| Gwyneth W. Walker : The Great Trees: 4. The Steps of the City Voix, Clarinette, Piano Schirmer
(The Great Trees: 4. The Steps of the City). By Gwyneth W. Walker (1947-). For s...(+)
(The Great Trees: 4. The
Steps of the City). By
Gwyneth W. Walker
(1947-). For soprano
voice solo, clarinet,
piano. Concerts, Secular.
Moderately Easy.
Published by E.C.
Schirmer Publishing
$6.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tightrope Walker Merion Music
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion,
Piano, Piccolo, Timpani,
Trombone 1, Trombone 2
and more. SKU:
PR.446413400 High
Wire Act for
Orchestra. Composed
by Michael Boyman. Study
Score. With Standard
notation. Duration 8
minutes. Merion Music
#446-41340. Published by
Merion Music
(PR.446413400). UPC:
680160667406. 9 x 12
inches. Tightrope
Walker is my first piece
for full orchestra. Given
the large forces
available to me, I wanted
to write something
exciting, colorful and
visceral. I remembered
back to when I was a kid
going to see the Cirque
du Soleil. That trip made
a big impression on me,
especially the high wire
performers. These were
artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking one's
life to entertain an
audience has stayed with
me, and Tightrope Walker
is my attempt at
recreating that special
childhood experience. The
opening of the piece
hints at what's to come -
a steady, walking pulse
interrupted by missteps
in the woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes tense.
The primary themes of the
piece are presented in
fragments, most notably
the Tightrope Walker's
theme in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is restored.
We are now at the circus,
excited and expectant,
and the fragmentary
themes heard previously
are now presented in
their full forms. The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second half
of the piece depicts the
Tightrope Walker
performing for his
audience. But from the
outset, as in the
beginning of the piece,
we hear there are
problems. The pressure
mounts, the audience
clamoring for more, until
Tightrope Walker comes to
a decisive and
potentially fatal
end. Tightrope
Walker is my first
piece for full
orchestra. Given the
large forces available to
me, I wanted to write
something exciting,
colorful and
visceral. I
remembered back to when I
was a kid going to see
the Cirque du Soleil.Â
That trip made a big
impression on me,
especially the high wire
performers. These
were artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking
one’s life to
entertain an audience has
stayed with me,
and Tightrope
Walker is my attempt
at recreating that
special childhood
experience.The opening of
the piece hints at what's
to come - a steady,
walking pulse interrupted
by missteps in the
woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes
tense. The primary
themes of the piece are
presented in fragments,
most notably the
Tightrope Walker's theme
in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is
restored.We are now at
the circus, excited and
expectant, and the
fragmentary themes heard
previously are now
presented in their full
forms. Â The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second
half of the piece depicts
the Tightrope Walker
performing for his
audience. But from
the outset, as in the
beginning of the piece,
we hear there are
problems. The
pressure mounts, the
audience clamoring for
more, until Tightrope
Walker comes to a
decisive and potentially
fatal end. $43.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tightrope Walker Merion Music
Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabas...(+)
Orchestra Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Percussion,
Piano, Piccolo, Timpani,
Trombone 1, Trombone 2
and more. SKU:
PR.44641340L High
Wire Act for
Orchestra. Composed
by Michael Boyman. Large
Score. With Standard
notation. Duration 8
minutes. Merion Music
#446-41340L. Published by
Merion Music
(PR.44641340L). UPC:
680160667413. 11 x 17
inches. Tightrope
Walker is my first piece
for full orchestra. Given
the large forces
available to me, I wanted
to write something
exciting, colorful and
visceral. I remembered
back to when I was a kid
going to see the Cirque
du Soleil. That trip made
a big impression on me,
especially the high wire
performers. These were
artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking one's
life to entertain an
audience has stayed with
me, and Tightrope Walker
is my attempt at
recreating that special
childhood experience. The
opening of the piece
hints at what's to come -
a steady, walking pulse
interrupted by missteps
in the woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes tense.
The primary themes of the
piece are presented in
fragments, most notably
the Tightrope Walker's
theme in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is restored.
