PARTITIONS GRATUITES : ENSEMBLE à CORDES
- "Pathos"

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Composed by Erik Satie (1866-1925). Arranged by Jeff Gorbski. Score and Parts. Imagine Music Publishing #PES183. Published by Imagine Music Publishing

String orchestra with optional organ (Vln I, Vln II (A and B), Vla, Vc I, Vc II, and Db) - Easy to Moderately Difficult

SKU: OU.9780193528017

'And Wept Bitterly'. Composed by Mack Wilberg. String Orchestra. Full score. 12 pages. Duration 6.5'. Oxford University Press #9780193528017. Published by Oxford University Press (OU.9780193528017).

ISBN 9780193528017. 12 x 9 inches.

for string orchestra, with optional organ
This moving piece for string orchestra is full of pathos and emotion. Stylistically evocative of Samuel Barber's Adagio for Strings and the distinctive musical language of Arvo Pärt, Lament is based around a two-bar arching ostinato, artfully developing musical fragments and enriching the texture to reach a powerful central climax. This is a welcome addition to the string orchestra repertory.
This piece was recorded on the 2019 Mormon Tabernacle Choir and Orchestra CD Tree of Life under the title 'And Wept Bitterly (Lament on an Ostinato for String Orchestra)'.

• A moving piece for string orchestra full of pathos and emotion
• Recorded on the 2019 Mormon Tabernacle Choir and Orchestra CD Tree of Life under the title 'And Wept Bitterly (Lament on an Ostinato for String Orchestra)'
• Based around a two-bar arching ostinato
• Stylistically evocative of Arvo Part and Barber's Adagio for Strings

Clarinet, piano

SKU: FG.55011-708-2

Composed by Kimmo Hakola. Solo part and piano reduction. Fennica Gehrman #55011-708-2. Published by Fennica Gehrman (FG.55011-708-2).

ISBN 9790550117082.

Kimm o Hakola's Clarinet Concerto (2001) is finally available as a piano reduction and a solo part! The concerto created world-wide buzz after the premiere, which was augmented after the CD release. The Clarinet Concerto is a rich and original work lasting some 40 minutes. It has four movements: the opening movement is dominated by the aggressive toccata-like pounding typical of Hakola. The slow movement, Hidden Songs, is a soaring, melodic and captivating piece of music. The third movement, Allegro farara, is a wild and whirling Oriental dance in a quirky 7/8 rhythm. The finale, which follows without a break, begins with crowd noises that slowly fade. The movement title, Khasene, is the Yiddish for 'wedding'. The nuptials turn out to be quite raucous as Hakola rolls out poignant pathos and rollicking klezmer look-alikes in turn. The soloist is given scope for improvisation.

Soprano voice solo, SATB choir and orchestra

SKU: ST.D108

Composed by James McCarthy. For soprano solo, SATB chorus and orchestra. Libretto by the composer, with words selected and adapted from various writers. James McCarthy's acclaimed cantata dramatically recounts key episodes in the story of Alan Turing, the Second World War codebreake. Vocal Score. Stainer & Bell Ltd. #D108. Published by Stainer & Bell Ltd. (ST.D108).

ISBN 9790220225628.

Jame s McCarthy's Codebreaker dramatically recounts key episodes in the story of Alan Turing, whose work at Bletchley Park decrypting the naval Enigma codes helped save countless lives during the Second World War, and whose legacy endures in our contemporary digital culture transformed by computer science. Turing is recalled as a brilliant mathematician, pioneer and prophet. Above all, in a score conceived in bold contrasts of pathos and dynamic energy, he is remembered as a suffering individual, an outsider destroyed by the unforgiving public prejudice of his time, yet whose complex and sensitive inner being was inseparable from his genius. On the cusp of a twenty-first century revolution in artificial intelligence, the passionate, accessible and visionary music of Codebreaker urges us all to regret past misunderstandings, be vigilant against lingering bigotries, and simply to hold in reverence Turing's inspiring achievement, while wondering at the cruel betrayal of an ordinary-extraordinary man who was also a profound benefactor to humankind.