PARTITIONS GRATUITES : PIANO SEUL
- Divertimento K. 136

From Divertimento No. 1, K. 136. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Jan Farrar- Royce. Masterworks; Part(s); Score; String Orchestra. Belwin Concert String Orchestra. Classical; Masterwork Arrangement. 124 pages. Published by Belwin Music

Divertimenti in D major K. 136 (125a) - Divertimenti in B-flat major K. 137 (125b) - Duvertimenti in F major K. 138 (125c). By Wolfgang Amadeus Mozart. Edited by F!Ssl, Karl H. For String orchestra. Score; Urtext Edition. Published by Baerenreiter-Ausgaben (German import).

Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Karl Fussl. For violin I, violin II, viola and cello. Urtext of the New Mozart Edition. Format: set of performance parts (parts only, score not included). With introductory text. Classical period. 48 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Brass Trio - Advanced

SKU: CY.CC3166

Composed by Wolfgang Amadeus Mozart. Arranged by Eric High. Classical. Score and Parts. Cherry Classics #CC3166. Published by Cherry Classics (CY.CC3166).

ISBN 9790530111369. 8.5 x 11 in inches.

The Five Divertimenti K. 229 (K. 439b) consists of 25 movements originally scored for three basset horns (or two basset horns and bassoon). It is assumed that Mozart wrote these works for the Stadler brothers, Anton (famous for the Clarinet Concerto) and Johann. The styles of the movements include Sonata-allegro, Minuet and Trio, Larghetto, Adagio, Rondo and even a Polonaise. This complete collection of the Five Divertimenti is an immense amount (about 45 minutes) of very entertaining music, all wonderfully arranged by Eric High for Brass Trio. (PDF samples include one page from each Divertimento.).

String Quartet (Parts)

SKU: HL.51481120

Set of Parts. Composed by Wolfgang Amadeus Mozart. Edited by Wolf-Dieter Seiffert. Ensemble. Classical. Softcover. G. Henle #HN1120. Published by G. Henle (HL.51481120).

UPC: 196288034773. 9.0x12.0x0.625 inches.

This volume brings together Mozart's youthful attempts at this later so central genre of the string quartet: the astonishing “Lodi Quartet” K. 80 by the only fourteen-year-old composer, the three “Quartet-Divertimen ti” K. 136-138 which are also readily played by chamber orchestras, and Mozart's first true string-quartet cycle K. 155-160 which was composed during his third (north-)Italian journey in 1772/73. Mozart's cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem “dot or wedge.” The Armida Quartet provided artistic input for this edition.

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