| Interlude “Nightfall” [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.FAS110F
Composed by Yukiko
Nishimura. First-Plus
String Orchestra (FAS).
Full score. With Standard
notation. 8 pages. Carl
Fischer Music #FAS110F.
Published by Carl Fischer
Music (CF.FAS110F).
ISBN 9781491151785.
UPC: 680160909285. 9 x 12
inches. Featuring
long phrases in a slow
tempo, Interlude
Nightfall is a?perfect
composition to teach
musicianship with young
students using dramatic
harmonies. Yukiko
Nishimura's musical
imagery provides a great
opportunity for string
orchestras to showcase
their musical phrasing
and expression. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well.This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like
“risoluto.â€
The second section from
m. 29 is a kind of
“chorale,†so
all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion.Please enjoy the
thick harmonies. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Interlude “Nightfall” - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.FAS110
Composed by Yukiko
Nishimura. First-Plus
String Orchestra (FAS).
Set of Score and Parts.
With Standard notation.
8+8+2+5+5+5+2+8 pages.
Duration 4:39. Carl
Fischer Music #FAS110.
Published by Carl Fischer
Music (CF.FAS110).
ISBN 9781491151419.
UPC: 680160908912. 9 x 12
inches. Key: G
minor. Featuring
long phrases in a slow
tempo, Interlude
Nightfall is a?perfect
composition to teach
musicianship with young
students using dramatic
harmonies. Yukiko
Nishimura's musical
imagery provides a great
opportunity for string
orchestras to showcase
their musical phrasing
and expression. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like arisoluto.a The
second section from m. 29
is a kind of achorale,a
so all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well. This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like risoluto. The second
section from m. 29 is a
kind of chorale, so all
parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion. Please enjoy the
thick harmonies. This
work features long
phrases in slow tempo,
and the harmonies are
very dramatic. The music
should not be too square.
Conductors must pay
special attention to how
the orchestra expresses
these long phrases and
harmony changes. The
intonations of each
phrases are important as
well.This work consists
of three sections, the
first of which starts at
m. 5. It should be played
with confident feeling,
like
“risoluto.â€
The second section from
m. 29 is a kind of
“chorale,†so
all parts should sound
well-combined, like an
organ. The third section
is virtually identical to
the first section but can
be played with greater
emotion.Please enjoy the
thick harmonies. $53.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Carol of the Bells [Conducteur] Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Crash Cymbals, E...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cello, Clarinet, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Keyboard, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, String
Bass, Suspended Cymbal,
Timpani, Trombone and
more. SKU:
CF.XPS15F Composed by
Mykola Leontovich.
Arranged by Carol Brittin
Chambers. Full score. 16
pages. Carl Fischer Music
#XPS15F. Published by
Carl Fischer Music
(CF.XPS15F). ISBN
9781491158838. UPC:
680160917532. Carol
of the Bells This version
of Carol of the Bells is
a new take on a
traditional carol. The
Ukrainian Bell Carol,
which has become an
important part of the
American holiday
tradition, was originally
composed by Mykola
Leontovych with lyrics by
Peter J. Wilhousky. In
this arrangement, the
flexibility of the
instrumentation allows it
to be played with as few
as five wind or string
players, and the various
recognizable motifs are
passed around the
ensemble, giving everyone
something interesting to
play. Chambers
incorporates energetic
grooves with the bass
line and percussion, as
well as a new B melody
that adds extra technique
and a fresh sound. Please
enjoy Carol of the Bells
on your next holiday
concert! Note to the
Conductor: Use this piece
to introduce or reinforce
the following musical
concepts: Steady pulse in
a driving 3/4 meter,
definition of ostinato,
accidentals (minimal),
and Syncopated feel
(minimal). Carol of
the Bells This version of
Carol of the Bells is a
new take on a tradi1onal
carol. The Ukrainian Bell
Carol, which has become
an important part of the
American holiday
tradition, was originally
composed by Mykola
Leontovych with lyrics by
Peter J. Wilhousky. In
this arrangement, the
flexibility of the
instrumentation allows it
to be played with as few
as five wind or string
players, and the various
recognizable motifs are
