PARTITIONS GRATUITES : ORCHESTRE
- Germaine

Piano Duet

SKU: HL.14012098

Composed by Germaine Tailleferre. Music Sales America. Post-1900. Book [Softcover]. Composed 2002. 12 pages. Chester Music #CH02914. Published by Chester Music (HL.14012098).

8.25x11.75x0.058 inches.

Work by 'Les Six' member, Germaine Tailleferre.

Violin and Piano

SKU: BT.ALHE28763

Composed by Germaine Tailleferre. Classical. Score Only. Heugel & Cie #ALHE28763. Published by Heugel & Cie (BT.ALHE28763).

French.

from the Piano Concerto

Two Pianos

SKU: HL.14032578

Composed by Germaine Tailleferre. Music Sales America. Post-1900. Sheet Music, Instrumental Work. With Text language: English. Chester Music #CT02919. Published by Chester Music (HL.14032578).

UPC: 884088815967. 10.5x14.0x0.387 inches.

Work for Piano and Orchestra, here arranged for Two Pianos, composed in Paris in the early 1920's by the female member of 'Les Six'.

Composed by Georges Auric, Louis Durey, Arthur Honegger, Darius Milhaud, Francis Poulenc, and Germaine Tailleferre. Edited by Carl Simpson. For Piano. Book; Masterworks; Piano Collection. Dover Edition. 20th Century; Masterwork. Advanced; Early Advanced; Intermediate; Late Intermediate. Published by Dover Publications

Trombone and Piano accompaniment - moderately advanced

SKU: CY.CC2953

Composed by Germaine Tailleferre. Arranged by Ralph Sauer. French 20th Century. Solo part and Piano accompaniment. 10 pages. Cherry Classics #2953. Published by Cherry Classics (CY.CC2953).

ISBN 9790530057728.

Ralp h Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Trombone and Piano. Tailleferre was the only female member of the famous French Les Six.

1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases.

2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases.

Togethe r they are total about 5 minutes in length and are appropriate for advanced performers.

Piano - Grade 2

SKU: FA.MFGT055

Composed by Germaine Tailleferre. Piano Music by Tailleferre. Classical : Modern. Score. Musik Fabrik #MFGT055. Published by Musik Fabrik (FA.MFGT055).

8.27 x 11.69 inches.

Germaine Tailleferre first met Charlie Chaplin when she was living in New York City with her first husband Ralph Barton. Tailleferre and Chaplin spent a great deal of time improvising at the piano and Tailleferre convinced him to write his own themes for the music he used in his films. After her divorce from Ralph Barton, she did not see Chaplin until the early 1950s during a visit he made to Paris. At that time, she wrote this attractive waltz in Chaplin’s own style to give to him as a gift.

Euphonium and piano accompaniment - moderately advanced

SKU: CY.CC2892

Composed by Germaine Tailleferre. Arranged by Ralph Sauer. French 20th century. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2892).

Ralph Sauer has arranged two lovely and contrasting short works by Germaine Tailleferre for Euphonium and Piano. Tailleferre was the only female composer of the famous French Les Six.

1. Berceuse, originally for Violin and Piano lilts and floats in a calm and lyrical stream of dreamy phrases.

2. Pastorale originally for solo Piano is a playful movement in mixed meter alternating between legato and articulated phrases.

Togethe r they are total about 5 minutes in length and are appropriate for advanced performers.

Piano - Grade 3

SKU: FA.MFGT056

Composed by Germaine Tailleferre. Piano Music by Tailleferre. Classical : Modern. Score. Musik Fabrik #MFGT056. Published by Musik Fabrik (FA.MFGT056).

8.27 x 11.69 inches.

In 1959, Germaine Tailleferre wrote incidental music for a radio drama based on Philippe Jullian’s « Mémoire d’une bergère » or « Autobiography of an armchair » which traced the owners of this armchair from the court of Louis XV to England after the French Revolution, back to Paris and through the hands of various foreign owners (Arabian, American, German etc.). In illustrating this story Tailleferre used her great knowledge of musical styles to evoke these different settings, from the classical styles of French music of the XVIIIth century to classical, romantic, popular French styles as well as two evocations of American Blues/Ragtime music. These short pieces are interesting in and of themselves, in addition to illustrating Jullian’s story. The first piece may be repeated at the end, as it was in the original radio drama.