| Finale from Romanian Dances Orchestre d'harmonie - Intermédiaire/avancé Mitropa Music
((Romanian Dances: Movement 6)). By Thomas Doss. For Concert Band (Score and Par...(+)
((Romanian Dances:
Movement 6)). By Thomas
Doss. For Concert Band
(Score and Parts).
Mitropa Music Concert
Band. Grade 5. Mitropa
Music #149507. Published
by Mitropa Music .
$129.00 $122.55 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scottish Fire Violon [Partition] - Intermédiaire Mel Bay
Traditional and Original Tunes for Fiddle from 1762 to the Present. By Bonnie Ri...(+)
Traditional and Original
Tunes for Fiddle from
1762 to the Present. By
Bonnie Rideout. For
Fiddle. Solos. Maggie's
Music. Scottish. Level:
Intermediate. Book. Size
8.75x11.75. 56 pages.
Published by Mel Bay
Publications, Inc.
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jarba, Mare Jarba Theodore Presser Co.
Chamber Music large ensemble SKU: PR.114419760 For Saxophone Octet...(+)
Chamber Music large
ensemble SKU:
PR.114419760 For
Saxophone Octet.
Composed by Hungarian
Folk. Arranged by Stacy
Garrop. Sws. Set of Score
and Parts.
12+4+4+4+4+4+4+4+4 pages.
Duration 4:30. Theodore
Presser Company
#114-41976. Published by
Theodore Presser Company
(PR.114419760). UPC:
680160680863. 9 x 12
inches. This
alternately serenely
sonoric and joyously
jumping folk song first
came to life as a
commission by the famed
chorus Chanticleer
(recorded on their album
Then and There, Here and
Now). For Christopher
Creviston and his Arizona
State University
Saxophone Studio, Garrop
has created a stellar
arrangement for double
SATB saxophone choir (or
more). Watch the ASU
Saxophone Choir having
fun with Garrop's
arrangement on
YouTube. Jarba, Mare
Jarba is a popular
traditional
Hungarian-Romani folk
song. Its text speaks of
the longing to return to
one's homeland.
Translation of Jarba,
Mare Jarba Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not
to. Jarba, Mare Jarba
is a popular traditional
Hungarian-Romani folk
song. Its text speaks of
the longing to return to
one's
homeland.Translation of
Jarba, Mare JarbaGreen
grass, tall grass, I
would like to go home,but
I cannot, because I have
sworn not to.Tall grass,
green grass – oh,
that I cannot go home!My
mother has left the
village; she left the hut
empty,Adorned with leaves
but full of poverty.Tall
grass, green grass
– oh, that I
cannot go home!Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Joy Of Classical Guitar Guitare Guitare classique [Partition] Music Sales
By John Zaradin. For Guitar. Classical. Sheet Music. 64 pages. Published by Musi...(+)
By John Zaradin. For
Guitar. Classical. Sheet
Music. 64 pages.
Published by Music Sales.
$15.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Roma Orchestre d'harmonie [Conducteur] Theodore Presser Co.
(For Concert Band). By Valerie Coleman. Concert band. For Piccolo, 3 Flutes, 2 O...(+)
(For Concert Band). By
Valerie Coleman. Concert
band. For Piccolo, 3
Flutes, 2 Oboes, Clarinet
in Eb, 3 Clarinets in Bb,
Bass Clarinet in
Bb/Contrabass Clarinet in
Bb, 2 Bassoons,
Contrabassoon, Soprano
Saxophone, 2 Alto
Saxophones, Tenor
Saxophone, Baritone
Saxophone, 3 Trumpets in
Bb, 4 Horns in F, 3
Trombones. Contemporary.
Full score (study).
Standard notation. 40
pages. Duration 7
minutes. Published by
Theodore Presser Company
$35.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Roma Orchestre d'harmonie Theodore Presser Co.
Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet...(+)
Concert Band Bass
Clarinet, Bassoon 1,
Bassoon 2, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
Flute 1, Flute 2, Flute
3, Oboe 1, Oboe 2,
Piccolo, Trumpet 1,
Trumpet 2, Trumpet 3,
alto Saxophone 1, alto
Saxophone 2 and more.
SKU: PR.115402070
For Concert Band.
Composed by Valerie
Coleman. Sws score.
Contemporary. Set of
Score and Parts. With
Standard notation.
4+24+24+24+4+4+4+24+24+24
+16+8+8+4+4+4+4+4+8+8+8+8
+4+4+4+4+8+8+8+4+4+12+4+8
+4+4+4+4+40 pages.
Duration 7 minutes.
Theodore Presser Company
#115-40207. Published by
Theodore Presser Company
(PR.115402070). ISBN
9781598063103. UPC:
680160596164. 9 x 12
inches. Key: G
minor. A nation
without a country is the
best way to describe the
nomadic tribes known as
gypsies, or properly
called, the Romani. Their
traditions, their
language (Roma), legends,
and music stretch all
over the globe, from the
Middle East, the
Mediterranean region, and
the Iberian peninsula,
across the ocean to the
Americas. Commissioned by
the CBDNA, ROMA is a
tribute to that culture,
in five descriptive
themes, as told through
the eyes and hearts of
Romani women everywhere:
“Romani
Woman,â€
“Mystic,â€
“Youth,â€
“Trickster,â€
and
“History.â€
The melodies and rhythms
are a fusion of styles
and cultures:
Malagueña of Spain,
Argentine Tango, Arabic
music, Turkish folk
songs, 3/2 Latin claves,
and Jazz). $160.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| French Fiddle Tunes Violon [Partition + CD] Schott
227 Traditional Pieces for Violin. Composed by Traditional and Various. Ed...(+)
227 Traditional Pieces
for
Violin. Composed by
Traditional and Various.
Edited by Chris Haigh.
String
Solo. Softcover with CD.
84
pages. Schott Music
#ED13841.
Published by Schott Music
$23.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
Plus de résultats boutique >> |