| Fantasy-Variations on Two Themes Orgue [Conducteur] Zimbel Press
Organ SKU: SU.80101410 For Organ. Composed by Carson Cooman. Keybo...(+)
Organ SKU:
SU.80101410 For
Organ. Composed by
Carson Cooman. Keyboard,
Organ. Score. Zimbel
Press #80101410.
Published by Zimbel Press
(SU.80101410).
Fantasy-Variati
ons on Two Themes (2017)
for organ was written for
Heinrich Christensen in
celebration of his
significant 2017
birthday. The musical
material for the work
comprises two different
themes. The first is a
short melody by the
Danish composer Carl
Nielsen (1865-1931). (It
was a sketch originally
intended for inclusion
in, but ultimately left
out of, Nielsen's late
organ work 29 Little
Preludes.) This theme
represents Heinrich's
native Denmark. The
second theme is the
American folk-gospel hymn
Angel Band. This theme
represents Heinrich's
adopted American
homeland. It serves also
as a remembrance of our
dear mutual friend Harry
Lyn Huff (1952-2016), for
whom the tune was a
particular favorite. Both
these themes are
developed freely in a set
of alternating
fantasy-variations. The
opening variation begins
with a dramatic pedal
solo before quoting both
themes. The second
variation is a lyric
setting based on the
Nielsen melody. The third
is a jubilant hornpipe on
Angel Band. The fourth is
an aria on a
transformation of the
Nielsen melody. The fifth
is a gigue-toccata on
Angel Band. The sixth is
an atmospheric
contemplation: lush
chords in the manuals
move slowly and hint at
Angel Band while the
Nielsen melody is heard
for the first time in its
complete original form on
a high pedal stop. The
seventh and final
variation begins with a
brief evocation of the
harmonies of the late
Daniel Pinkham (a mentor
to both Heinrich and me)
before going on to return
dramatically and
jubilantly to the opening
music, bringing together
both themes again in a
bold conclusion.
Instrumentation: Organ
Duration: 15' Composed:
2017 Published by: Zimbel
Press. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alban-St Jacome For Cornet Or Trumpet Trompette [Partition] Hal Leonard
| | |
| Sonata No. 6 "Kharkiv", Op. 48 Guitare Guitare classique [Conducteur] - Avancé Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Sco...(+)
Guitar solo - Advanced
SKU: DZ.DZ-4244
Composed by Konstantin
Bliokh. Score. Les
Productions d'OZ #DZ
4244. Published by Les
Productions d'OZ
(DZ.DZ-4244). ISBN
9782898521614. La
Sonate n° 6 Kharkiv
pour guitare solo a
été composée en
2021, Ã la fin du
confinement lié au
COVID-19. Ã? ce
moment-là , ma famille
et moi étions
restés dans notre
ville natale de Kharkiv
(également connue sous
le nom de Kharkov), en
Ukraine, pendant près
de deux ans. Nous
considérions cette
période de pandémie
comme un désastre,
mais nous avons
réalisé plus tard
que c'était en fait un
moment plutôt heureux,
car la guerre est
arrivée dans notre
pays quelques mois plus
tard. Depuis 2022, une
fraction considérable
des 1,5 million de
citoyens de Kharkiv ont
quitté leur foyer,
ceux qui sont restés
vivent sous des attaques
incessantes de missiles,
et beaucoup ont été
tués. Je voudrais
dédier cette Sonate
à la ville
frontalière de Kharkiv
et, surtout, Ã ses
citoyens souffrant de la
guerre.
Pourtant,
la musique de la Sonate
n'a aucun programme
spécifique. Ici, je
donnerai un bref
aperçu de ses
principaux éléments
de composition pour
faciliter les
interprétations
futures.