We are now at the circus,
excited and expectant,
and the fragmentary
themes heard previously
are now presented in
their full forms. The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second half
of the piece depicts the
Tightrope Walker
performing for his
audience. But from the
outset, as in the
beginning of the piece,
we hear there are
problems. The pressure
mounts, the audience
clamoring for more, until
Tightrope Walker comes to
a decisive and
potentially fatal
end. Tightrope
Walker is my first
piece for full
orchestra. Given the
large forces available to
me, I wanted to write
something exciting,
colorful and
visceral. I
remembered back to when I
was a kid going to see
the Cirque du Soleil.Â
That trip made a big
impression on me,
especially the high wire
performers. These
were artists performing
super-human feats high in
the air, where even the
slightest mistake
guaranteed a fatal
ending. This idea of
danger, of risking
one’s life to
entertain an audience has
stayed with me,
and Tightrope
Walker is my attempt
at recreating that
special childhood
experience.The opening of
the piece hints at what's
to come - a steady,
walking pulse interrupted
by missteps in the
woodwinds. These
missteps increase until
the entire orchestra
comes crashing down - not
a good sign for our
Tightrope Walker. The
tempo slows and the
atmosphere becomes
tense. The primary
themes of the piece are
presented in fragments,
most notably the
Tightrope Walker's theme
in the horns. The
orchestra gradually
recovers from the
previous fall, becoming
more lively and coherent
until the original,
faster tempo is
restored.We are now at
the circus, excited and
expectant, and the
fragmentary themes heard
previously are now
presented in their full
forms. Â The
anticipation builds until
we hear a solo drum roll
- the main act is about
to begin. The second
half of the piece depicts
the Tightrope Walker
performing for his
audience. But from
the outset, as in the
beginning of the piece,
we hear there are
problems. The
pressure mounts, the
audience clamoring for
more, until Tightrope
Walker comes to a
decisive and potentially
fatal end. $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Junior Voiceworks
Voix seule [Partition + CD] Oxford University Press
| | |
| Save Us O Lord Chorale SATB SATB, Orgue Paraclete Press
SATB choir, Organ - Medium SKU: PL.0007 Composed by Andrew Walker. Parish...(+)
SATB choir, Organ -
Medium SKU:
PL.0007 Composed by
Andrew Walker.
Parish/Cathedral. Choral,
Evensong, General.
Octavo. Paraclete Press
#0007. Published by
Paraclete Press
(PL.0007).
Andrew Walker
has provided an unusual,
gently undulating
accompaniment for the
lyrical phrases of this
evening hymn.Tenors and
sopranos each have the
opportunity to set forth
the lovely melody that
first expresses the peace
of this text. This is
followed by a four-part
setting that leads into
the final section in the
major mode. The anthem
ends quietly with a
repetition of the text,
...may rest in peace, may
rest in peace. This
setting moves the
listener with its
simplicity and gentleness
and would be an excellent
anthem for an evening
service. $1.60 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jesus, Be Near to Me Shawnee Press
Choral (Studiotrax CD) SKU: HL.35031603 By Tommy Walker. By Tommy Walker....(+)
Choral (Studiotrax CD)
SKU: HL.35031603
By Tommy Walker. By Tommy
Walker. Arranged by
Heather Sorenson. Shawnee
Sacred. Anthem,
Commitment, General
Worship, Gospel,
Invitation, Praise And
Worship. CD. Duration 300
seconds. Published by
Shawnee Press
(HL.35031603). UPC:
888680676056. 5.0x5.0x0.2
inches. 2 John 1:9, James
4:8, Jeremiah 23:23,
Psalm 34:18. A slow
gospel ballad, this
choral adaptation is
filled with
characteristic stylings
that will lift the
spirit. Set as a
passionate prayer for
those seeking assurance
and God's presence in
their spiritual walk,
this affirming song can
be programmed any time of
the year. A stellar piano
part sets the message
soaring, and the
rhythm/strings and track
options give choirs of
any size a chance to do
something current.
Feature a soloist for a
powerful and poignant
moment of worship.
Stirring! Score and Parts
(rhy, pno, vn 1-2, va,
vc, db) available as a
digital download. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Around And A Round Flûte traversière et Piano [Conducteur] University Of York Music Press
Flute and Piano SKU: BT.MUSM570363650 Composed by Sadie Harrison. Classic...(+)
Flute and Piano SKU:
BT.MUSM570363650
Composed by Sadie
Harrison. Classical.
Score Only. 8 pages.
University of York Music
Press #MUSM570363650.
Published by University
of York Music Press
(BT.MUSM570363650).
English. ...
Around And A Round... for
Flute and Piano (2015)
was originally a solo
Piano piece entitled
Nocturne 1 ..around and a
round.. (from Lunae: Four
Nocturnes, composed in
2012). It is a slow,
midnight merry-go-round
with a bass line that
repeats with variations
throughout the work.
Marked gently expressive
it is inspired by Song, a
beautiful piece by
contemporary pianist and
composer John Law. The
Flute and Piano version
was premiered by
Elizabeth Walker and
Richard Shaw on 2 June
2015 as part of the
Holbourne Museum
Lunchtime Concert Series
in Bath. Duration: c. 3
mins. $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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