
inches. Composer
Yukiko Nishimura presents
Songbird, written for
string orchestra in her
signature fresh
compositional style.
After a short
introduction, the main
theme is a Siciliano-like
melody, a dance in 6/8
time, followed by a
brilliant and lively
section. The melody makes
use of long phrasing
balanced by many
wonderful
countermelodies. S
ongbird is composed
in a standard ABA form.
After a short
introduction the main
theme is a siciliano-like
melody, which is a dance
in 6/8 time. A brilliant
and lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about the
groove of what is
comfortable and
appropriate in
performing. Songbi
rdA is composed in a
standard ABA form. After
a short introduction the
main theme is a
siciliano-like melody,
which is a dance in 6/8
time. A brilliant and
lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about A the
agroove of what is
comfortable and
appropriate in
performing. Songbi
rdA is composed in a
standard ABA form. After
a short introduction the
main theme is a
siciliano-like melody,
which is a dance in 6/8
time. A brilliant and
lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about A the
agroove of what is
comfortable and
appropriate in
performing. Songbi
rd is composed in a
standard ABA form. After
a short introduction the
main theme is a
siciliano-like melody,
which is a dance in 6/8
time. A brilliant and
lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about the
groove of what is
comfortable and
appropriate in
performing. Songbird
is composed in a standard
ABA form. After a short
introduction the main
theme is a siciliano-like
melody, which is a dance
in 6/8 time. A brilliant
and lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about the
groove of what is
comfortable and
appropriate in
performing. Songbird
is composed in a standard
ABA form. After a short
introduction the main
theme is a siciliano-like
melody, which is a dance
in 6/8 time. A brilliant
and lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about the
groove of what is
comfortable and
appropriate in
performing. Songbird
is composed in a standard
ABA form. After a short
introduction the main
theme is a siciliano-like
melody, which is a dance
in 6/8 time. A brilliant
and lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end.The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about the
groove of what is
comfortable and
appropriate in
performing. $9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Songbird - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS115
Composed by Yukiko
Nishimura. Concert String
Orchestra (CAS). Set of
Score and Parts. With
Standard notation.
16+16+4+10+10+10+4+12
pages. Duration 5
minutes, 17 seconds. Carl
Fischer Music #CAS115.
Published by Carl Fischer
Music (CF.CAS115).
ISBN 9781491151341.
UPC: 680160908844. 9 x 12
inches. Key: B
minor. Composer
Yukiko Nishimura presents
Songbird, written for
string orchestra in her
signature fresh
compositional style.
After a short
introduction, the main
theme is a Siciliano-like
melody, a dance in 6/8
time, followed by a
brilliant and lively
section. The melody makes
use of long phrasing
balanced by many
wonderful
countermelodies. S
ongbird is composed
in a standard ABA form.
After a short
introduction the main
theme is a siciliano-like
melody, which is a dance
in 6/8 time. A brilliant
and lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about the
groove of what is
comfortable and
appropriate in
performing. Songbi
rdA is composed in a
standard ABA form. After
a short introduction the
main theme is a
siciliano-like melody,
which is a dance in 6/8
time. A brilliant and
lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about A the
agroove of what is
comfortable and
appropriate in
performing. Songbi
rdA is composed in a
standard ABA form. After
a short introduction the
main theme is a
siciliano-like melody,
which is a dance in 6/8
time. A brilliant and
lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about A the
agroove of what is
comfortable and
appropriate in
performing. Songbi
rd is composed in a
standard ABA form. After
a short introduction the
main theme is a
siciliano-like melody,
which is a dance in 6/8
time. A brilliant and
lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about the
groove of what is
comfortable and
appropriate in
performing. Songbird
is composed in a standard
ABA form. After a short
introduction the main
theme is a siciliano-like
melody, which is a dance
in 6/8 time. A brilliant
and lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about the
groove of what is
comfortable and
appropriate in
performing. Songbird
is composed in a standard
ABA form. After a short
introduction the main
theme is a siciliano-like
melody, which is a dance
in 6/8 time. A brilliant
and lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end. The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about the
groove of what is
comfortable and
appropriate in
performing. Songbird
is composed in a standard
ABA form. After a short
introduction the main
theme is a siciliano-like
melody, which is a dance
in 6/8 time. A brilliant
and lively second section
follows in m. 41. The
melody has a long
phrasing, and many of the
countermelodies are
hiding in each part. From
m. 106, there is a short
coda, where the tempo
becomes increasingly
faster until the end.The
most important thing to
consider when performing
this music is to feel the
beat as duple time.
Always think about the
groove of what is
comfortable and
appropriate in
performing. $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Beat of a Different Drum Chorale 2 parties SA, Piano [Vocal Score] Oxford University Press
Composed by Sarah Quartel. Songbird. Vocal score. 16 pages. Duration 3'. Publish...(+)
Composed by Sarah
Quartel. Songbird. Vocal
score. 16 pages. Duration
3'. Published by Oxford
University Press
(OU.9780193512719).
$4.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Here in my Heart Chorale SSAA SSAA, Piano [Octavo] Oxford University Press
Composed by Sarah Quartel. For SSAA choir and piano. Upper Voices. Songbird. Sec...(+)
Composed by Sarah
Quartel. For SSAA choir
and piano. Upper Voices.
Songbird. Secular. Level
B (easy). Octavo. 16
pages. Duration 5
minutes. Published by
Oxford University Press
$4.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I will be with you Chorale SSAA SSAA A Cappella Oxford University Press
Composed by Sarah Quartel. Songbird. Vocal score. 8 pages. Duration 3'. Oxford...(+)
Composed by Sarah
Quartel.
Songbird. Vocal score. 8
pages. Duration 3'.
Oxford
University Press
#9780193525924. Published
by
Oxford University Press
$3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Songbird CD Chorale [CD d'accompagnement] Hal Leonard
| | |
| Songbird Chorale SSAA SSAA divisi, A Cappella Contemporary A Cappella Publishing
By Christine Mcvie. Arranged by Deke Sharon. SSAA Div A Cappella. Choral. 12 pag...(+)
By Christine Mcvie.
Arranged by Deke Sharon.
SSAA Div A Cappella.
Choral. 12 pages
(2)$1.80 $1.71 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
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