| Vallée d'Obermann Piano seul G. Henle
Piano (Piano Solo) SKU: HL.51481612 For Piano Solo. Composed by Fr...(+)
Piano (Piano Solo)
SKU: HL.51481612
For Piano Solo.
Composed by Franz Liszt.
Edited by Peter Jost.
Henle Music Folios.
Classical. Softcover. 32
pages. G. Henle #HN1612.
Published by G. Henle
(HL.51481612). UPC:
196288215820.
9.0x12.0x0.128
inches. Volume I of
Liszt's Années de
pèlerinage, entitled
Suisse, is based on
impressions he gathered
during an extended
sojourn in Switzerland in
1835/36. The most
important piece of the
collection, first
published in 1841, is
undoubtedly Vallée
d�Obermann, which
offers a vast richness of
melodic, harmonic and
rhythmic variations on
the basis of two
contrasting themes. The
technically and
artistically demanding
composition owes its
title not to a scenic
valley in Switzerland,
but to the epistolary
novel of the same name by
French poet Ãtienne de
Senancour. Set in
Switzerland, it presents
an emotionally torn hero
who articulates his
weltschmerz in a dialogue
with nature. The musical
text of this separate
edition of Vallée
d�Obermann is
preceded by an excerpt
from Senancour's novel,
which may provide
impulses that are just as
important for the
interpretation as are
Francesco Piemontesi's
fingerings.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the workÂ
- Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
- most beautiful music
engravingÂ
- page-turns, fold-out
pages, and cues where you
need themÂ
- excellent print
quality and
bindingÂ
- largest Urtext
catalogue
world-wideÂ
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$23.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wynwood Walls [Conducteur et Parties séparées] - Avancé Doberman
Guitar and string quartet - Advanced SKU: DY.DO-1526 Composed by Stephen ...(+)
Guitar and string quartet
- Advanced SKU:
DY.DO-1526 Composed
by Stephen Goss. Score
and parts. Les Editions
Doberman-Yppan #DO 1526.
Published by Les Editions
Doberman-Yppan
(DY.DO-1526). ISBN
9782897963064. Wynw
ood Walls draws on 9
artworks which lend their
titles to the 9 connected
sections of the quintet.
The music reflects and
amplifies my own
subjective responses to
the artworks.
The
movements are organised
in pairs, circling out
from a still centre –
No Woman, No Cry. The
title for this
centrepiece comes from
Chris Ofili’s moving
portrait of Doreen
Lawrence, the mother of a
teenager murdered in an
unprovoked racist attack.
As well as this specific
reference, the artist
intended the painting to
be read as a universal
portrayal of melancholy,
solace, and grief. The
two segments flanking No
Woman, No Cry complete
the central triptych.
Edward Hopper’s
Nighthawks explores
loneliness and isolation,
while Grayson Perry’s
#Lamentation is a
meditation on remembrance
and the transience of
life. In contrast to the
rest of Wynwood Walls,
the music here is dark
and
introspective.
I
want my time with you is
a giant neon sign
designed by Tracey Emin
for St. Pancras Station,
London. Selfie with
Sunflowers is an essay
written by Julian Barnes
about our
over-familiarisation with
Van Gogh’s iconic
sunflower paintings. The
music is sentimental,
bordering on schmaltz and
kitsch. Sunflower Seeds
and Infinity Room are a
pair of moto perpetuo
scherzos inspired by the
minimalist installations
of Ai Weiwei and Yayoi
Kusama respectively. The
opening section, Bathers
at Asnières, suggests
Seurat’s iconic
painting, while the
finale, Seurat’s
Bathers, evokes Howard
Hodgkin’s reworking of
the Seurat using a blaze
of vivid
colours.
The title
of the quintet is
borrowed from the Wynwood
art district of Miami –
an area characterised by
the hundreds of colourful
street murals which
decorate the walls of old
warehouses in the
neighbourhood. In
performance, the artworks
can be projected onto a
screen behind the
ensemble.
Wynwood
Walls s'appuient sur 9
œuvres d'art dont les
titres prêtent leurs
noms aux 9 sections
connectées du quintette.
La musique reflète et
amplifie mes propres
réponses subjectives aux
œuvres d'art.