Les
premier et quatrième
mouvements de cette
Sonate sont basés sur
l'interaction entre le
principe
dodécaphonique et le
centre tonal de sol
majeur, naturel pour la
guitare. En particulier,
le premier mouvement est
basé sur l'interaction
de la triade de sol
majeur Solâ??Siâ??Ré
des cordes de guitare
à vide 2â??3â??4, le
motif ascendant 1
impliquant les notes
Miâ??Fa#â??Laâ??Do#
(Ã l'origine sur la
première corde), et le
motif descendant 2
utilisant les notes
Miâ??Doâ??Sibâ??La
(Ã l'origine sur la
corde de basse 6). Ces
éléments se
complètent presque
pour former douze tons
(Ã l'exception du Fa
manquant), et les motifs
alternent avec des
fragments ostinato où
chaque note de la triade
de sol majeur est
déplacée pas Ã
pas d'un demi-ton vers le
haut ou vers le
bas.
Le
deuxième mouvement est
un Scherzo impliquant de
nombreux demi-tons dans
des accords accentués
et des passages rapides,
ainsi qu'un mouvement
mélodique chromatique
dans la voix de basse. Il
est presque atonal dans
certains fragments, mais
a un centre tonal global
de la mineur.
Le
troisième mouvement
est un Adagio
méditatif basé sur
un thème composé
dans l'échelle
hexatonique
Réâ??Miâ??Faâ??Sol#
â??Laâ??Si et des
accords ostinato
impliquant les cordes de
basse à vide
Miâ??Laâ??Ré et le
demi-ton
Siâ??Do.
Enfin,
le quatrième mouvement
est basé sur le
thème
dodécaphonique complet
composé de deux
phrases comprenant les
motifs 1 et 2 du premier
mouvement :
Solâ??Faâ??Sibâ??Labâ
??Doâ??Mibâ??Ré et
Miâ??Siâ??Do#â??Laâ??
Fa#. Ce thème est
présenté dans ses
formes prime et
rétrograde. Il y a des
dialogues entre la
première corde, les
basses et les cordes
médianes à vide,
similaires au premier
mouvement. Ã? son
apogée, le thème
dodécaphonique est
interprété en
utilisant le mouvement
parallèle de l'accord
de sol majeur standard de
la guitare avec les
cordes médianes Ã
vide sur douze
positions.
La
Sonate a été
créée en
première et
enregistrée (CD Naxos
No. 8.574630) par le
célèbre guitariste
ukrainien Marko Topchii,
qui a également
vécu et étudié
à Kharkiv. Je lui suis
extrêmement
reconnaissant pour
l'interprétation
brillante de cette
pièce.
Je suis
très redevable envers
Productions d'Oz d'avoir
conservé mes notations
originales là où
celles-ci ne
correspondent pas au
style de
l'éditeur.
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hungarian Rhapsody No. 5 Piano seul G. Henle
Piano (Piano Solo) SKU: HL.51481637 Piano Solo. Composed by Franz ...(+)
Piano (Piano Solo)
SKU: HL.51481637
Piano Solo.
Composed by Franz Liszt.
Edited by Peter Jost.
Henle Music Folios.
Classical. Softcover. 20
pages. G. Henle #HN1637.
Published by G. Henle
(HL.51481637). UPC:
196288278726.
9.0x12.0x0.077
inches. The Fifth
Hungarian Rhapsody,
published in 1853,
emerged from several
earlier versions. The
double character
indicated in the
sobriquet
âHéroïde
élégiaqueâ is
based on the two contrary
themes: a
âheroicâ theme
in minor and an
âelegiacâ theme
in major, seasoned with
characteristics of
Liszt's âstyle
hongroisâ such as
augmented seconds and
sharp dotted rhythms.
Thanks to the slow tempo,
No. 5 is one of Liszt's
less difficult rhapsodies
and thus offers a
wonderful introduction to
these musical
reminiscences of his
Hungarian homeland.
Involved in this Henle
Urtext edition, which
also takes the autograph
into account for the
first time, were two
eminent Liszt
specialists: Mária
Eckhardt provided the
preface, Vincenzo
Maltempo the
fingerings.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the workÂ
- Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
- most beautiful music
engravingÂ
- page-turns, fold-out
pages, and cues where you
need themÂ
- excellent print
quality and
bindingÂ
- largest Urtext
catalogue
world-wideÂ
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Statue of Liberty Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1145557-010 Composed by Thier...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.DHP-1145557-010
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2014.
