| Text and Beyond. The Process of Music Composition from the 19th to the 20th Century Ut Orpheus
Books and Journals SKU: UT.APS-8 Edited by Jonathan Goldman. Paperback (S...(+)
Books and Journals
SKU: UT.APS-8
Edited by Jonathan
Goldman. Paperback (Soft
Cover). Ad Parnassum
Studies. Essays by
Giacomo Albert, Nicola
Bernardini, Remy Campos,
Michael Dias, Mylene
Gioffredo, Jonathan
Goldman, Robert Hasegawa,
Joel V. Hunt, Anna Stoll
Knecht, Benjamin M.
Korstvedt, Federico
Lazzaro, Alessandra
Carlotta Pellegrini,
Camille Rondeau, Friedem.
Classical. Books and
Journals. 320 pages. Ut
Orpheus #APS 8. Published
by Ut Orpheus (UT.APS-8).
ISBN 9788881094967.
6.5 x 9.5
inches. Saggi di
Giacomo Albert, Nicola
Bernardini, Remy Campos,
Michael Dias, Mylene
Gioffredo, Jonathan
Goldman, Robert Hasegawa,
Joel V. Hunt, Anna Stoll
Knecht, Benjamin M.
Korstvedt, Federico
Lazzaro, Alessandra
Carlotta Pellegrini,
Camille Rondeau,
Friedemann
Sallis
A
growing number of music
scholars have lately
shifted their attention
from musical works to the
creative processes that
produced them. The study
of these processes serves
as a springboard for
interdisciplinary
research that goes beyond
the traditional
boundaries of musical
philology. These recent
orientations adopt a
heuristic approach to
musical craft in the
composer's workshop and
build on the rich
heritage of sketch
studies, while
incorporating
psychological,
anthropological,
sociological, historical
and analytical methods.
The study of the creative
process in music also
seeks to adapt the
apparatus of literary
critique
genetique. Scholars
of creative process also
regularly turn their
attention to artistic
situations in which
sketches and scores may
not be available as loci
of investigation and seek
to adapt the tools of
creativity studies to
research not only on
composers, but also
performers, improvisers,
and even artistic
directors, recording
engineers, radio
producers, commissioners
or any other actor in the
musical
field. Texts and
Beyond offers new
orientations in the study
of the creative process
in music. The essays
included here show a
particular interest in
unfinished works and in
the logic of their
completion, as well as in
the creative interaction
of music coupled with
other arts. In twelve
chapters and an
Afterword, this volume
explores a wide variety
of topics, including
compositions by Anton
Bruckner, Gustav Mahler,
Charles Koechlin,
Giacinto Scelsi, Henry
Brant, Luciano Berio,
Brian Ferneyhough,
Jacques Hetu and Jose
Evangelista, as well as
extending to the realm of
ballet staging, composing
for the cinema and video
art. $93.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Event Horizon Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.46674S Composed by Vince Gassi. Concert ...(+)
Concert Band - Grade 2.5
SKU: AP.46674S
Composed by Vince Gassi.
Concert Band; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Score. 24 pages. Alfred
Music #00-46674S.
Published by Alfred Music
(AP.46674S). UPC:
038081533209.
English. Written
for the New Horizons Band
of Toronto, this fresh
work captures the
excitement of pushing
beyond boundaries. With
lots of melodic,
harmonic, and rhythmic
interest, there are
plenty of teaching
moments for your
band. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Event Horizon Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2.5 SKU: AP.46674 Composed by Vince Gassi. Concert B...(+)
Concert Band - Grade 2.5
SKU: AP.46674
Composed by Vince Gassi.
Concert Band; Performance
Music Ensemble; Single
Titles. Young Symphonic.
Score and Part(s). 264
pages. Duration 3:45.
Alfred Music #00-46674.
Published by Alfred Music
(AP.46674). UPC:
038081533193.
English. Written
for the New Horizons Band
of Toronto, this fresh
work captures the
excitement of pushing
beyond boundaries. With
lots of melodic,
harmonic, and rhythmic
interest, there are
plenty of teaching
moments for your
band. $58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beyond Boundaries Trombone [Partition + CD] Kendor Music Inc.
| | |
| Beyond the Stage. Musical Theatre and Performing Arts between ‘fin de siècle’ and the ‘années folles’ Ut Orpheus
Books and Journals SKU: UT.APS-10 Edited by Giuseppe Montemagno and Miche...(+)
Books and Journals
SKU: UT.APS-10
Edited by Giuseppe
Montemagno and Michela
Niccolai. Paperback (Soft
Cover). Ad Parnassum
Studies. Classical. Books
and Journals. Ut Orpheus
#APS 10. Published by Ut
Orpheus (UT.APS-10).
ISBN 9788881095056.
