| American Death Ballads Piano, Voix [Vocal Score] Schirmer
Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st Cent...(+)
Composed by David Conte
(1955-). Vocal
Anthology/Vocal Solo.
Secular, 21st Century.
Vocal score. 35 pages.
Published by E.C.
Schirmer Publishing
(EC.8454).
$17.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| American Death Ballads Piano, Voix Schirmer
Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st cent...(+)
Composed by David Conte
(1955-). Vocal
Anthology/Vocal Solo.
Secular, 21st century.
Vocal score. 35 pages.
Published by E.C.
Schirmer Publishing
(EC.8455).
$17.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tangos y otros rimos de America del Sur Saxophone Alto et Piano [Set de Parties séparées] Doblinger
Tangos and other Rhythms from South America. Composed by Roberto Pintos. ...(+)
Tangos and other
Rhythms from South
America. Composed by
Roberto Pintos. Woodwind
music. Set of parts.
Published by Doblinger
Music Publishers
(DB.05-00483).
$28.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Miniatures for Ensemble (2009/2016) - Intermédiaire Wilhelm Hansen
Ensemble (Score) - Grade 4 SKU: HL.14048354 Score. Composed by Eiv...(+)
Ensemble (Score) - Grade
4 SKU: HL.14048354
Score. Composed by
Eivind Buene. Music Sales
America. Classical.
Softcover. Composed 2016.
38 pages. Edition Wilhelm
Hansen #WH32900.
Published by Edition
Wilhelm Hansen
(HL.14048354). ISBN
9788759838808. UPC:
888680914981. 12x16.75
inches.
English. Miniatures
for Ensemble by Eivind
Buene (2009/2016).
Movements I+V
commissioned by BIT20
(2009) II.III and IV
commissioned by The
Arctic Philharmonic
Sinfonietta (2016) Parts
are available for hire:
hire@ewh.dk. $44.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Golden Age of American Bands GIA Publications
SKU: GI.G-10368 A Document History (1835-1935). Composed by Bryan ...(+)
SKU: GI.G-10368
A Document History
(1835-1935). Composed
by Bryan J. Proksch.
Music Education. 346
pages. GIA Publications
#10368. Published by GIA
Publications
(GI.G-10368). ISBN
9781622776276. This
is a fascinating and
important book for
everybody even remotely
interested in the history
of American bands. Bryan
Proksch has done some
painstakingly thorough
research in putting
together an amazing
assemblage of
documents… This is
a must-have book!
—Jon Ceander
Mitchell   The
Wind Music Research
Quarterly:
Mitteilungsblatt der IGEB
  (March 2022),
14–15 For the
scholar, each entry
presents an opportunity
for expansion. For the
teacher, this work
provides source readings
for courses on wind band
history or for
complementing Strunk or
Weiss-Taruskin in
university music history
courses. That said, these
documents stand as an
enriching and
entertaining read in
their own right for
anyone interested in the
subject. —Michael
O’Connor  Â
Historic Brass Today 1/2
(Spring 2022), 32 The
Golden Age of American
Bands is ideally suited
for courses on the
history and literature of
bands in America. Indeed,
this volume could suffice
as a textbook for
adventuresome teachers in
that it touches on the
major musicians,
instruments, ensembles,
and functions expected of
such a course. . . . Both
private and classroom
band instructors will
find compelling glimpses
into the history of their
craft. [It is] bursting
with opportunities to
inspire curiosity in
their students while
effectively supporting
their own curricular
goals. —Benjamin
D. Lawson and James A.
Davis   The
Journal of Music History
Pedagogy Proksch’s
new collection of
documents is a most
welcome step in the
direction of getting [the
story of bands] under
control. The
juxtaposition of
documents from so many
levels and types of
ensembles proves to have
a cumulative effect: one
begins to see the subtle
and long-lasting
connections among them
despite the big
differences. It is easy
to envision it as a
supplemental text in a
course on band history
and literature, but the
book is also just an
absorbing read. There is
much to learn here, and
much to enjoy.
—Ken Kreitner Â
 Notes 79/2 (December
2022): 217-218 This is
the story of the American
wind band, told
chronologically by those
who experienced it in
real time from 1835 to
1935. How did bands
become bands? How did
they rise in popularity?
Which figures had
insights and specific
impacts on the
development of the genre?
Through source documents
and articles, Bryan
Proksch takes us on an
extraordinary journey
from the time of the
first brass bands in the
1830s, through the Civil
War and the golden ages
of Gilmore and Sousa, to
the cusp of the wind
ensemble just before
World War II. Hear from a
young Frederick Fennell
about his efforts to
create the first band at
Eastman. Read the outline
of Allessandro
Liberati’s
unpublished trumpet
method book. Eavesdrop on
Karl L. King as he muses
on the fate of bands
after the death of Sousa.
See Patrick
Conway’s first
undergraduate music
education curriculum.