Les
mouvements sont
organisés par paires,
émergeant d'un centre
immobile - No Woman, No
Cry. Le titre de cette
pièce maîtresse
provient du portrait
émouvant de Chris Ofili
de Doreen Lawrence, la
mère d'un adolescent
assassiné lors d'une
attaque raciste gratuite.
En plus de cette
référence spécifique,
l'artiste a voulu que le
tableau soit perçu comme
une représentation
universelle de la
mélancolie, du
réconfort et du chagrin.
Les deux segments
flanquant No Woman, No
Cry complètent le
triptyque central.
Nighthawks d'Edward
Hopper explore la
solitude et l'isolement,
tandis que #Lamentation
de Grayson Perry est une
méditation sur le
souvenir et la fugacité
de la vie. Contrairement
au reste des Wynwood
Walls, la musique ici est
sombre et
introspective.
I
want my time with you est
un immense panneau néon
conçu par Tracey Emin
pour la gare de St.
Pancras, à Londres.
Selfie with Sunflowers
est un essai écrit par
Julian Barnes sur notre
sur-familiarisation avec
les peintures
emblématiques de
tournesols de Van Gogh.
La musique est
sentimentale, frôlant le
kitsch et le
sentimentalisme.
Sunflower Seeds et
Infinity Room sont une
paire de scherzos moto
perpetuo inspirés des
installations
minimalistes d'Ai Weiwei
et de Yayoi Kusama
respectivement. La
section d'ouverture,
Bathers at Asnières,
suggère le tableau
emblématique de Seurat,
tandis que le finale,
Seurat’s Bathers,
évoque la
réinterprétation de
Seurat par Howard Hodgkin
en utilisant une
explosion de couleurs
vives.
Le titre du
quintette est emprunté
au quartier artistique de
Wynwood à Miami - une
zone caractérisée par
les centaines de fresques
murales colorées qui
ornent les murs des vieux
entrepôts du quartier.
En performance, les
œuvres d'art peuvent
être projetées sur un
écran derrière
l'ensemble. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sammartini Gb Sinf A-dur Schott
String orchestra (VC/KB) SKU: HL.49027230 Composed by Giovanni Battista S...(+)
String orchestra (VC/KB)
SKU: HL.49027230
Composed by Giovanni
Battista Sammartini.
Edited by Walter
Lebermann. Sheet music.
Edition Schott. Separate
part, Violoncello/Double
Bass. 4 pages. Duration
12'. Schott Music
#CON129-14. Published by
Schott Music
(HL.49027230).
$2.95 - Voir plus => Acheter | | |
| Sammartini Gb Sinf A-dur Schott
String orchestra (V1) SKU: HL.49027227 Composed by Giovanni Battista Samm...(+)
String orchestra (V1)
SKU: HL.49027227
Composed by Giovanni
Battista Sammartini.
Edited by Walter
Lebermann. Sheet music.
Edition Schott. Separate
part. 6 pages. Duration
12'. Schott Music
#CON129-11. Published by
Schott Music
(HL.49027227).
$2.95 - Voir plus => Acheter | | |
| Sammartini Gb Sinf A-dur Schott
String orchestra (VA) SKU: HL.49027229 Composed by Giovanni Battista Samm...(+)
String orchestra (VA)
SKU: HL.49027229
Composed by Giovanni
Battista Sammartini.
Edited by Walter
Lebermann. Sheet music.
Edition Schott. Separate
part, Viola. 4 pages.
Duration 12'. Schott
Music #CON129-13.
Published by Schott Music
(HL.49027229).
$2.95 - Voir plus => Acheter | | |
| Sammartini Gb Sinf A-dur Schott
String orchestra (V2) SKU: HL.49027228 Composed by Giovanni Battista Samm...(+)
String orchestra (V2)
SKU: HL.49027228
Composed by Giovanni
Battista Sammartini.
Edited by Walter
Lebermann. Sheet music.
Edition Schott. Separate
part. 6 pages. Duration
12'. Schott Music
#CON129-12. Published by
Schott Music
(HL.49027228).
$2.95 - Voir plus => Acheter | | |
| Vallee d'Obermann Annees de Pelerinage Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ8178 Années de Pelerinage. Composed by Franz ...(+)
Piano SKU:
BT.EMBZ8178
Années de
Pelerinage. Composed
by Franz Liszt. EMB Liszt
Works. Book Only.
