| Fanfare for Hope - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Cla...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Clarinet 1, Clarinet
2, Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Glockenspiel,
Horn 1, Horn 2, Horn 3,
Horn 4, Mallet
Percussion, Oboe 1, Oboe
2, Percussion 1 and more.
- Grade 3 SKU:
CF.CPS259 Based on
the Hymn Melita.
Composed by A. Eric
Heukeshoven. Cps. Set of
Score and Parts.
1+4+4+2+2+4+4+4+2+2+2+2+2
+2+2+2+4+4+4+2+2+2+2+3+3+
3+1+3+2+4+1+1+1+2+1+12
pages. Duration 2:20.
Carl Fischer Music
#CPS259. Published by
Carl Fischer Music
(CF.CPS259). ISBN
9781491161487. UPC:
680160920112. Fanfa
re for Hope was
commissioned in honor of
the inauguration of
Father James P. Burns,
the 14th President of
Saint Mary's University
of Minnesota. The theme
of the inauguration was
Saint Mary's: A Sign of
Faith, Hope, &
Knowledge. The fanfare is
based on the hymn tune
Melita, more commonly
known as the Navy Hymn,
Eternal Father, Strong to
Save, with the text My
hope is built on nothing
less ... serving as the
inspiration for the
piece. The opening brass
fanfare features the
uplifting first notes of
the tune transitioning
into a legato treatment
for the woodwinds and
horns. The theme builds
as the brass and
percussion eventually
return leading back to
the original fanfare. The
music ends triumphantly
with the entire ensemble
joining in
celebration. Fanfare
for Hope was commissioned
in honor of the
inauguration of Father
James P. Burns, the 14th
President of Saint Mary's
University of Minnesota.
The theme of the
inauguration was Saint
Mary's: A Sign of Faith,
Hope, & Knowledge.
The fanfare is based on
the hymn tune Melita,
more commonly known as
the Navy Hymn, Eternal
Father, Strong to Save,
with the text My hope is
built on nothing less ...
serving as the
inspiration for the
piece. The opening brass
fanfare features the
uplifting first notes of
the tune transitioning
into a legato treatment
for the woodwinds and
horns. The theme builds
as the brass and
percussion eventually
return leading back to
the original fanfare. The
music ends triumphantly
with the entire ensemble
joining in
celebration. Fanfare
for Hope was commissioned
in honor of the
inauguration of Father
James P. Burns, the 14th
President of Saint Mary's
University of Minnesota.
The theme of the
inauguration was
“Saint
Mary’s: A Sign of
Faith, Hope, &
Knowledgeâ€. The
fanfare is based on the
hymn tune Melita, more
commonly known as the
Navy Hymn, Eternal
Father, Strong to Save,
with the text “My
hope is built on nothing
less …â€
serving as the
inspiration for the
piece. The opening brass
fanfare features the
uplifting first notes of
the tune transitioning
into a legato treatment
for the woodwinds and
horns. The theme builds
as the brass and
percussion eventually
return leading back to
the original fanfare. The
music ends triumphantly
with the entire ensemble
joining in
celebration. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade [Conducteur] Carl Fischer
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash C...(+)
Full orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Crash Cymbals, Flute 1,
Flute 2, Glockenspiel,
Harp, Horn 1, Horn 2,
Horn 3, Oboe 2,
Percussion 1, Percussion
2, Piccolo, Suspended
Cymbal, Timpani, Trombone
1, Trombone 2, Trumpet 1
and more. SKU:
CF.SC88 Composed by
William Grant Still. Full
score. 32 pages. Duration
9 minutes, 20 seconds.
Carl Fischer Music #SC88.
Published by Carl Fischer
Music (CF.SC88). ISBN
9781491158845. UPC:
680160917563. Willi
am Grant Stillas catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
Still composed his
Serenade for Orchestra in
1957 on a commission by
the Great Falls High
School in Great Falls,
Montana. He later
transcribed the work for
a chamber ensemble of
flute, clarinet, harp and
strings. The piece
reflects Stillas interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still's catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
Afro-American by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Still's orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the Dean of Afro-American
Composers. Still composed
his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still's interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€Still
composed his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still’s
interest in American folk
idioms, with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional voice. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Meet The Great Jazz Legends - Book Formation musicale - Solfège Alfred Publishing
Meet the Great Jazz Legends. (Short Sessions on the Lives, Times and Music of th...(+)
Meet the Great Jazz
Legends. (Short Sessions
on the Lives, Times and
Music of the Great Jazz
Legends). By Ronald C.
McCurdy.
Classroom/Pre-School;
General Music and
Classroom Publications;
Reproducible. Jazz. Book.
72 pages. Published by
Alfred Music Publishing
$14.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Gibson “P.A.F.” Humbucking Pickup: From Myth to Reality Centerstream
SKU: HL.275830 Book. Guitar Reference. Softcover. 176 pages. Published by...(+)
SKU: HL.275830
Book. Guitar Reference.