passed around the
ensemble, giving everyone
something interesting to
play. Chambers
incorporates energe1c
grooves with the bass
line and percussion, as
well as a new B melody
that adds extra technique
and a fresh sound. Please
enjoy Carol of the Bells
on your next holiday
concert! Note to the
Conductor: Use this piece
to introduce or reinforce
the following musical
concepts: Steady pulse in
a driving 3/4 meter
Defini1on of Os1nato
Accidentals (minimal)
Syncopated feel
(minimal). Carol of
the BellsThis version of
Carol of the Bells is a
new take on a tradi1onal
carol. The Ukrainian Bell
Carol, which has become
an important part of the
American holiday
tradition, was originally
composed by Mykola
Leontovych with lyrics by
Peter J. Wilhousky. In
this arrangement, the
flexibility of the
instrumentation allows it
to be played with as few
as five wind or string
players, and the various
recognizable motifs are
passed around the
ensemble, giving everyone
something interesting to
play. Chambers
incorporates energe1c
grooves with the bass
line and percussion, as
well as a new B melody
that adds extra technique
and a fresh sound. Please
enjoy Carol of the Bells
on your next holiday
concert!Note to the
Conductor: Use this piece
to introduce or reinforce
the following musical
concepts: Steady pulse in
a driving 3/4 meter
Defini1on of Os1nato
Accidentals (minimal)
Syncopated feel
(minimal). $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Carol of the Bells - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Crash Cymbals, E...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cello, Clarinet, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Keyboard, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, String
Bass, Suspended Cymbal,
Timpani, Trombone and
more. - Grade 2.5 SKU:
CF.XPS15 Composed by
Mykola Leontovich.
Arranged by Carol Brittin
Chambers. Set of Score
and Parts.
8+6+8+4+4+2+2+2+3+4+2+4+3
+4+2+2+2+2+2+2+1+4+4+16
pages. Carl Fischer Music
#XPS15. Published by Carl
Fischer Music (CF.XPS15).
ISBN 9781491158821.
UPC:
680160917525. Carol
of the Bells This version
of Carol of the Bells is
a new take on a
traditional carol. The
Ukrainian Bell Carol,
which has become an
important part of the
American holiday
tradition, was originally
composed by Mykola
Leontovych with lyrics by
Peter J. Wilhousky. In
this arrangement, the
flexibility of the
instrumentation allows it
to be played with as few
as five wind or string
players, and the various
recognizable motifs are
passed around the
ensemble, giving everyone
something interesting to
play. Chambers
incorporates energetic
grooves with the bass
line and percussion, as
well as a new B melody
that adds extra technique
and a fresh sound. Please
enjoy Carol of the Bells
on your next holiday
concert! Note to the
Conductor: Use this piece
to introduce or reinforce
the following musical
concepts: Steady pulse in
a driving 3/4 meter,
definition of ostinato,
accidentals (minimal),
and Syncopated feel
(minimal). Carol of
the BellsThis version of
Carol of the Bells is a
new take on a traditional
carol. The Ukrainian Bell
Carol, which has become
an important part of the
American holiday
tradition, was originally
composed by Mykola
Leontovych with lyrics by
Peter J. Wilhousky. In
this arrangement, the
flexibility of the
instrumentation allows it
to be played with as few
as five wind or string
players, and the various
recognizable motifs are
passed around the
ensemble, giving everyone
something interesting to
play. Chambers
incorporates energetic
grooves with the bass
line and percussion, as
well as a new B melody
that adds extra technique
and a fresh sound. Please
enjoy Carol of the Bells
on your next holiday
concert!Note to the
Conductor: Use this piece
to introduce or reinforce
the following musical
concepts: Steady pulse in
a driving 3/4 meter,
definition of ostinato,
accidentals (minimal),
and Syncopated feel
(minimal). $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| What Child Is This? Carl Fischer
Choral Descant, alto voice, soprano voice SKU: CF.CM9578 Composed by Engl...(+)
Choral Descant, alto
voice, soprano voice
SKU: CF.CM9578
Composed by English
Carol. Arranged by Ken
Berg. Fold. Performance
Score. 12 pages. Duration
3 minutes, 52 seconds.
Carl Fischer Music
#CM9578. Published by
Carl Fischer Music
(CF.CM9578). ISBN
9781491154007. UPC:
680160912506. 6.875 x
10.5 inches. Key: E
minor. English. William
C. Dix. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singersA the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singersA the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sure all
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.
