PARTITIONS GRATUITES : GUITARE SEULE (NOTATION STANDARD)
- Fabulous

Narration, Baritone Voice, Bass Voice, SATB, SAB and Orchestra

SKU: BT.MUSM570200733

Composed by David Blake. Score Only. 60 pages. University of York Music Press #MUSM570200733. Published by University of York Music Press (BT.MUSM570200733).

English.

For Narrator, Baritone, Bass, and various solo children's voices. With words by John Birtwhistle. First performed at Castle Theatre, Mitiline, Lesvos on 11th July 1998, conducted by the composer. The UK premiere was at the University of York, November 1999.

Trumpet

SKU: HL.48185858

Composed by Armando Ghidoni. Leduc. Classical. Softcover. 3 pages. Alphonse Leduc #AL29597. Published by Alphonse Leduc (HL.48185858).

UPC: 888680857455. 9.0x12.0x0.084 inches.

For trumpet (or cornet) and piano.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5

SKU: CF.CAS91

Composed by Julie Lieberman. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. With Standard notation. 16+16+10+4+10+10+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #CAS91. Published by Carl Fischer Music (CF.CAS91).

ISBN 9781491142066. UPC: 680160630127. Key: G minor.

This lighthearted quodlibet was commissioned by ASTA and premiered at the 2015 conference. It provides a fabulous tool to introduce your students to key musical themes across time. The score plays off of the musician's nocturnal mind to combine twelve historic themes by condensing and expanding them the way our subconscious mind often toys with daytime experiences. In total, this composition celebrates the string player's full potential: Where loyalty to the written note serves the imagination's creative playground. What is composition, if not a grand improvisation captured in a snapshot?.
I am a firm advocate for creative conducting, so I encourage you to experiment with changes in tempi to segue between themes, and/or to take musical liberty with the actual transitions between the themes, as long as there is still a feeling of forward momentum.If you want to fulfill the theatricality of the score, it would be fabulous to look at the audience (with a raised eyebrow, or a smile on your face, or whatever facial expression you think suits these moments in the score) at m. 14 and again at m. 21.In addition, it will help to conduct with wider gestures when themes change or the volume suddenly drops or swells. This will help the audience understand that these sudden changes between themes or dynamics are intended and will also help the students highlight those spots (particularly across the complex thematic shifts between mm. 62 and 94).The grandiosity from m. 110 through the end can be pushed to its zenith, particularly if you control prior forte settings such that the end gets the grand push.CAS91FThemes in String Dreams include:1. Twinkle, Twinkle Little Star2. Second Kreutzer Etude3. Concerto in A Minor, Vivaldi 4. Cello Suite No. 1, Bach5. St. Louis Blues, W.C. Handy 6. Minuet in G, Bach—Julie Lyonn Lieberman,Artistic Director, Strings Without Boundaries www.julielyonn.com | www.stringswithoutboundar ies.com.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Sister Act -- The Musical. (Vocal Selections (Piano/Vocal/Chords)). By Alan Menkin. For Keyboard; Piano; Voice. This edition: Vocal Selections (Piano/Vocal/Chords). Book; Piano/Vocal/Chords; Shows and Movies. Faber Edition. Broadway. Published by Faber Music

Piano

SKU: HL.14042802

Composed by Sadie Harrison. Music Sales America. Softcover. University of York Music Press #M570364602. Published by University of York Music Press (HL.14042802).

These short pieces are inspired by the extraordinary piano music of the little known Yorkshire composer William Baines. Baines died in 1922 at the age of 23 but left behind a substantial catalogu e of over 150 works. Likened to that of Scriabin, Baines’ piano music is sensuous, highly coloured and quite unlike anything being written by his British contemporaries.  Shadows (Volume I)  are reflections on episodes from Baines’ life and diary entries, each piece incorporating a chord, a gesture or a figuration from one of Baines’ solo piano works. It was particularly fitting that the set received its premiere in Yorkshire inthe fabulous surroundings of Ripon Cathedral. 

These short pieces are inspired by the extraordinary piano music of the little known Yorkshire composer William Baines. Baines died in 1922 at the age of 23 but left behind a substantial catalogu e of over 150 works. Likened to that of Scriabin, Baines’ piano music is sensuous, highly coloured and quite unlike anything being written by his British contemporaries.  Shadows (Volume I) are reflections on episodes from Baines’ life and diary entries, each piece incorporating a chord, a gesture or a figuration from one of Baines’ solo piano works. It was particularly fitting that the set received its premiere inYorkshire in the fabulous surroundings of Ripon Cathedral. 

By Sally K. Albrecht, Jay Althouse. Children's Musicals and Programs. Christmas and Choral. CD only - No Sheet Music included. Published by Alfred Publishing.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2 - Beginning

SKU: GI.G-6665

Concertato on MOVILLE. Arranged by John Ferguson. Eastertide, Christ the King, Ascension, OT 20 C. Choral. Tune name: Moville. Sacred. Octavo. 12 pages. GIA Publications #6665. Published by GIA Publications (GI.G-6665).

UPC: 785147666509. English. Text Source: St. Columba, 521–597, tr. Duncan MacGregor, 1854–1923, alt.

This Irish hymn, moville, is set for brass, organ, choir, and assembly. The tune is fresh, readily singable, and delightfully scored, including a 16-measure third stanza that will require the choir to work a bit. All in all, a fabulous piece for Christ the King or any festive occasion. John Ferguson has skillfully set a traditional, sturdy Irish melody for SATB voices and brass with optional assembly. The inner verse is for choir without assembly and is punctuated by short phrases in the brass. Good for Eastertide or general use.

A fabulous piece for Christ the King or any festive occasion.

By Sally K. Albrecht, Jay Althouse. Children's Musicals and Programs. Christmas and Choral. 5 Singer's Editions. Published by Alfred Publishing.