Composed 1977. 16 pages.
Editio Musica Budapest
#EMBZ8178. Published by
Editio Musica Budapest
(BT.EMBZ8178).
Liszt Separate
Editions are published
with scholarly
authenticity and are
based on the New Liszt
Edition. Their musical
scores and presentation
correspond to the
complete edition, yet
their extent is far
smaller and they cost
much less than the larger
volumes of the full set.
Liszt Separate Editions
provide the same quality
as the complete edition,
while also fully meeting
practical
requirements. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eugen Onegin Op. 24 Deutscher Verlag für Musik
Chorus (with soloists) and piano (solos: SMezMez(A)ATTBarBBB - choir: SSAATTBB -...(+)
Chorus (with soloists)
and piano (solos:
SMezMez(A)ATTBarBBB -
choir: SSAATTBB -
picc.2.2.2.2. - 4.2.3.0.
- timp - hp - str)
SKU: BR.DV-6081
Lyrical Opera in 3
Acts. Composed by
Pjotr Iljitsch
Tschaikowsky. Edited by
Manfred Koerth / Wo
Ebermann. Arranged by M.
Koerth and W. Ebermann.
Choir; Softbound.
Deutscher Verlag. Opera;
Music theatre; Romantic.
Piano/Vocal Score. 300
pages. Deutscher Verlag
fur Musik #DV 6081.
Published by Deutscher
Verlag fur Musik
(BR.DV-6081). ISBN
9790200460032. 9.5 x 12
inches. Duration:
full evening
Translation
: German (W. Ebermann/M.
Koerth), Engl. (D.
Llyod-Jones), French (M.
Delines) Place and
time: Partly on the
estate, partly in
Petersburg, in 20ies of
the 19th
Century
Characters
: Larina, Owner of the
Estate (mezzo-soprano) -
Tatiana (soprano) and
Olga (alto), her
Daughters - Filipjewna,
Wet Nurse
(mezzo-soprano/alto) -
Eugen Onegin (baritone) -
Lenskij (tenor) - Prince
Gremin (bass) - A
Commander (bass) -
Saretzkij (bass) -
Triquet, a French Man
(tenor) - Guillot, a
Valet (silent part) -
Country Folk, Ball
Guests, Squire, Officers
(chorus) - Waltz,
mazurka, polonaise and
Russian dance (Ballet
)
There is an
interesting parallel
between the subject of
the opera and
Tchaikovsky's life during
the year he wrote the
work (1877): in each
case, a letter provokes
fateful developments in
the lives of the
protagonists. In the
opera, Tatyana's love
letter to Eugene sets off
the tragedy, whereas in
real life, the love
letter of a pupil led the
composer into a marriage,
which lasted all of ...
three months. Tchaikovsky
took this doomed decision
without love, solely
because the circumstances
want it and because I
cannot act differently.
Certain allusions made,
for example, in a letter
of January 1878 to
Taneyev suggest that the
composer's personal
situation also flowed
into the work: I did not
want anything to do with
the so-called 'grand
opera.' I am looking for
an intimate but powerful
drama which is built on
the conflict of
circumstances which I
myself have seen and
experienced, a conflict
which truly moves me.
Partly for this reason
the composer decided to
call the work not an
opera but lyrical
scenes.Eugene Onegin,
conceived by Tchaikovsky
for limited resources and
a small stage, is the
most frequently performed
Russian opera today along
with Mussorgsky's Boris
Godunov, which represents
a completely contrary
aesthetic stance.
Tschaikowskys
letzte Oper - auf ein
Libretto seines Bruders
Modest nach der
Dramenvorlage des
danischen Schriftstellers
Henrik Hertz - lebt von
den poetischen Momenten
und den symbolbeladenen
Charakterportrats der
Hauptfiguren: Die junge
blinde Jolanthe wird von
ihrem Vater aus Sorge um
ihren Makel und zum
Schutz ihrer
Jungfraulichkeit und vor
den Widrigkeiten der Welt
in einen paradiesischen
Garten gesperrt. Er
befielt zu ihrem Schutz
sie um ihre Blindheit
unwissend zu lassen. Ein
Arzt warnt sehen werde
sie nur konnen wenn sie
es selbst wolle gleich
welche Angste aus der
vollstandigen Erkenntnis
der Welt erwachsen. Als
der junge Vaudemont in
ihre Abgeschiedenheit
einbricht und sich beide
ineinander verlieben
befreit er sie von ihrer
Unwissenheit erklart was
Farbe und Licht bedeuten.
