PARTITIONS GRATUITES : TROMBONE SOLO
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SATB choir

SKU: HP.C5991C

Composed by Joel Raney. Piano Accompaniment. General Worship, Forgiveness, Love, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5991C. Published by Hope Publishing Company (HP.C5991C).

UPC: 763628959913. Colossians 3:12, Colossians 3:13, Colossians 3:14.

Original composition With a text based on Colossians 3:12-14 and original music by Joel Raney, here is a compelling anthem calling for the church to bind together in compassion, kindness, forgiveness and, above all else, love. The beautiful piano accompaniment supports well-crafted vocal lines that soar with the text, making this a memorable selection for the singers and listeners alike.

By Neil Harmon. For organ solo. Level: Moderately Easy. Collection. Published by MorningStar Music Publishers.

(from ATLAS: an opera in three parts SSAATTB a cappella). By Meredith Monk. SATB DV A Cappella. BH Secular Choral. 16 pages. Boosey and Hawkes #M051480654. Published by Boosey and Hawkes

Performed by Norah Jones. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 80 pages. Published by Hal Leonard. Contents: In The Morning ; Long Way Home ; What Am I To You ; Sunrise ; Carnival Town ; Toes ; Creepin' In ; Don't Miss You At All ; The Prettiest Thing ; Those Sweet Words ; Be Here To Love Me ; Above Ground ; Humble Me.

(Discovery Level 2). By Traditional Czech. Arranged by Audrey Snyder. VoiceTrax CD. Discovery Choral. CD only

(with When I Survey the Wondrous Cross). Arranged by Lloyd Larson. (SAB). Daybreak Choral Series. Sacred. 12 pages. Published by Daybreak Music.

SATB choir divisi (a cappella) - Late Intermediate

SKU: MN.50-1049

Composed by Robert Scholz. Christmas. Octavo. MorningStar Music Publishers #50-1049. Published by MorningStar Music Publishers (MN.50-1049).

UPC: 688670510496.

Early Christmas/Epiphany text with traditional English tune, TRUTH FROM ABOVE. Chant-like melodies of stanza 1 evolve into short canon. Contrasting sections in major reflect texts of stanzas 2 and 4, stanza 3 has exotic Eastern flavor, all culminating in transcendent ending. Occasional mild dissonances approached with easy voice-leading. Changing meters flow naturally from text and tune.