| An Anthology of Piano Music for the Left Hand Alone Piano seul Carl Fischer
Chamber Music Piano SKU: CF.PL1072 Edited by Ruby Morgan. Collection. 168...(+)
Chamber Music Piano
SKU: CF.PL1072
Edited by Ruby Morgan.
Collection. 168 pages.
Carl Fischer Music
#PL1072. Published by
Carl Fischer Music
(CF.PL1072). ISBN
9781491160244. UPC:
680160918836. An
Anthology of Piano Music
for the Left Hand Alone
marks a rare and
significant entry to the
piano literature as one
of the only collections
of the oft-neglected
left-hand piano
repertoire. Serious
literature for the left
hand alone has a long and
storied past. Contained
within this volume, the
serious advanced pianist
will find a wealth of
artistically satisfying
repertoire for the left
hand that will not only
strengthen the technical
development of the left
hand, but also make for
impressive showpieces on
the recital stage.This
volume includes hitherto
unpublished gems like
Earl Wild's Etude No. 3
for the Left Hand Alone
(Based on
Gershwin’s The Man
I Love) and Ruth Wylie's
Soliloquy for Piano, Left
Hand, Op. 23, as well as
established classics of
the repertoire like
Godowky's Chopin
arrangements, and even
modern and contemporary
additions like
Bartok’s Etude for
the Left Hand and
Corigliano's Etude No. 1
for the Left Hand
Alone. $39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Left, Alone - Intermédiaire Wilhelm Hansen
Orchestra; Piano (Full Score) - Grade 4 SKU: HL.14048001 Full Score(+)
Orchestra; Piano (Full
Score) - Grade 4 SKU:
HL.14048001 Full
Score. Composed by
Hans Abrahamsen. Music
Sales America. Classical.
Softcover. Composed 2016.
96 pages. Duration 1080
seconds. Edition Wilhelm
Hansen #WH32726.
Published by Edition
Wilhelm Hansen
(HL.14048001). ISBN
9788759836880. 11.5x16.5
inches.
English. Program
note: I was born with a
right hand that is not
fully functional, and
though it never prevented
me from loving playing
the piano as well as I
could with this physical
limitation, it has
obviously given me an
alternative focus on the
whole piano literature
and has given me a close
relationship with the
works written for the
left hand by Ravel and
others. This repertoire
has been with me since my
youth. My very first
public performance of one
of my own works was in
autumn 1969. The piece
was called October and I
played the piano with my
left hand and the horn,
my principal instrument
(the only instrument that
can be played with only
the left hand). Part of
the piece requires the
performer to play natural
harmonics of the horn
directly into the open
strings of the grand
piano to create
resonance. The pedal was
kept down by an assistant
lying on the floor.
Through decades the idea
of writing a larger work
for piano left hand has
been in my mind. This new
work is not written for a
pianist with only one
hand, but rather by a
composer who can only
play with the left hand.
The title Left, alone
contains all kinds of
references, not only to
the obvious fact that the
left hand is playing
alone. Left, alone is
divided into two large
parts, each consisting of
three smaller movements -
in effect, six in total.
The work was commissioned
by Westdeutscher
Rundfunk, and
co-commissioned by City
of Birmingham Symphony
Orchestra, Danish
National Symphony
Orchestra and Rotterdam
Philharmonic and written
for Alexandre Tharaud.
-Hans Abrahamsen. $73.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Left Alone -- Right On! Piano seul [Partition] - Intermédiaire Alfred Publishing
14 Original Pieces for Left Hand Alone or Right Hand Alone. By Joyce Grill. For ...(+)
14 Original Pieces for
Left Hand Alone or Right
Hand Alone. By Joyce
Grill. For Piano. Piano
Collection. WB Solo
Library. Book. 24 pages.
Published by Alfred
Publishing. Level:
Intermediate.
(1)$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Seussical the Musical, Selections from (featuring Alone in the Universe and A Day for the Cat in the Hat ) (Score only) Orchestre à Cordes [Conducteur] - Intermédiaire Shawnee Press
(Featuring: Alone in the Universe / A Day for the Cat in the Hat). By Lynn Ahren...(+)
(Featuring: Alone in the
Universe / A Day for the
Cat in the Hat). By Lynn
Ahrens and Stephen
Flaherty. Arranged by Bob
Cerulli. Orchestra. For
String Orchestra. String
Orchestra. Pop
Intermediate String
Orchestra. Broadway;
Contemporary; Light
Concert. Grade 3. Score.
