| Freddie Mercury : Crazy Little Thing Called Love Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Scomegna Edizioni Musicali
By Freddie Mercury. Arranged by Andrea Ravizza. Concert band. As performed by th...(+)
By Freddie Mercury.
Arranged by Andrea
Ravizza. Concert band. As
performed by the Queen.
Pop Music. Level: Grade
3. Score and set of
parts. Duration 2:40.
Published by Scomegna
Edizioni Musicali
(Italian import).
$105.75 $100.4625 (- 5%) Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Chasing Mercury - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS234
Composed by Travis
Weller. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+8+4+4+8+8
+8+8+6+6+6+4+8+6+2+4+4+6+
32 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #CPS234.
Published by Carl Fischer
Music (CF.CPS234).
ISBN 9781491156346.
UPC: 680160914883. 9 x 12
inches. Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury! $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chasing Mercury [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS234F
Composed by Travis
Weller. Sws. Cps. Full
score. 32 pages. Duration
3 minutes, 10 seconds.
Carl Fischer Music
#CPS234F. Published by
Carl Fischer Music
(CF.CPS234F). ISBN
9781491156353. UPC:
680160914890. 9 x 12
inches. Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury! $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Mercury Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0910271-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-0910271-010
Composed by Jan Van der
Roost. Brilliant Marches.
March. Set (Score &
Parts). Composed 1991. De
Haske Publications #DHP
0910271-010. Published by
De Haske Publications
(BT.DHP-0910271-010).
Mercury is a
concert march composed in
a typically British
idiom. In 1990, Jan Van
der Roost wrote this
piece on the occasion of
the 15-year anniversary
of his own band: Brass
Band Midden Brabant. Like
many British marches, the
main theme is written in
a minor key. Powerful and
virtuoso themes
characterize the first
part of this march, while
the trio melody is much
more melodical, offering
the tenor register to
display its lyrical
skills. Follows a dynamic
passage for trombones and
trumpets/cornets, leading
to a grandioso version of
the main trio melody and
thus concluding this
march in a magnificent
way.
Een stevige
concertmars met een trio
van een ongekende
schoonheid. Een
klassieker binnen het
blaasmuziekrepertoire.
Mercury
ist ohne Zweifel einer
der weltweit bekanntesten
Märsche für
Blasorchester er stammt
aus der Feder des
belgischen Komponisten
Jan Van der Roost.
Mercury
est sans doute
l’une des plus
célèbres marches de
concert du répertoire
pour Orchestre,
composée par le belge
Jan Van der Roost.
Composta dal
belga Jan Van der Roost,
Mercury è
sicura¬mente una delle
marce più famose del
suo repertorio. $118.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mercury Rising Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band (Score & Parts) - Grade 6 SKU: HL.4006437 Composed by Philip...(+)
Concert Band (Score &
Parts) - Grade 6 SKU:
HL.4006437 Composed
by Philip Sparke. Anglo
Music Concert Band.
Concert. Hardcover.
Duration 205 seconds.
Anglo Music Press #AMP
483-010. Published by
Anglo Music Press
(HL.4006437). UPC:
888680989965. 9.0x12.0
inches. Mercury
Rising was commissioned
by sinfonisches
blasorchester wehdel and
its conductor Thomas
Ratzek, to celebrate
their 50th anniversary in
2018. They premiered this
piece in their
half-century concert on
2nd November 2018 in the
Bremerhaven Stadttheater
in Germany. Designed as a
virtuosic and lively
opener, Mercury Rising
opens with nervous energy
and driving, syncopated
rhythms in a blaze of
colour. The horns and
saxophones then introduce
a broad melody, which the
trumpets subsequently
take up after a change of
tonality. A quieter
moment introduces a
distant fanfare on muted
horns over bubbling
semiquavers in the low
clarinets. This is
interrupted by a
passionate tenor melody
but soon returns on the
full brass section,
accompanied by echoes of
the opening woodwind
figuration, and is
extended to bring the
piece to a triumphant
close. $125.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gustav Holst : Mercury Ensemble de Percussions - Intermédiaire Tapspace Publications
By Gustav Holst. Arranged by James Ancona. Percussion Ensemble. For 2 glockenspi...(+)
By Gustav Holst. Arranged
by James Ancona.
Percussion Ensemble. For
2 glockenspiels, 2
xylophones, 2
vibraphones, 2 marimbas
(low A), 5 timpani, small
suspended cymbal, 2
triangles. (10 players).
Level: Intermediate.
Duration 2:00. Published
by Tapspace Publications.
$35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mercury Rising Orchestre d'harmonie Anglo Music
Concert Band (Score) SKU: HL.4006438 Composed by Philip Sparke. Anglo Mus...(+)
Concert Band (Score)
SKU: HL.4006438
Composed by Philip
Sparke. Anglo Music
Concert Band. Concert.
Hardcover. Duration 205
seconds. Anglo Music
Press #AMP 483-010.
Published by Anglo Music
Press (HL.4006438).
UPC:
888680989972. Mercu
ry Rising was
commissioned by
sinfonisches
blasorchester wehdel and
its conductor Thomas
Ratzek, to celebrate
their 50th anniversary in
2018. They premiered this
piece in their
half-century concert on
2nd November 2018 in the
Bremerhaven Stadttheater
in Germany. Designed as a
virtuosic and lively
opener, Mercury Rising
opens with nervous energy
and driving, syncopated
rhythms in a blaze of
colour. The horns and
saxophones then introduce
a broad melody, which the
trumpets subsequently
take up after a change of
tonality. A quieter
moment introduces a
distant fanfare on muted
horns over bubbling
semiquavers in the low
clarinets. This is
interrupted by a
passionate tenor melody
but soon returns on the
full brass section,
accompanied by echoes of
the opening woodwind
figuration, and is
extended to bring the
piece to a triumphant
close. $25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mercury & Venus movements from the Planets for 14-part Brass Ensemble & Percussion [Conducteur et Parties séparées] - Avancé Cherry Classics
14-part brass ensemble, timpani & percussion - advanced SKU: CY.CC2840 Co...(+)
14-part brass ensemble,
timpani & percussion -
advanced SKU:
CY.CC2840 Composed by
Gustav Holst. Arranged by
Ralph Sauer. 20th Century
British. Score and parts.
Published by Cherry
Classics (CY.CC2840).
Venus and
Mercury movements from
the Planets Suite are now
available for sale to
supplement your present
package of 4 movements,
or just to order the two
movements
alone. Brilliantly
transcribed by Ralph
Sauer for 14-part Brass
Ensemble and Percussion,
these two movements will
finish off your
collection perfectly, or
make a lovely 15 minute
mini-suite. This
package has been
discounted from
purchasing the movements
separately. For
advanced
performers. Instrumen
tation is for: 4
Trumpets in C (parts
include Piccolo and
Flugelhorn in
B-flat) 4 Horns
3 Trombones
Euphonium (Tenor
Tuba), 2
Tubas Timpani and
Glockenspiel. $62.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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