PARTITIONS GRATUITES : QUATUOR à CORDES
- Spring. Strauss-II

Fruhlingsstimmen, or Voices of Spring, Op.410 is another popular waltz by Johann Strauss II, arranged here for solo Piano

Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set)

SKU: AP.36-A742599

Arranged by Johann Strauss Jr. and ed./arr. by Adolphe Dumont. Full Orchestra, CS. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A742599. Published by LudwigMasters Publications (AP.36-A742599).

ISBN 9798892703260. UPC: 659359897863. English.

JOHANN STRAUSS II (1825-1899) initially wrote FRÜHLINGSSTIMMEN, Op. 410 (VOICES OF SPRING) as a concert aria. He dedicated the piece, with a libretto by Richard Genée, to pianist-composer Alfred Grünfeld. When Bertha Schwarz (stage name, Bianca Bianchi) sang the first performance at the Theater an der Wien on March 1, 1883, the audience loved it so much that they demanded an encore. The composer wasted no time in arranging a purely orchestral version, which the Strauss Orchestra premiered only seventeen days later. The waltz achieved great success during his Russian tour in 1886. This edition for reduced orchestra was arranged by Adolphe Dumont. Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set). Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set)

SKU: AP.36-A742502

Arranged by Johann Strauss Jr. and ed./arr. by Adolphe Dumont. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A742502. Published by LudwigMasters Publications (AP.36-A742502).

UPC: 659359906169. English.

JOHANN STRAUSS II (1825-1899) initially wrote FRÜHLINGSSTIMMEN, Op. 410 (VOICES OF SPRING) as a concert aria. He dedicated the piece, with a libretto by Richard Genée, to pianist-composer Alfred Grünfeld. When Bertha Schwarz (stage name, Bianca Bianchi) sang the first performance at the Theater an der Wien on March 1, 1883, the audience loved it so much that they demanded an encore. The composer wasted no time in arranging a purely orchestral version, which the Strauss Orchestra premiered only seventeen days later. The waltz achieved great success during his Russian tour in 1886. This edition for reduced orchestra was arranged by Adolphe Dumont. Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set). Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: CA.5280900

Composed by Max Reger. Edited by Stefan Konig, Dennis Ried. Gesamt- und Werkausgaben: Max Reger. Hybrid Edition of works. Reger, Max: Reger Hybrid Edition of Works, Vol. II/2: Songs II (1889-1899). Full score (complete edition / selected edition). Published by Carus Verlag (CA.5280900).

ISBN 9790007246525.

With the songs Reger wrote between summer 1889 and spring 1901, he made his mark in the music world. His style displayed a harmonic and melodic intransigence which challenged, fascinated, and irritated performers and audiences in equal measure. The song collections which Reger compiled became ever more extensive: opp. 35 and 37 contained six and five songs, opp. 43 and 48 eight and seven, and opp. 51 and 55 twelve and fifteen songs. As well as this, he wrote some individual pieces for inclusion in the Neue Musik-Zeitung (WoO VII/23-29).

In his assiduous search for texts, Reger turned to contemporary lyric poetry with its plurality of styles. The poems which he set were by representatives of the literary Jugendstil (art nouveau) and impressionist movements, including Otto Julius Bierbaum, Detlev von Liliencron, and Richard Dehmel. Here, Reger's musical hallmarks were intensity and subtlety of feeling, a desire for intimacy, and a modern emotional language. This corresponded with the concentration on the modern declamatory song following on from Hugo Wolf, to whom op. 51 is dedicated. In addition, Reger ventured to set texts which Richard Strauss had also set previously, in the process finding different solutions in mood and tonal language.

I n January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition is exploring new approaches in editorial techniques.

For the first time, in this edition the digital component for this volume will no longer be supplied on a data storage device, but published in an online portal.

Co ntent
Sechs Lieder Op. 35
Funf Gesange Op. 37
Lieder WoO VII/21 und VII/22
Acht Lieder Op. 43
Sieben Lieder Op. 48
Lieder WoO VII/23-29
Zwolf Lieder Op. 51
Funfzehn Lieder Op. 55

Appendix
Tra nspositions.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

By Janet Vogt. Piano. Level: Early Intermediate. Educational piano collection. Published by Heritage Music Press.

A lovely collection containing 54 famous melodies arranged and made easy for Piano and Keyboard, by George Coulter. These short, simplified arrangements retain the magic and melody of the originals but are suitable for lower-intermediate players