| November Evening Marimba [Partition] Innovative Percussion
November Evening by Christopher Norton. Marimba Solo - Unaccompanied. For marimb...(+)
November Evening by
Christopher Norton.
Marimba Solo -
Unaccompanied. For
marimba solo (marimba
(low F)). Level 5. Book.
Duration 8 minutes, 15
seconds. Published by
Innovative Percussion
$16.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| NORMA: Casta Diva, A bello a me ritorno (F) (Soprano, Bass) Lucks Music Library
SKU: TM.02296VS Composed by Vincenzo Bellini. Vocal Score. Lucks Music Li...(+)
SKU: TM.02296VS
Composed by Vincenzo
Bellini. Vocal Score.
Lucks Music Library
#A2758. Published by
Lucks Music Library
(TM.02296VS).
Score available
in both G (range D to B)
and F (range C to A), key
of F-new typeset score
and parts. Please specify
key when ordering. Vn
solo in set, Soprano solo
in vocal score - not
included in the set. 4 hn
= 2 in G, 2 in C. $4.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ubi caritas Chorale SATB [Conducteur] Carus Verlag
SATB choir SKU: CA.965300 Antiphon for Holy Thursday. Composed by ...(+)
SATB choir SKU:
CA.965300 Antiphon
for Holy Thursday.
Composed by Ko
Matsushita. Edited by
Stefan Schuck.
Contemporary Choir Music.
Sacred vocal music, Holy
Week. Full score.
Composed 2014. 4 pages.
Duration 3 minutes. Carus
Verlag #CV 09.653/00.
Published by Carus Verlag
(CA.965300). ISBN
9790007164881. Language:
Latin. For the
moving moment in the Good
Friday liturgy, when the
priest symbolically
washes the feet of
several people thereby
recalling the thoughtful,
loving gesture of Christ
at the Last Supper, the
Christian church provides
a specially intimate,
conciliatory text in the
antiphon Ubi caritas.
Matsushita's composition
sets this text quite
simply to reflect this
moment in a beautiful
motet, which is both
charming and grateful to
sing. In an entirely
tonal setting in F major,
with chromatic accents
sparingly employed, he
uses elements from
organum and pedal points
to create tonally
atmospheric expanses
contrasting with the
syllabic setting which
runs throughout. In his
writing he uses unisons,
thirds and contrary
motion, spanning
quasi-Gregorian melodies.
Matsushita sets the three
verses of the hymn
usually set nowadays, and
these also divide the
composition. Each verse
is introduced with the
ascending pentatonic
motif Ubi caritas, but
the melody is transformed
according to the text and
expresses the
immeasurable joy of the
glory of God in the third
verse in a brief forte
outburst with leaps of a
fifth, before the
composition concludes
with a final Ubi caritas
and an Amen lost in
reverie. voice range: S:
c' - f'' / A1:adeg - es''
/ A2: gdeg - b' / T: fdeg
- f' / B1: B - des' / B2:
F - a'. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258196
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Bass Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258196.
Published by
LudwigMasters
Publications
(AP.36-A258196). ISBN
9798892701891. UPC:
659359762505.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $2.25 - Voir plus => Acheter | | |
| Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258195
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Tenor Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258195.
Published by
LudwigMasters
Publications
(AP.36-A258195). ISBN
9798892701884. UPC:
659359625268.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $2.25 - Voir plus => Acheter | | |
| Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258193
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Soprano Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258193.
Published by
LudwigMasters
Publications
(AP.36-A258193). ISBN
9798892701860. UPC:
659359564956.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $2.25 - Voir plus => Acheter | | |
| Mass No. 3 in F minor Orchestre [Conducteur] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258101
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Conductor Score. Critical
Editions. Score.
LudwigMasters
Publications #36-A258101.
Published by
LudwigMasters
Publications
(AP.36-A258101). ISBN
9798892701853. UPC:
659359980039.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
Instrumentation: 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum): Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. The organ ad
libitum is absent from
the Haas edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $110.00 - Voir plus => Acheter | | |
| Mass No. 3 in F minor Orchestre [Set de Parties séparées] LudwigMasters Publications
Orchestra 2.2.2.2: 2.2.3.0: Timp: Org (ad libitum)*: Str (4-4-3-3-3 in set): Sol...(+)
Orchestra 2.2.2.2:
2.2.3.0: Timp: Org (ad
libitum)*: Str (4-4-3-3-3
in set): Solo SATB: Mix
Chor. *Organ ad limitum
absent from Haas edition
SKU: AP.36-A258194
Arranged by Anton
Bruckner and ed./arr. by
Robert Maria Haas. Mass,
Orchestra Accompaniment,
Alto Part. Critical
Editions. Part(s).
LudwigMasters
Publications #36-A258194.
Published by
LudwigMasters
Publications
(AP.36-A258194). ISBN
9798892701877. UPC:
659359823619.
English. Anton
Bruckner (1824-1896)
completed the 1st version
of his Mass No. 3 in F
minor in 1863, as Otto
Kitzler was introducing
him to the music of
Richard Wagner, the
composer he would emulate
for the rest of his life.
John Herbeck, who
conducted the initial
rehearsals for its
premiere at the
Augustinerkirch on June
16, 1872, warmly declared
that it stood beside
Beethoven's Missa
Solemnis in greatness.
Bruckner, often
self-critical as a
composer, went on to
revise the work no less
than four times until it
was finally published it
in 1894. More often heard
today in the concert hall
than in the church, the
sprawling, hour-long work
is admired today for its
powerful directness. This
critical edition was
created in 1944 for the
Bruckner Gesamtausgabe by
Robert Maria Haas.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $2.25 - Voir plus => Acheter | | |
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