6.5 x 9.5
inches. Essays
by Marie-Helene
Benoit-Otis,
Jean-Christophe Branger,
Michel Duchesneau,
Stephan Etcharry, Sarah
Gutsche-Miller, Jacinthe
Harbec, Karen Henson,
Mara Lacche, Ralph P.
Locke, Anne Monjaret,
Michela Niccolai, Luca
Levi Sala
The
crisis of dramaturgical
systems in the age of
European modernism,
between the end of the
nineteenth century and
the First World War,
provoked the creation of
a range of original
artistic solutions until
the 1930s which broke
apart traditional musical
genres. The quest for new
forms of expression thus
becomes a defining
feature in modernist art.
Composers, riding the
wave of momentum built
first in literature and
the fine arts, blurred
the boundaries between
high and low styles, and
it is in this
co-existence,
inherent to the new
forms, that musical
production found new
life. Theatre studies
have pinpointed this
desire for artistic
experimentation with
Paris at its centre, the
city of light,
that cultural meeting
ground and formidable
catalyst of artistic
trends. The visual
spectacle produced during
the forty years
(approximately 1890-1930)
covered in this volume
has therefore been
analysed in a number of
different ways, deriving
from the vast panorama of
cultural history,
interrogating theatrical
materials not only from
the standpoint of the
<>, but also
by investigating the
links between high and
low, mediatised culture.
Musicological research
applied to high art
genres (song, opera, all
genres of instrumental
music) does not yet seem
to have taken these
hybrid spectacles which
modify forms and genres
in search of new musical
and dramatic solutions
into consideration,
except in a few rare
cases. On the other hand,
new impetus has been
given by a renewed
interest in popular
chanson and ballet. In
this current volume, we
have chosen to
interrogate the
spectacular element, that
is to say the
performance, as 'a
text', equal in status to
the music and the
literary text. Therefore,
the different subject
areas proposed in the
following chapters reveal
a lesser importance of
the subject material set
to music by composers but
a greater willingness, at
the centre of this
aesthetic renewal, to try
out new musical forms or
to adapt traditional
structures to new
dramatic ends. $104.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Creation Hob XXI:2 Breitkopf & Härtel
Violin 1 (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - ...(+)
Violin 1 (solos: STB -
choir: SATB -
3.2.2.2.dble bsn -
2.2.3.0. - timp - str -
bc) SKU:
BR.OB-4381-15
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 32
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-15. Published by
Breitkopf and Haertel
(BR.OB-4381-15). ISBN
9790004306802. 10 x 12.5
inches. Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Creation Hob XXI:2 [Conducteur] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: STB - choir: SATB - 3.2.2.2.dble bs...(+)
Chorus (with soloists)
and orchestra (solos: STB
- choir: SATB -
3.2.2.2.dble bsn -
2.2.3.0. - timp - str -
bc) SKU:
BR.PB-4381
Oratorio. Composed
by Franz Joseph Haydn.
Edited by Eusebius
Mandyczewski. Choir;
Softbound.
Partitur-Bibliothek
(Score Library). In
the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Full score.
232 pages. Duration 120'.
Breitkopf and Haertel #PB
4381. Published by
Breitkopf and Haertel
(BR.PB-4381). ISBN
9790004203002. 9 x 12
inches. Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere. $98.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Creation Hob XXI:2 Breitkopf & Härtel
Viola (solos: STB - choir: SATB - 3.2.2.2.dble bsn - 2.2.3.0. - timp - str - bc)...(+)
Viola (solos: STB -
choir: SATB -
3.2.2.2.dble bsn -
2.2.3.0. - timp - str -
bc) SKU:
BR.OB-4381-19
Oratorio. Composed
by Franz Joseph Haydn.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
In the late 18th century,
Joseph Haydn composed a
choral work - The
Creation - which set
the standard for the
sacred oratorio genre
that stood long after the
Viennese classical era
and far beyond the
boundaries of the German
linguistic spher.
Oratorio/passion;
Classical. Part. 28
pages. Duration 120'.
Breitkopf and Haertel #OB
4381-19. Published by
Breitkopf and Haertel
(BR.OB-4381-19). ISBN
9790004306826. 10 x 12.5
inches. Following
sensationally acclaimed
premiere performances in
Vienna, The Creation was
published in several
languages and by various
publishing houses,
including Breitkopf &
Hartel in Leipzig. We now
know that a continuo
instrument was used for
Haydn's oratorio as
premiered in Vienna. The
supplementary continuo
part enables an
historically accurate
reproduction for the
first time: the
harpsichord (and,
increasingly, the
pianoforte) fulfilled the
important continuo
function in the
orchestras of the
time.
In the late
18th century, Joseph
Haydn composed a choral
work - The Creation -
which set the standard
for the sacred oratorio
genre that stood long
after the Viennese
classical era and far
beyond the boundaries of
the German linguistic
sphere. $14.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
Plus de résultats boutique >> |