De Haske Publications
#DHP 1145557-010.
Published by De Haske
Publications
(BT.DHP-1145557-010).
English-German-French-
Dutch. A brief
introduction leads to a
majestic theme in the
clarinets, supported by
pounding percussion
beats, before the brass
section takes up the
theme in a quicker,
heroic fashion. In
Statue of Liberty
the French composer
Thierry
Deleruyelledepicts the
grandeur and sheer scale
of the statue, which was
created in his homeland
as a gift to the United
States.
In deze
compositie gaat een korte
inleiding vooraf aan een
verheven thema in de
klarinetten, ondersteund
door stevige slagen in
het slagwerk. Vervolgens
introduceert de
kopersectie een
heroïsch, sneller
gespeeld thema. Het werk
besluitmajestueus, met
een terugkeer naar het
oorspronkelijke tempo. In
Statue of Liberty
omschrijft Thierry
Deleruyelle de pracht van
het Vrijheidsbeeld, dat
in Frankrijk werd gebouwd
als een geschenk aan de
Verenigde
Staten.
Eine kurze
Einleitung mündet in
ein majestätisches
Thema in den Klarinetten,
unterstützt von
hämmernden Beats im
Schlagzeug, bevor die
Blechbläser das Thema
schneller und in
würdevoller Weise
präsentieren. In
Statue of Liberty
beschreibtder Franzose
Thierry Deleruyelle die
Pracht und Größe
der Freiheitsstatue, die
in seinem Land als
Geschenk an die
Vereinigten Staaten
geschaffen
wurde.
La
Liberté éclairant
le monde, plus connue
sous le nom de Statue de
la Liberté...
L’oeuvre musicale
éponyme dépeint la
grandeur du monument et
toute la symbolique
qu’elle
comporte. Une
brève introduction
précède un
thème noble joué
aux clarinettes, soutenu
par les battements lourds
de la percussion. Puis ce
sont les cuivres qui,
dans un mouvement plus
rapide, présentent un
thème
héroïque.
L’oeuvrese termine
majestueusement par un
retour au tempo initial.
Un vent de liberté
souffle sur vos musiciens
et vos auditeurs
!
Una breve
introduzione sfocia in un
tema maestoso dei
clarinetti, supportato da
beat martellanti della
batteria, prima che gli
ottoni presentino il tema
in una modalit più
veloce e più eroica.
In Statue of
Liberty il francese
ThierryDeleruyelle
descrive lo splendore e
la grandezza della Statua
della Libert , realizzata
nel suo Paese come regalo
agli Stati Uniti. $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pacific Dreams Chorale SATB [Conducteur et Parties séparées] - Facile De Haske Publications
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. I...(+)
SATB Choir - Grade 3
SKU:
BT.DHP-0991451-050
Composed by Jacob De
Haan. Inspiration Series.
Set (Score & Parts).
Composed 1999. De Haske
Publications #DHP
0991451-050. Published by
De Haske Publications
(BT.DHP-0991451-050).
English. Pacific
Dreams describes the
experience of Miguel, a
traveling composer from
Spain who, feeling
somewhat alienated from
his homeland, is
wandering through an area
of Sydney known as The
Rocks. At a small outdoor
market in a typical
street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren.... $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Pacific Dreams Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0991451-030 Composed by Jacob De Haan. I...(+)
Brass Band - Grade 3
SKU:
BT.DHP-0991451-030
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991451-030. Published by
De Haske Publications
(BT.DHP-0991451-030).
Pacific Dreams
describes the experience
of Miguel, a traveling
composer from Spain who,
feeling somewhat
alienated from his
homeland, is wandering
through an area of Sydney
known as The Rocks. At a
small outdoor market in a
typical street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren.... $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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