PARTITIONS GRATUITES : 2 GUITARES (DUO)
- Ernest W

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, tuba, timpani - Early intermediate

SKU: GI.G-8679

Concertato on LANCASHIRE. Composed by Smart Henr. Arranged by Robert J. Powell. Eastertide, Easter Sunday, Christ the King. Choral. Tune Name: Lancashire. Sacred. Octavo. 12 pages. GIA Publications #8679. Published by GIA Publications (GI.G-8679).

UPC: 785147867906. English. Text Source: Text I: John of Damascus, ca. 675-ca. 749, tr. John Mason Neale, 1818-1866, alt., Text II: Ernest W. Shurtleff, 1862-1917. Text by Ernest W. Shurtleff.

This majestic arrangement of LANCASHIRE by Robert Powell, with innovative modulations and interludes, will engage and inspire your congregation. The addition of optional brass quintet and timpani makes this a triumphant complement to any celebration. A second text is included, which can expand the usefulness of the piece to other occasions. Trombone I can be substituted for Horn in F.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in F, trombone 1, trombone 2, tuba, timpani

SKU: GI.G-8679INST

Concertato on LANCASHIRE. Composed by Smart Henr. Arranged by Robert J. Powell. 1) Eastertide, 1) Easter Sunday, 2) Christ the King. Tune Name: Lancashire. Sacred. Full score and parts. 16 pages. GIA Publications #8679INST. Published by GIA Publications (GI.G-8679INST).

English. Text Source: Text I: John of Damascus, ca. 675–ca. 749, tr. John Mason Neale, 1818–1866, alt., Text II: Ernest W. Shurtleff, 1862–1917. Text by Ernest W. Shurtleff.

By Henry J. Smart & Ernest W. Shurtleff. Arranged by Joel Raney. For SATB choir. (SATB). Hymntune and Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

By W.J. Lauffensteiner. Arranged by Ernesto Quezada. For 2 guitars. Level 3. Score. 28 pages. Published by Les Productions d'OZ

15 Pieces. Composed by Julian Byzantine. Arranged by Julian Byzantine. This edition: Saddle stitching. Sheet music with CD. Schott World Music. Folk, Classical, Brazilian. Edition/Softcover with CD. 13582. 52 pages. Schott Music #ED13582. Published by Schott Music

Sacred Music for Lower Voices. By Barry Rose. Edited by Barry Rose. The Novello Choral Programme. Sacred. Book [Softcover]. 152 pages. Novello and Co Ltd. #MUSNOV381000. Published by Novello and Co Ltd.