Gawk as trombonist
Fredrick Neil Innes
embarrasses
“world’s
greatest cornetistâ€
Jules Levy at Coney
Island. Explore as Alan
Dodworth revolutionizes
bands. Retreat with a
military band in the
middle of a Civil War
battle. Find out what it
felt like to sit in a
Sousa Band rehearsal. Ask
Herbert L. Clarke why he
thinks you should be
playing a cornet instead
of a trumpet. Find out
how P. S. Gilmore managed
to pull off the biggest
concert events in
American history. The
book includes numerous
rare and unknown
illustrations to show you
the places where band
history happened. The
documents include rare
periodical excerpts,
handwritten letters, and
other writings taken from
archives throughout the
United States. These
first-person accounts are
certain to further refine
and deepen our
understanding and
appreciation of American
band history on a grand
scale. Contents:
Beginnings
(1835–1859) The
Civil War
(1860–1865) The
Jubilees
(1866–1879) The
Gilded Age
(1880–1896) The
Band Age
(1897–1914) World
War I (1915–1919)
Transition and Decline
(1920–1935) Â
Click here to download a
FREE addenda. Bryan
Proksch is a
distinguished faculty
lecturer and associate
professor of music
history and literature at
Lamar University in
Beaumont, Texas. This is
his third book. His A
Sousa Reader: Essays,
Interviews, and Clippings
(GIA Publications, 2016)
explores the documents
relating to the life and
career of John Philip
Sousa. $39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Festivus Americas Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1165658-030 Composed by Stephen Bulla. C...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1165658-030
Composed by Stephen
Bulla. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165658-030. Published by
De Haske Publications
(BT.DHP-1165658-030).
English-German-French-
Dutch. Dedicated to
the North American
Brass Band
Association, this is
music that is full of
energy and dynamic
extremes. In form it
draws from the overture
style, although the
themes are self-existing
and the piece is
programmatic. Working
well asa festival opener,
it sets a mood of
excitement. Following the
rhythmic fanfares of the
opening, the first theme
is presented in the
cornets followed by a
return to the same
rhythmic material. A
second theme appears in
the horn section and
isdeveloped, changing
into a darker and
sinister form of the same
motif. Eventually a
Maestoso section
is reached, full of
sustained block chords in
the cornets and
trombones, as the rest of
the band counters with
cascading lines that
weavestraight through the
brighter
instruments.
Dit
levendige werk vol
dynamische uitersten is
opgedragen aan de
North American Brass
Band Association. Qua
vorm is het geënt op
de ouverturestijl, hoewel
de thema’s op
zichzelf staan en het een
programmatische
compositie betreft. Het
is heelgeschikt voor de
opening van een festival,
want het creëert een
enthousiaste,
verwachtingsvolle
stemming. Na de ritmische
fanfares van de opening
wordt het eerste thema
gepresenteerd in de
cornetten, gevolgd door
een terugkeer naar
hetzelfderitmische
materiaal. Er verschijnt
een tweede thema in de
hoornsectie, dat wordt
doorontwikkeld en
overgaat in een duistere
en onheilspellende vorm
van hetzelfde motief.
Uiteindelijk komt er een
maestoso gedeelte tot
stand, vol aangehouden
akkoordenin de kornetten
en trombones, waarbij de
rest van het orkest
dalende lijnen produceert
die door de helder
klinkende instrumenten
heen zijn
geweven.
Dieses
Musikstück, das voller
Energie und von extremer
Dynamik geprägt ist,
wurde der North
American Brass Band
Association gewidmet.
Der formale Aufbau des
Werkes orientiert sich an
einer Ouvertüre, auch
wenn die Themen für
sich selbst stehenund das
Stück programmatisch
ist. Es eignet sich gut
als Eröffnungsstück
für ein Festival, da
es das Publikum
begeistern wird. Auf den
Fanfarenrhythmus der
Einleitung folgt das
erste Thema, das von den
Kornetten vorgestellt
wird und schließlich
zumursprünglichen
rhythmischen Material
zurückkehrt. Das
zweite Thema wird von den
Hörnern gespielt und
weiterentwickelt, wobei
das gleiche Motiv in eine
dunklere und
unheimlichere Stimmung
wechselt. Danach erklingt
ein Maestoso-Teil mit
Akkordblöckenin den
Kornetten und Posaunen,
während das restliche
Orchester kaskadenartige
Melodielinien spielt, die
sich durch die helleren
Instrumente
schlängeln.
DÃ
©diée la North
American Brass Band
Association, cette
Å“uvre est pleine
d’énergie et de
dynamiques extrêmes.
En dépit de sa forme
d’ouverture, les
thèmes ne sont pas
liés et
l’œuvre est
programme. Convient comme
pièce
d’ouverture
defestival et crée une
ambiance
d’enthousiasme.
Suite aux fanfares
rythmiques du début,
le premier thème est
présenté par les
cornets piston, suivi par
un retour au même
matériel rythmique. Un
deuxième thème
apparaît dans le
registre des cors et
estdéveloppé, se
changeant en une version
plus sombre et sinistre
du même motif.