The consonant combination
th is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout. The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word. To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty. Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your
listeners. This is a
very well known and
beloved tune dating from
the time of Henry the
VIII in Britain.
Therefore, there are lots
of slight variations in
how people have learned
this tune. Please be very
careful to make sureall
singers agree on the
notes actually written.
This will make the
singers the listeners
much more comfortable
with your performance.The
consonant combination th
is very difficult for
listeners to hear.
Singers should work
diligently to be very
intentional to articulate
the text throughout.The
verses are all built in
two similar four-measure
phrases. Even though the
destinations are
different, both phrases
end with echo words.
Therefore, please be
careful to sing the
second syllable softer
than the first. For
example,sleep-ing,
keep-ing, in the verses.
In the repeated refrains,
please sing Ma-ry in the
same way; it too is an
echo word.To bring laud
is to bring praise and
adoration. A mean estate
does not equal angry; it
refers to a place of
poverty.Part of the
reason this is such a
well-known and beloved
tune is that it is very
singable and very lovely.
Therefore, when you sing
it, always work toward
making your very best
sound and very best face.
You will enjoy your
performance more and so
will your listeners. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Beatles – Strum Together Ukulele Hal Leonard
Ukulele, Baritone Ukulele, Guitar, Mandolin, Banjo Banjo; Baritone Ukulele; Guit...(+)
Ukulele, Baritone
Ukulele, Guitar,
Mandolin, Banjo Banjo;
Baritone Ukulele; Guitar;
Mandolin; Ukulele SKU:
HL.295362 For
Ukulele, Baritone
Ukulele, Guitar,
Mandolin, Banjo. By
The Beatles. Arranged by
Mark Phillips. Strum
Together. Pop. Softcover.
146 pages. Published by
Hal Leonard (HL.295362).
ISBN 9781540055798.
UPC: 888680946548.
9.0x12.0x0.366
inches. 70 songs
with lyrics, melody
lines, and chord frames
for standard ukulele,
baritone ukulele, guitar,
mandolin, and banjo.
Enjoy strumming and
singing these Beatles
classics with all your
buddies! A great resource
for beginning stringed
instrument players who
are ready to experience
the fun of making music
together! Songs include:
All You Need Is Love
• Back in the
U.S.S.R. • Birthday
• Can't Buy Me Love
• Come Together
• Day Tripper
• Drive My Car
• Eight Days a Week
• Eleanor Rigby
• Get Back •
Good Day Sunshine •
Got to Get You into My
Life • A Hard Day's
Night • Help!
• Here Comes the
Sun • Hey Jude
• I Saw Her
Standing There • I
Want to Hold Your Hand
• In My Life
• Let It Be •
The Long and Winding Road
• Norwegian Wood
(This Bird Has Flown)
• Paperback Writer
• Revolution
• Sgt. Pepper's
Lonely Hearts Club Band
• She Loves You
• Ticket to Ride
• Twist and Shout
• Yellow Submarine
• Yesterday •
and more! $25.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Famous Japanese Melodies for Violin and Piano (with Karaoke CD) Violon et Piano SATB, Orgue Yamaha
Violin and Piano SKU: YM.GTW01100445 Composed by Various. Japanese Tradit...(+)
Violin and Piano SKU:
YM.GTW01100445
Composed by Various.
Japanese Traditional
Songs; Strings. Score and
part. Yamaha Music Media
#GTW01100445. Published
by Yamaha Music Media
(YM.GTW01100445). ISBN
9784636103052. 8.5 x 12
inches. Here, you
can enjoy the beautiful
Japanese classic tunes
expressing the changing
seasonal sentiments in
this book. It features 25
songs, mainly nursery
rhymes, children's songs,
and shoka songs, and it
comes with a karaoke CD
of piano accompaniment.
Please enjoy these
wonderful arrangements,
which are perfect for
recitals and
concerts. $21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Various Arrangements on a Theme Piano, Voix - Avancé Yamaha
Pretender/Fate. Composed by Official Hige Dandism. Piano Pop Vocal/Liu Xing Ga...(+)
Pretender/Fate. Composed
by
Official Hige Dandism.
Piano
Pop Vocal/Liu Xing Gang
Qin.
Book. Yamaha Music Media
#GTP01097484. Published
by
Yamaha Music Media
$9.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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