| Robert Earl Keen: The Robert Earl Keen Songbook Ligne De Mélodie, Paroles et Accords [Partition] Hal Leonard
Performed by Robert Earl Keen. Guitar/vocal songbook for guitar and voice. With ...(+)
Performed by Robert Earl
Keen. Guitar/vocal
songbook for guitar and
voice. With vocal melody,
lyrics, chord names,
guitar chord diagrams,
strum patterns and black
and white photos. 64
pages. Published by Hal
Leonard.
(2)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Celtic Fake Book
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 256 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 256 pages.
Published by Hal Leonard.
(2)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Keenen Sechser in der Tasche Piano, Voix Breitkopf & Härtel
By Hanns Eisler (1898-1962). Edited by Oliver Dahin and Peter Deeg. For voice an...(+)
By Hanns Eisler
(1898-1962). Edited by
Oliver Dahin and Peter
Deeg. For voice and
piano. Text language:
German. 64 pages.
Published by Breitkopf
and Haertel
$37.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Suite On English Folk Songs [Conducteur et Parties séparées] Forton Music
Picc. (g treb). 4 Fl. Afl. Bfl. (CaFl.) (Cb fl.) (Dcb Fl.) - Intermediate-Advanc...(+)
Picc. (g treb). 4 Fl.
Afl. Bfl. (CaFl.) (Cb
fl.) (Dcb Fl.) -
Intermediate-Advanced
SKU: FT.FM516
Composed by John Rutter.
Arranged by Robert
Rainford. Flute Ensemble.
Score and Parts. Forton
Music #FM516. Published
by Forton Music
(FT.FM516). ISBN
9790570484157. Whil
st John Rutter is
extremely well known for
his religious choral
music, he has also
written a few orchestral
pieces that are every bit
the equal of his better
known works. This Suite
is indeed one of these.
Originally written in
1973, and following the
tradition of earlier
English composers like
Vaughn Williams and Percy
Grainger, this suite
explores various English
folk tunes. The opening
movement has a kind of
hornpipe feeling to it
that uses the jaunty tune
'A rovin' yet this is
balanced with the more
reflective counter melody
'I sowed the seed of
love.' Of course the
'racy' tune wins the day!
The second movement - 'I
Have A Bonnet Trimmed In
Blue' is a perfect
evocation of an elegant
young lady who is keen to
display her new bonnet to
the local swains! Yet
perhaps she is a little
shy and is apprehensive
about possible comments.
From the last section I
believe she found her
hearts desire… The
slow movement is based on
the folksong 'O Waly
Waly', a tune that will
forever be associated
with the late Kathleen
Ferrier. This version
gives the tune a sense of
regret and sometimes
intensity that matches
the words:- O love is
handsome and love is
fine, And love is
charming when it is true;
As it grows older it
groweth colder And fades
away like the morning
dew. The mood is lifted
for the last movement,
with an almost Handelian
rendition of 'Dashing
Away With The Smoothing
Iron'. However, this tune
doesn't have everything
it's own way, for the
'Bailiff's Daughter'
makes an appearance as
well for a triumphant
ending:- O stay, O stay
thou goodly youth! She's
alive, she is not dead;
Here she standeth by thy
side, And is ready to be
thy bride... (and
hopefully they both do
the ironing!). $48.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Foundation Studies for the Violoncello, Book 1 Carl Fischer
Chamber Music Solo Cello SKU: CF.BF128 60 Studies (from Opp. 45, 54, 7...(+)
Chamber Music Solo Cello
SKU: CF.BF128
60 Studies (from Opp.
45, 54, 74). Composed
by Franz Wohlfahrt.
Edited by Richard Hughey.
Arranged by K Aiqouni.
Score and part(s). With
Standard notation. 56
pages. Carl Fischer Music
#BF128. Published by Carl
Fischer Music (CF.BF128).
ISBN 9781491153413.
UPC:
680160910915. Wohlf
ahrt’s Foundation
Studies have long been
successful tools
forviolinists and
violists in mastering the
technical difficulties of
theirinstruments.
Originally conceived for
a complete comprehension
offirst position on the
violin and viola, Richard
Hughey presents thisnew
edition for cello
students. Transcribing
these etudes for the
cellopresents new
challenges for the
performer. Particular
passages, forexample,
require the student to
make use of the second
and eventhird positions.
The fingerings chosen for
these passages
reflectthese shifting
positions in a coherent
and logical way.
Trainedcomprehensively in
both cello and
conducting, Hughey shares
hiswealth of experience
and knowledge in
Wohlfahrt’s
FoundationStudies for the
Violoncello. The
violin etudes and
exercises of Franz
Wohlfahrt havebeen and
continue to be used by
violin and recently
violateachers the world
over. Franz was the son
of HeinrichWohlfahrt
(1797,
Kößnitz–1883
, Leipzig), a noted
pianoteacher who also
published many studies
for piano thatwere very
successful with younger
students.
Heinrichdeveloped a keen
sense for the pedagogical
development ofchildren
and composed excellent
studies accordingly.
Withthe education of his
sons Robert (1826,
Weimar–deathdate
unknown) and Franz (1833,
Frauenpriesnitz–18
84,Leipzig), he passed
these pedagogical
abilities to the
nextgeneration.In the
preface to his Violin
Studies Opus 45,
FranzWohlfahrt wrote:The
study of the violin
presents certain
difficultiesfor beginners
which are frequently the
cause of a suddendecrease
in the pupil’s
zeal and ambition, even
before he hasmastered the
first fundamentals.The
blame for this is
commonly laid on the
teacher,who is called
incapable or negligent;
losing sight of thefact
that the pupil began his
studies without the
slightestnotion, not
merely of the
difficulties to be
encountered,but also of
the regular and diligent
effort indispensable
forovercoming them.It is
important, therefore, to
smooth these first
severitiesby showing
their usefulness and
making them agreeable;
tothis end my Violin
Method was published and
the presentexercises have
been written, which
latter may be
consideredas forming a
supplement to the
former.If practiced
carefully and
intelligently, they will
serve asa solid
foundation for the
technique of any player
ambitiousto become an
artist.These studies have
been successful tools for
violinistsand violists to
begin to master the
technical difficulties
oftheir instruments.
Clearly conceived for a
more
completecomprehension of
the use of the first
position on the violinand
similarly for the viola,
presenting these etudes
forthe cello presents a
new challenge. As ongoing
violinistsand violists
can use the fourth finger
to play the note ofthe
next higher open string,
this is not possible on
thecello. To perform
these exercises on the
cello,
particularlyreaching the
“E†on the
A-string, requires the
studentto make use of the
second and even third
positions. Thefingerings
chosen for these passages
reflect the necessityof
shifting to these
positions. This is of
great advantage,as a new
set of studies now can be
used by the studentto
practice shifting to and
from those positions and
thusincreases technical
proficiency in the second
and thirdpositions of the
cello. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Collected Songs for Soprano and Piano Voix Soprano, Piano - Intermédiaire Ione Press
Composed by Henry Mollicone (1946-). For soprano voice solo, piano. Secular, 21s...(+)
Composed by Henry
Mollicone (1946-). For
soprano voice solo,
piano. Secular, 21st
century. Moderately
difficult. Collection.
Published by Ione Press
$18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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