PARTITIONS GRATUITES : PIANO, VIOLON, VIOLONCELLE
- Ave Maria Gounod

Two Famous Ave Marias by Charles François Gounod. Arranged by David Marlatt. For Flute and Keyboard. Masterworks; Solo; Woodwind - Flute Solo. Eighth Note Publications. Romantic. Part(s). Duration 00:06:00. Published by Eighth Note Publications

By Franz Schubert; J.S. Bach, Charles Gounod. Edited by Edwin Mclean. For Voice with Piano. The Ave Maria Collection. Sacred. Book. Published by The FJH Music Company Inc.

Ave Maria by Charles François Gounod. Arranged by David Marlatt. For Saxophone Quartet (AATB). Masterworks; Part(s); Quartet; Score; Woodwind - Saxophone Quartet. Eighth Note Publications. Masterwork Arrangement; Romantic. Score and set of parts. Duration 2:15. Published by Eighth Note Publications

By Johann Sebastian Bach, Charles Francois Gounod. Arranged by Jonathon Robbins. For Flute. Published by Santorella Publications.

Ave Maria (for Two Soprano Voices and Organ). By Camille Saint-Saens (1835-1921). Edited by Wolfgang Birtel. Einzelausgaben (Single Sheets). Book only. 12 pages. Schott Music #ED09808. Published by Schott Music

Latin Ave Maria Settings of the 19th and early 20th Century for Solo Voice and Organ. Edited by Wagner, Peter. For Voice, Organ. Collection (paperbound). Published by Baerenreiter-Ausgaben (German import).

Clarinet Quintet - intermediate

SKU: BT.DHP-1064015-070

Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Lorenzo Bocci. Music Box. Set (Score & Parts). Composed 2006. 12 pages. De Haske Publications #DHP 1064015-070. Published by De Haske Publications (BT.DHP-1064015-070).

9x12 inches. English-German-French-Dut ch.

Over the course of time, many composers have honoured the mother of Jesus with a musical Ave Maria (a Hail Mary). One of the most well-known is that of the French composer Charles François Gounod (1818-1893), who added a melody to the first prelude from Das Wohltemperierte Klavier by the German master-composer Johann Sebastian Bach (1685-1750). The result is a long, lyrical melody line with a wonderfully built-up curve of tension, floating above a softly sparkling accompaniment. Lorenzo Bocci has arranged the Ave Maria by Bach/Gounod for clarinet ensemble.

Veel componisten hebben in de loop der tijden de moeder van Jezus geëerd met een muzikaal Ave Maria (een Weesgegroet). Een van de bekendste is dat van de Franse componist Charles François Gounod (1818-1893), die de melodie toevoegdeaan de eerste prelude uit Das wohltemperierte Klavier van de Duitse meestercomponist Johann Sebastian Bach (1685-1750). Het resultaat is een lange, lyrische melodielijn met een prachtig opgebouwde spanningsboog over eenzacht sprankelende basis. Lorenzo Bocci bewerkte het Ave Maria van Bach/Gounod voor klarinetensemble.

Das Ave Maria ist von Komponisten aller Epochen vertont worden. Eine der berühmtesten Vertonungen stammt von Charles Gounod. Dieser legte seine Melodie über die Musik zum 1. Präludium aus dem Wohltemperierten Klavier von Johann Sebastian Bach, weshalb das Werk als Ave Maria von Bach-Gounod in die Musikgeschichte einging. Lorenzo Bocci bearbeitete die schöne Musik für Klarinettenquartett.

Nombreux sont les compositeurs qui ont au fil du temps glorifié la mère de Jésus en mettant en musique un Ave Maria (Je vous salue, Marie). L’un des plus célèbres est celui du compositeur français Charles-François Gounod (1818-1893) qui a composé une Méditation sur le premier prélude extrait du Clavier bien Tempéré (Das wohltemperierte Klavier) du maître allemand Jean-Sébastien Bach (1685-1750).

L’Ave Maria è stata scritta da compositori di tutte le epoche. Una delle più famose è senza dubbio quella di Charles Gounod che sovrappose la sua melodia alla musica del primo preludio da il Clavicembalo Ben Temperato di Johann Sebastian Bach. Per questa ragione il brano entrò nella storia della musica come Ave Maria di Bach-Gounod. L’arrangiamento per quartetto di clarinetti è firmato Lorenzo Bocci.

For Violin and Piano Piano Accompaniment; Violin (Violin/Piano)

SKU: HL.978474

Arranged by Endre Granat. LKM Music. Classical, General Worship, Sacred. Softcover. Lauren Keiser Music Publishing #S511046. Published by Lauren Keiser Music Publishing (HL.978474).

ISBN 9781638871361. UPC: 196288090922. 9.0x12.0x0.102 inches.

This one of a kind album pairs two of the most performed Ave Maria's for violin and piano, meticulously edited by Jascha Heifetz' protege, Endre Granat. The first of these is Schubert's melody, which was originally composed as a setting of a song from Walter Scott's popular narrative poem The Lady of the Lake, titled, “Ellen's Third Song” (Ellens dritter Gesang). The opening words and refrain of Ellen's song, namely “Ave Maria” (Latin for “Hail Mary”), may have led to the idea of adapting Schubert's melody as a setting for the full text of the traditional Roman Catholic prayer. The Latin version of the song is now so frequently used with Schubert's melody that it has led to the misconception that he originally wrote the melody as a setting for the “Ave Maria.” The second Ave Maria in this collection was created when Gounod famously improvised the melody over the background of J.S. Bach's Prelude No. 1 in C major, BWV 846, from The Well-Tempered Clavier. Gounod's beatiful improvisation was transcribed by his future father-in-law Pierre-Joseph-Guillaume Zimmermann, which was published with the Bach keyboard accompaniment in 1835 under the title “Méditation sur le Premier Prélude de Piano de S. Bach.” Alongside Schubert's version, the Bach/Gounod Ave Maria has become a fixture at funerals, wedding masses, and quinceañeras. Both works have been recorded hundreds of times during the twentieth century.