20 pages
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Are Not Alone [Conducteur et Parties séparées] Shawnee Press
Choral (SSA opt. a cappella) SKU: HL.360222 Composed by Pepper Choplin. S...(+)
Choral (SSA opt. a
cappella) SKU:
HL.360222 Composed by
Pepper Choplin. Shawnee
Sacred. General Worship,
Sacred. Octavo. Duration
150 seconds. Published by
Shawnee Press
(HL.360222). UPC:
840126948851.
6.75x10.5x0.029 inches.
Isaiah 41:10, Matthew
28:20. This anthem
touches the heart with
its reassuring message of
God's faithfulness and
power. The choir supplies
rhythmic energy with its
repetitive phrase, We Are
Not Alone, while the
soloist glides above in
smooth sustained lines.
The piece will leave the
congregation singing this
simple but profound truth
long after the service
has ended. Score and
Parts (fl 1-2, ob, cl
1-2, bn, tpt 1-3, hn 1-2,
tbn 1-3/tba, perc 1-2,
timp, hp, pno, vn 1-2,
va, vc, db, kybd)
available as a digital
download. An a cappella
SATB voicing is also
available. NOTE: Full
Performance and Part
Dominant MP3's are for
the SATB voicing
only. $2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We Are Not Alone [Conducteur et Parties séparées] Shawnee Press
Choral (TTBB OPT. A CAPPELLA) SKU: HL.360223 Composed by Pepper Choplin. ...(+)
Choral (TTBB OPT. A
CAPPELLA) SKU:
HL.360223 Composed by
Pepper Choplin. Shawnee
Sacred. General Worship,
Sacred. Octavo. Duration
150 seconds. Published by
Shawnee Press
(HL.360223). UPC:
840126948868.
6.75x10.5x0.029 inches.
Isaiah 41:10, Matthew
28:20. This anthem
touches the heart with
its reassuring message of
God's faithfulness and
power. The choir supplies
rhythmic energy with its
repetitive phrase, We Are
Not Alone, while the
soloist glides above in
smooth sustained lines.
The piece will leave the
congregation singing this
simple but profound truth
long after the service
has ended. Score and
Parts (fl 1-2, ob, cl
1-2, bn, tpt 1-3, hn 1-2,
tbn 1-3/tba, perc 1-2,
timp, hp, pno, vn 1-2,
va, vc, db, kybd)
available as a digital
download. An a cappella
SATB voicing is also
available. NOTE: Full
Performance and Part
Dominant MP3's are for
the SATB voicing
only. $2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| In Christ Alone SATB
Chorale SATB SATB Shawnee Press
In Christ Alone by Keith Getty and Stuart Townend. Arranged by David Angerman. F...(+)
In Christ Alone by Keith
Getty and Stuart Townend.
Arranged by David
Angerman. For Choral
(SATB). Glory Sound.
Choral. 12 pages.
GlorySound #A8019.
Published by GlorySound
(3)$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Not Alone Theodore Presser Co.
Chamber Music Saxophone Quartet SKU: PR.114417130 & Happy Birthday to ...(+)
Chamber Music Saxophone
Quartet SKU:
PR.114417130 &
Happy Birthday to
Prism. Composed by
Chen Yi. Sws each.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2014.
24+12+12+12+8 pages.
Duration 14 minutes.
Theodore Presser Company
#114-41713. Published by
Theodore Presser Company
(PR.114417130). ISBN
9781491110409. UPC:
680160626687. 9x12
inches. A recipient
of the New Music USA 2013
Live Music For Dance
Award commissioning
grant, Not Alone is
inspired by the ancient
Chinese poet Li Bai's
poem Drinking Alone under
the Moon with the Shadow.
The premiere was given on
April 26, 2014 by the
PRISM Quartet with the
Nai-Ni Chen Dance
Company, which
commissioned the work to
celebrate its 25th
Anniversary NYC Season.
From the Program Note by
Matthew Levy (The PRISM
Quartet), Not Alone
(2014) is an
interdisciplinary
work...but it stands
alone in a chamber music
setting. The work spans a
stunning range of
textures, from
introspective solos for
each of the four
saxophones to majestic
hyper-active gestures.
The PRISM Quartet
recorded Not Alone for a
2017 release on XAS
Records titled Paradigm
Lost. But we're excited
for a wider community of
saxophonists to embrace
the work, and share it
with their own audiences.