Erst die Liebe zu ihm
macht sie sehend.
Die dunkle Welt
der Jolanthe zeichnet
Tschaikowsky zu Beginn
musikalisch durch eine
Introduktion
ausschliesslich fur
Blaser. Erst mit dem
Eintritt in die
unbekannte Welt der Liebe
und des Sehens verwendet
Tschaikowsky einen warmen
Streicherklang. Gerade
dadurch stiess die Oper
wohl bei Zeitgenossen auf
Verstorung. Tschaikowskys
,,Jolanthe nimmt in
seinem Opernschaffen eine
Sonderstellung ein: neben
dem glucklichen Ende
einer Apotheose des
Lichts und der Liebe mit
einem religios gepragten
Schlusschoral ist es
eines der wenigen
Buhnenwerke Tschaikowskys
ohne Bezug zur russischen
Geschichte. Der
ausgepragte Lyrismus des
Werks verweist
stattdessen auf
Tschaikowskys Nahe zur
franzosischen Kultur die
im 19. Jahrhundert einen
starken Einfluss auf
Russland hatte. Die Oper
wurde 1892 am
Mariinsky-Theater in
Sankt Petersburg als
Auftragswerk zusammen mit
seinem Ballett ,,Der
Nussknacker
uraufgefuhrt.
Nebe
n der Produktion des
Munchner
Rundfunkorchesters wurde
,,Jolanthe szenisch
erfolgreich bei den
Festspielen Baden-Baden
mit Anna Netrebko und
Piotr Beczala als
Liebespaar rehabilitiert.
Ausserhalb Deutschlands
lief die Opernraritat in
Toulouse Tokyo San
Sebastian und Monte
Carlo. Zuletzt erneut die
,,Suddeutsche Zeitung:
,,Jolanthe ist eine
Opernausgrabung die
,,wirklich zu Unrecht
vergessen ist.
Tchaikovsky's last opera
- on a libretto by the
composer's brother Modest
based on the drama by the
Danish author Henrik
Hertz - derives its
life-blood from its
poetic moments and the
symbol-laden portraits of
the leading characters:
the blind young Yolanta
is kept prisoner in a
paradisiacal garden by
her father who fears for
her purity and her
virginity and seeks to
protect her from the
adversities of the world.
To do so he orders
everyone to keep her
ignorant of the fact that
she is blind. A doctor
warns that she will only
be able to see when she
is ready to do so herself
no matter what fears
might result from a
complete experience of
the world. When the young
Vaudemont breaks into her
secluded world and the
two fall in love he frees
her from her ignorance
and explains the
significance of color and
light. It is through her
love for him that she is
finally able to see. At
the beginning of the work
Tchaikovsky depicts
Yolanta's dark world with
an introduction scored
exclusively for winds. It
is not until her
discovery of the unknown
world of love and sight
that Tchaikovsky uses a
warm string sound. This
is what many of the
composer's contemporaries
found disturbing about
the
opera.
Tchaikovsky
's Yolanta occupies a
special place in the
composer's operatic
oeuvre: for one it has a
happy ending an
apotheosis of light and
love with a religiously
stamped closing chorale;
for another it is one of
Tchaikovsky's few stage
works without any
reference to Russian
history. Instead the
work's pronounced
lyricism points to the
composer's closeness to
French culture. which
exerted a strong
influence on Russia in
the 19th
century.
The opera
was given its world
premiere at the Mariinsky
Theater in St. Petersburg
in 1892. It had been
commissioned along with
the ballet The
Nutcracker. Next to the
production by the
Munchner
Rundfunkorchester Yolanta
was also successfully
rehabilitated in a recent
staged production at the
Baden-Baden Festival with
Anna Netrebko and Piotr
Beczala as the lovers.
Outside of Germany the
operatic rarity was
performed in Toulouse
Tokyo San Sebastian and
Monte Carlo.
In
closing another quote
from the Suddeutsche
Zeitung: 'Yolanta' is an
operatic rediscovery of a
work that was truly
'wrongly forgotten'. $76.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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