PARTITIONS GRATUITES : GUITARE, VIOLON
- Mexico City

Popular Type Dance Hall in Mexico City. By Aaron Copland. (Study Score). Boosey and Hawkes Scores and Books. Size 5.5x7.5 inches. Published by Boosey and Hawkes.

Popular Type Dance Hall in Mexico City. By Aaron Copland. (Score). Boosey and Hawkes Scores and Books. Softcover. Size 8.5x11 inches. 44 pages. Published by Boosey & Hawkes.

Piano

SKU: PR.701175060

Arranged by Edison Quintana. Peermusic Classical #70117-506. Published by Peermusic Classical (PR.701175060).

UPC: 888680101268.

“Th e idea of writing the Danzón No.2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez, both of whom are experts in salon dances with a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salon in Mexico City. From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the State of Veracruz and in the dance parlors of Mexico City. The Danzón No.2 is a tribute to the environment that nourishes the genre. It endeavors to get as close as possible to the dance, to its nostalgic melodies, to its wild rhythms, and although it violates its intimacy, its form and its harmonic language, it is a very personal way of paying my respects and expressing my emotions towards truly popular music. Danzón No.2 was written on a commission by the Department of Musical Activities at Mexico’s National Autonomous University and is dedicated to my daughter Lily.” -- Arturo Marquez About the danzon genre, Lidice Valenzuela writes in Cubanow: The history of the danzon goes back to the arrival in Cuba of the European contradance. It came in three different ways: directly from Spain, the colonial metropolis; with the British, who occupied Havana in 1762; and the French colonizers and their slaves who landed in Cuba's Eastern shores after fleeing from the Haitian Revolution. From all of that trans-cultural process the Danzon was born. This new Cuban dance, naturalized by the Creoles, had much more expressive freedom: the couple danced in each other's arms, and the dancing time was extended. People began calling it Danzon and it was in Matanzas, in the 1870s that figure dancing also began to be called Danzon. Thus, Failde, an outstanding musician, named his composition with the generic name of Danzon..

Piano

SKU: PR.701185010

Arranged by Leticia Gómez-Tagle. Peermusic Classical #70118-501. Published by Peermusic Classical (PR.701185010).

UPC: 888680101275.

“Th e idea of writing the Danzón No.2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez, both of whom are experts in salon dances with a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salon in Mexico City. From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the State of Veracruz and in the dance parlors of Mexico City. The Danzón No.2 is a tribute to the environment that nourishes the genre. It endeavors to get as close as possible to the dance, to its nostalgic melodies, to its wild rhythms, and although it violates its intimacy, its form and its harmonic language, it is a very personal way of paying my respects and expressing my emotions towards truly popular music. Danzón No.2 was written on a commission by the Department of Musical Activities at Mexico’s National Autonomous University and is dedicated to my daughter Lily.” -- Arturo Marquez About the danzon genre, Lidice Valenzuela writes in Cubanow: The history of the danzon goes back to the arrival in Cuba of the European contradance. It came in three different ways: directly from Spain, the colonial metropolis; with the British, who occupied Havana in 1762; and the French colonizers and their slaves who landed in Cuba's Eastern shores after fleeing from the Haitian Revolution. From all of that trans-cultural process the Danzon was born. This new Cuban dance, naturalized by the Creoles, had much more expressive freedom: the couple danced in each other's arms, and the dancing time was extended. People began calling it Danzon and it was in Matanzas, in the 1870s that figure dancing also began to be called Danzon. Thus, Failde, an outstanding musician, named his composition with the generic name of Danzon..

Flute; Piano - intermediate

SKU: HL.49008044

10 Easy Pieces. Composed by Heinz Both. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 36 pages. Schott Music #ED8485. Published by Schott Music (HL.49008044).

ISBN 9790001112888. UPC: 073999696097. 9.0x12.0x0.125 inches.

Dancing Flute contains ten pieces based on characteristic dances of various countries, such as Germany, USA, Great Britain, Australia and Mexico. These tuneful and lively piece are easy and equally suitable for amateurs and students. Mucki, Tanzintermezzo (Deutschland) * White Lady, Milk Cocktail (Grossbritannien) * Country Lily, Western Melody (Australien) * Santa Monica Blues (Kalifornien) * High School Dixie (USA) * Latin Ballad (Mexico) * Farmer Boy (Kansas City) * Michail (Russland) * Sunday Party (New Orleans) * Tiberias (Israel).

Bass Clarinet Solo

SKU: IS.BC6931EM

Composed by Victor Baez. Woodwinds - Bass Clarinet / Basset Horn. Metropolis Music Publishers #BC6931EM. Published by Metropolis Music Publishers (IS.BC6931EM).

ISBN 9790365069316.

Born in Mexico City, Víctor Báez's works have been performed in concerts and premieres in several cities in North and South America and Europe, such as Klangspuren Schwaz, Komponisten Marathon Vienna and the International Forum for New Music in Mexico City. His work is broadcasted regularly by the Mexican and Austrian radio. Prizes and awards include 3 consecutive yearly composition grants from the Austrian Ministry of Arts, Culture and Education, a START Grant for New Young Artists, and the Fulbright Scholarship for his oncoming doctoral studies, starting in the Fall of 2014 in New York City. This composition was written for bass clarinet soloist Sarah Watts, who did extensive research on bass clarinet multiphonics. This piece is a great illustration on the integration of multiphonics in contemporary music.

Symphony Orchestra or Chamber Orchestra (Symphony Orchestra: 3 flutes (piccolo), 2 oboes, 2 clarinets, bass clarinet, 3bassoon(contra); 4horn, 2 trumpets, 3trombone(bass), tuba; timpani, 3 percussion, harp, piano; strings; Chamber Orchestra: 2 flutes (piccolo), 2 oboes, 2 clarinets, 2 bassoons;)

SKU: SU.90810090

For symphony Orchestra or Chamber Orchestra. Composed by Nancy Galbraith. Orchestra. Study Score. Composed 1994. Duration 9'. Subito Music Corporation #90810090. Published by Subito Music Corporation (SU.90810090).

Symphony Orchestra: 3fl(pic), 2ob, 2cl, bcl, 3bn(contra); 4hn, 2tpt, 3tbn(bs), tba; timp, 3 perc, hrp, pno; strings Chamber Orchestra: 2fl(pic), 2ob, 2cl, 2bn; 2hn, 2tpt, 2tbn; timp, 2 perc; strings Duration: 9' Composed: 1994 Published by: Subito Music Publishing Full Score & Parts: available on rental: This work... is characteristic of the purest American style of the composer, who creates modern music without disdaining rhythm and melody, as well as a very peculiar lyricism. —El Día, Mexico City The composition in only one movement, allows us to feel its brilliance and its charm and at the same time its power... —Nuestro Pais, Mexico City.