PARTITIONS GRATUITES : PIANO SEUL
- dennis dennis

By Dennis Alexander. For Piano. Piano Solo. Intermediate level piece for the Piano Solo event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Sheet. 4 pages. Published by Alfred Publishing.

By Dennis Jernigan. Arranged by Patricia Cota. Contemporary and Sacred. Print Music Single (3-5 oct.). Published by Hope Publishing Company. (2279) Level: L3-.

By Dennis Alexander. For Piano. Piano Solo. Level: Elementary (grade 1B). Sheet. 4 pages. Published by Alfred Publishing.

By Dennis Jernigan. Arranged by Larry Shackley. (SATB). God's Attributes/Character, Hymntune, Lamb of God, Name of Jesus, Praise & Worship, Hymntune and Sacred. Print Music Single (SATB). 12 pages. Published by Hope Publishing Company.

Voice solo

SKU: WD.080689524288

By Dennis Jernigan. Collection. Sacred Vocal. Vocal score. Word Music #080689524288. Published by Word Music (WD.080689524288).

UPC: 080689524288.

You may know the music of Dennis Jernigan rather than the mention of his name. Songs like You Are My All in All, Nobody Fills My Heart Like Jesus and We Will Worship the Lamb of Glory -- as well as countless others -- are sung literally all over the world. Routinely, many Dennis Jernigan songs are listed in CCLI's Top 100 Most Performed Songs chart at any given time.I Cry Holy, the companion songbook to Dennis Jernigan's first all-new recording in more than five years, features 12 brand new transcendent compositions. You'll find the arrangements to be instant classics in your worship collection. This songbook is arranged at the mdoerately difficult level for medium voice, and features piano accompaniment with guitar chords.

Bass Clarinet & 21 Strings

SKU: SS.50600030

Composed by Fred Cohen. Study Score. Published by Seesaw Music Corp (SS.50600030).

Commissioned by the Colonial Symphony, Paul Hostetter, Music Director and Conductor. First performed in 2006. Composer's Note: My inspiration for Smiling Dennis is the great bass clarinet virtuoso Dennis Smylie. I have had the pleasure of getting to know Dennis over the past several years owing to our mutual affiliation at Montclair State University. We would meet unintentionally in the halls and begin conversations regarding all manners of topics: from the colorful history of the bass clarinet - and bass clarinetists - to the furious appetite of the New Jersey groundhog. Dennis inevitably finds the humor in things - he revels in discovering the comic story that can often be found, just underneath the topic. When Maestro Hostetter asked me to compose a new piece during his initial season with the Colonial Symphony, and mentioned the possibility of a work related to humor, I immediately thought of the Dennis. When I spoke with Maestro Hostetter the following day, I had already conceived of the title (very unusual for me - I'm much more a musical/visual thinker than a verbal one) as well as the overall musical narrative. Smiling Dennis is a concerto in one movement for one bass clarinetist and twenty string players. Somewhat unusually, each performer has a unique musical assignment - that is, the string players are not aligned into their typical alliances of first violins, second violins and so forth. This permits a more complex string texture, allowing each performer to assert his or her individuality. Indeed, the notion of individuality is essential to this concerto, as it often is in concerti. For example, Smiling Dennis begins with the bass clarinet not quite obeying the conventions of tuning to the orchestra. Rather than simply take the A offered by the Concertmaster, the soloist playfully performs a gently descending series of notes. Offered another A, the soloist repeats this gesture (though with a different descending series). This exchange occurs four times. In the final one, members of the string orchestra join the soloist in the first significant statement of one of the central melodies. The bass clarinet completes this introductory section alone, playing all the way down to a low A, a third below the lowest note in the celli. Following the introduction, Smiling Dennis consists of six sections, somewhat along the lines of a dance suite: an energetic Allegro, a lyric Arioso, a forward Piu mosso, a light-hearted and syncopated dance, a even more energetic passage for strings alone, and finally a modified return to the introduction. In the return, the string ensemble is no longer at all oppositional to the soloist. Rather, in response to the soloist's gentle cajoling and supportive commentary, the strings accompany - with pleasure, you might say - the quiet, individual playfulness of the bass clarinet. The work ends with a return to the soloist's substratum A, accompanied quietly by the strings.

By Dennis Jernigan. Arranged by Lloyd Larson. For SATB choir and piano accompaniment. (SATB). Praise and Worship, Contemporary and Sacred. Choral octavo. 8 pages. Published by Hope Publishing Company.