Not Alone is published
together with Happy
Birthday to PRISM, a
brief miniature that Chen
Yi wrote for the
quartet's 20th
anniversary celebration
in 2004. For advanced
performers.______________
___________Text from the
scanned back cover:NOT
ALONE for Saxophone
QuartetHAPPY BIRTHDAY TO
PRISM for Saxophone
QuartetNot Alone is a
14-minute saxophone
quartet and dance score
inspired by the ancient
Chinese poet Li
Bai’s
“Drinking Alone
under the Moon with the
Shadow.†The
expansively-textured sax
quartet matches the
exploratory and dramatic
movements and gestures in
the dance. NOT ALONE was
commissioned by the
Nai-Ni Chen Dance Company
which premiered the work
in collaboration with the
PRISM Quartet. Also
included in this
publication is Chen
Yi’s fascinating
take on “Happy
Birthday to You,â€
composed in celebration
of Prism’s 25th
anniversary season. A
recipient of the New
Music USA 2013 Live Music
For Dance Award
commissioning grant, Not
Alone is inspiredby the
ancient Chinese poet Li
Bai’s poem
“Drinking Alone
under the Moon with the
Shadow.†The
premierewas given on
April 26, 2014 by the
PRISM Quartet with the
Nai-Ni Chen Dance
Company, which
commissioned thework to
celebrate its 25th
Anniversary NYC
Season. Program Note
by composer Chen YiThe
original inspiration for
this work for both the
choreographer and the
composer came from the
Tang Dynasty poem - Alone
Under the Moon by Li Bai.
The poem describes the
poet being alone in a
garden. The moon and his
shadow became his
companions that night.
The choreographer brings
this idea to modern life
in an urban setting. She
created a series of
“mindscapesâ€
which are the result of
the exploration of the
different mental and
physical states of being
alone.Through
self-examination, the
choreographer raises the
question: are we ever
really alone? Our
physical being may be
standing by itself, but
what about our
introspective self? When
we are still, we let our
thoughts pass by like
flowing water. If we
could engage with our
shadows, what would it be
like?Program Note by
Matthew Levy, The PRISM
QuartetThe PRISM Quartet
has commissioned a great
many composers since our
founding days in 1984.
Chen Yi is among ahandful
of our very favorites,
and one to whom
we’ve returned
time and time again. Her
music is powerful,
expansive,intimate, and
draws connections between
Eastern and Western,
ancient and modern
traditions in a voice all
her own.Chen Yi has
written or adapted four
works for the PRISM
Quartet. She penned a
wonderful miniature
called HappyBirth day to
PRISM to celebrate the
ensemble’s 20th
anniversary back in 2004
(Dedication, Innova
Recordings).We
subsequently commissioned
her to compose Septet
(2008) for Erhu, Pipa,
Percussion, and Saxophone
Quartet(2008), premiered
and recorded with the New
York ensemble Music From
China (Antiphony, Innova
Recordings 2010).In 2015,
the PRISM Quartet
performed and recorded
(XAS Records) a new
version of her saxophone
quartet concerto,BA YIN,
with the University of
Missouri-Kansas City Wind
Ensemble under the baton
of Steven Davis
(originally writtenfor
the Rascher Quartet and
scored for saxophones and
string
orchestra.).Finally, Not
Alone (2014) is an
interdisciplinary work
written for the Nai-Ni
Chen Dance Company with
the PRISMQuartet, but it
stands alone in a chamber
music setting. The work
spans a stunning range of
textures, from
introspectivesolos for
each of the four
saxophones to majestic
hyper-active gestures.
The PRISM Quartet
recorded Not Alonefor a
2017 release on XAS
Records titled Paradigm
Lost. But we’re
excited for a wider
community of saxophonists
toembrace the work, and
share it with their own
audiences.In his liner
notes for the recording,
WNYC’s John
Schaefer writes:
“As with much of
her music, Chen employs
percussiveeffects and
glissandi; in Chinese
music these are not
considered
“extended
techniques†or
special effects, but
animportant part of the
performer’s
arsenal. Here, they help
create the twilit mood of
the opening moments. The
piecesoon becomes more
dramatic, suggesting the
arrival of the
drinker’s
companions (real or
imagined) and his or
herincreasingly garrulous
outbursts. Passages of
consonance and discord
can easily be heard as
companionable singingand
bouts of drunken
argument. The piece
bustles along on a kind
of restless energy,
until, finally, that
restlessnesssubsides,
giving way to a gently
humorous ending where a
short falling phrase
signals the drinker
falling
asleep.â€. $39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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