Softcover. 176 pages.
Published by Centerstream
Publications (HL.275830).
ISBN 9781574243642.
UPC: 888680744946.
8.5x11.0x0.421 inches.
Mario Milan & James
Finnerty. Some of
the most iconic
recordings ever set to
vinyl were produced on
the Gibson Les Paul with
the “Patent Applied
For†pickup which,
with its glass-like chime
and haunting mids,
represents the heart and
soul of classic rock and
the foundation upon which
all subsequent guitar
tone has evolved. The
analysis within these
4-color pages precisely
examines that very heart
and soul, investigating
its origins, development
and rise to
stardom...leaving no
stone unturned in a quest
to understand exactly
what it is about the
mythology of this
particular combination of
wires, wood and metal
that make it so appealing
to the ear, and so
irreplaceable to the mix.
Never before has such a
revealing peek behind the
scenes of the
“Patent Applied
For†pickup been
attempted, but authors
Mario Milan and James
Finnerty will take you on
a photographic tour of
the genesis of the P.A.F.
pickup with expert
attention to every aspect
of their engineering and
a precise comparison and
explanation of the
qualities of pickups
emanating from different
eras. Along the way,
myths are debunked,
secrets revealed, and
mysteries solved, which,
along with an exclusive
interview with Ted
McCarty offer a deep and
thorough analysis of that
which makes these
creations so uniquely
special, as well as an
explanation of exactly
why replication has been
so elusive. Well-known
pickup winders offer
their own diverse and
individual perspectives
on the reasons for such
compelling and enduring
appeal. $29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| From the Black Belt Carl Fischer
Orchestra Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute 1, F...(+)
Orchestra Bass Clarinet,
Bassoon, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Harp,
Horn 1, Horn 2, Horn 3,
Oboe, Percussion,
Timpani, Trumpet 1,
Trumpet 2, Trumpet 3,
Viola, Violin 1, Violin
2, Violoncello SKU:
CF.SC89L Seven
Little Pieces.
Composed by William Grant
Still. Large Score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89L. Published
by Carl Fischer Music
(CF.SC89L).
William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following
ways:Â William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
Li’l Scamp If one
were to base his judgment
on the volume of sound,
he would think this
little fellow, who
delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
GirlA tone picture of a
lovely girl. Mah Bones Is
Creakin’An old
man, afflicted with
rheumatism, complains
loudly. BlueThe lament of
a weary soul. Clap
Yo’
Han’sThe
participants in a game
for children form a
circle and clap their
hands at intervals. $48.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Kitten On The Keys Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Zez Confrey. Arranged by James P. Ripley. By Zez Confrey / arr. James P. Ripl...(+)
By Zez Confrey. Arranged
by James P. Ripley. By
Zez Confrey / arr. James
P. Ripley. For Concert
Band. Concert Band.
Donald Hunsberger Wind
Library. Level: Medium
(grade IV). Conductor
Score & Parts. 20 pages.
Published by Alfred
Publishing.
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| From the Black Belt [Conducteur] Carl Fischer
Orchestra chamber orchestra SKU: CF.SC89 Seven Little Pieces. Comp...(+)
Orchestra chamber
orchestra SKU:
CF.SC89 Seven
Little Pieces.
Composed by William Grant
Still. Full score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89. Published by
Carl Fischer Music
(CF.SC89). ISBN
9781491158852. UPC:
680160917570. Scori
ng: Bass Clarinet in Bb,
Bassoon, Clarinet 1 in
Bb, Clarinet 2 in Bb,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1 in
F, Horn 2 in F, Horn 3 in
F, Oboe, Percussion,
Timpani, Trumpet 1 in Bb,
Trumpet 2 in Bb, Trumpet
3 in Bb, Viola, Violin 1,
Violin 2 and
more.
William
Grant Stillas catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
The aBlack belta refers
to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Stillas piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
William Grant Stillas
catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
The aBlack belta refers
to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Stillas piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways: Lial
Scamp If one were to base
his judgment on the
volume of sound, he would
think this little fellow,
who delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
Girl A tone picture of a
lovely girl. Mah Bones Is
Creakina An old man,
afflicted with
rheumatism, complains
loudly. Blue The lament
of a weary soul. Clap Yoa
Hanas The participants in
a game for children form
a circle and clap their
hands at intervals. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Second Rhapsody (for Solo Piano and Wind Ensemble) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
By George Gershwin. Arranged by James P. Ripley. By George Gershwin / arr. James...(+)
By George Gershwin.
Arranged by James P.
Ripley. By George
Gershwin / arr. James P.
Ripley. For Concert Band.
Concert Band. Donald
Hunsberger Wind Library.
Level: Medium to Medium
Advanced (grade IV-V).
Conductor Score & Parts.
132 pages. Published by
Alfred Publishing.
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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