Finalement on arrive une
section de
Maestoso, qui
contient de nombreuses
double-cordes soutenues
chez les cornets et
trombones, tandis que le
reste de
l’ensemblerépon
d par des lignes
descendantes qui se
tissent travers les
instruments plus
aigus. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Festivus Americas - Intermédiaire De Haske Publications
Brass Band (Score) - Grade 4 SKU: HL.44012852 For Brass Band (Full Sco...(+)
Brass Band (Score) -
Grade 4 SKU:
HL.44012852 For
Brass Band (Full Score
Only). Composed by
Stephen Bulla. De Haske
Brass Band. Concert
Piece. Softcover.
Composed 2016. De Haske
Publications #1165658130.
Published by De Haske
Publications
(HL.44012852). UPC:
888680652265.
English-German-French-Dut
ch. Dedicated to
the North American
Brass Band
Association, this is
music that is full of
energy and dynamic
extremes. In form it
draws from the overture
style, although the
themes are self-existing
and the piece is
programmatic. Working
well asa festival opener,
it sets a mood of
excitement. Following the
rhythmic fanfares of the
opening, the first theme
is presented in the
cornets followed by a
return to the same
rhythmic material. A
second theme appears in
the horn section and
isdeveloped, changing
into a darker and
sinister form of the same
motif. Eventually a
Maestoso section
is reached, full of
sustained block chords in
the cornets and
trombones, as the rest of
the band counters with
cascading lines that
weavestraight through the
brighter
instruments.
Dit
levendige werk vol
dynamische uitersten is
opgedragen aan de
North American Brass
Band Association. Qua
vorm is het geent op de
ouverturestijl, hoewel de
thema's op zichzelf staan
en het een
programmatische
compositie betreft. Het
is heelgeschikt voor de
opening van een festival,
want het creeert een
enthousiaste,
verwachtingsvolle
stemming. Na de ritmische
fanfares van de opening
wordt het eerste thema
gepresenteerd in de
cornetten, gevolgd door
een terugkeer naar
hetzelfderitmische
materiaal. Er verschijnt
een tweede thema in de
hoornsectie, dat wordt
doorontwikkeld en
overgaat in een duistere
en onheilspellende vorm
van hetzelfde motief.
Uiteindelijk komt er een
maestoso gedeelte tot
stand, vol aangehouden
akkoordenin de kornetten
en trombones, waarbij de
rest van het orkest
dalende lijnen produceert
die door de helder
klinkende instrumenten
heen zijn
geweven.
Dieses
Musikstuck, das voller
Energie und von extremer
Dynamik gepragt ist,
wurde der North
American Brass Band
Association gewidmet.
Der formale Aufbau des
Werkes orientiert sich an
einer Ouverture, auch
wenn die Themen fur sich
selbst stehenund das
Stuck programmatisch ist.
Es eignet sich gut als
Eroffnungsstuck fur ein
Festival, da es das
Publikum begeistern wird.
Auf den Fanfarenrhythmus
der Einleitung folgt das
erste Thema, das von den
Kornetten vorgestellt
wird und schliesslich
zumursprunglichen
rhythmischen Material
zuruckkehrt. Das zweite
Thema wird von den
Hornern gespielt und
weiterentwickelt, wobei
das gleiche Motiv in eine
dunklere und
unheimlichere Stimmung
wechselt. Danach erklingt
ein Maestoso-Teil mit
Akkordblockenin den
Kornetten und Posaunen,
wahrend das restliche
Orchester kaskadenartige
Melodielinien spielt, die
sich durch die helleren
Instrumente
schlangeln.
Dediee
a la North American
Brass Band
Association, cette
oeuvre est pleine
d'energie et de
dynamiques extremes. En
depit de sa forme
d'ouverture, les themes
ne sont pas lies et
l'oeuvre est a programme.
Convient comme piece
d'ouverture defestival et
cree une ambiance
d'enthousiasme. Suite aux
fanfares rythmiques du
debut, le premier theme
est presente par les
cornets a piston, suivi
par un retour au meme
materiel rythmique. Un
deuxieme theme apparait
dans le registre des cors
et estdeveloppe, se
changeant en une version
plus sombre et sinistre
du meme motif. Finalement
on arrive a une section
de Maestoso, qui
contient de nombreuses
double-cordes soutenues
chez les cornets et
trombones, tandis que le
reste de l'ensemblerepond
par des lignes
descendantes qui se
tissent a travers les
instruments plus
aigus. $16.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| David Bowie - Changes Livre - Pas de partitions Biographie [Livre] Hal Leonard
His Life in Pictures: 1947- 2016. By David Bowie. Music Sales America. Biog...(+)
His Life in Pictures:
1947-
2016. By David Bowie.
Music
Sales America.
Biography/Composers &
Musicians. Hardcover. 160
pages. Published by Hal
Leonard
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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