| Fugue in E Minor: On a Theme by Felix Alexandre Guilmant [Conducteur et Parties séparées] Calabrese Brothers Music, LLC
Xylophone, Vibraphone, Marimba & Contrabass SKU: SU.21000392 For Xylop...(+)
Xylophone, Vibraphone,
Marimba & Contrabass
SKU: SU.21000392
For Xylophone,
Vibraphone, Marimba &
Contrabass. Composed
by Francesco Cultreri.
Chamber Music, Mixed
Ensemble, Percussion,
Percussion Ensemble,
Strings, Contrabass.
Score & Parts. Calabrese
Brothers Music, LLC
#21000392. Published by
Calabrese Brothers Music,
LLC (SU.21000392).
Fugue in E
Minor is based on a theme
by Felix Alexandre
GuilmantXylophone,
Vibraphone, Marimba &
Contrabass Duration: 2'
Composed: 2005 Published
by: Calabrese Brothers
Music. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Melodie Popolari Calabresi Guitare Sinfonica Jazz
Guitar SKU: BT.SINF363 Composed by Francesco Domenico Stumpo. Book with C...(+)
Guitar SKU:
BT.SINF363 Composed
by Francesco Domenico
Stumpo. Book with CD. 28
pages. Sinfonica
#SINF363. Published by
Sinfonica (BT.SINF363).
ISBN
9788884003041. $10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Francesca da Rimini. Dramma per musica in due atti (1830/31). Critical Edition Ut Orpheus
Stage Works SKU: UT.NAP-11R Composed by Saverio Mercadante. Edited by Eli...(+)
Stage Works SKU:
UT.NAP-11R Composed
by Saverio Mercadante.
Edited by Elisabetta
Pasquini and Enrico
Lombardi. Paperback (Soft
Cover). Napoli e
l’Europa (Naples
and Europe). Classical.
Vocal Score. Ut Orpheus
#NAP 11R. Published by Ut
Orpheus (UT.NAP-11R).
ISBN 9790215324459. 9
x 12 inches. P
erformance Material on
Hire
[S
olo: SSATTB - Choir: SATB
- 2.2.2.2 - 4.2.3.0 - Tp
- Hp -
Str]
Francesca
da Rimini is a drama
for music in two acts by
Saverio Mercadante,
libretto by Felice
Romani; the text is
freely inspired by the
unfortunate events of the
two lovers, Francesca and
Paolo, of which Dante's
Comedy (canto V)
also
narrates. According to
some scholars, the first
performance of
Francesca da
Rimini took place in
Madrid in January 1828;
however, this date is not
reflected in the Diario
de Avisos de Madrid, a
publication that daily
reserved a conspicuous
space for news on the
shows staged in the
Spanish city: the years
between 1828 and 1831 in
fact do not mention the
work. Furthermore, no
printed libretto of
Mercadante's Francesca
da Rimini is
preserved today –
an inexplicable fact, if
one admits that the
performance took place.
The text of the opera can
be largely traced back to
the one prepared by
Romani for the homonymous
work by Antonio Carlini
(Naples 1825), which
Mercadante was able to
know before his stay in
Spain. Following the
missed Spanish premiere,
the opera should then
have been represented at
La Scala Theater in a
subsequent season, with
reliability the imminent
one of the 1831/32
carnival; but shortly
thereafter the impresario
died: thus the
contractual obligations
involving him were no
longer fulfilled, and,
for a second time,
Mercadante was then
forced to shelve the
plans about Francesca
da Rimini, put aside
now for several months.
In fact, the scoring
– very similar to
that of the operas
planned at La Scala in
the same Carnival period
– assumes that
Francesca da
Rimini was destined
for a theatre of great
means, like few others in
Italy besides La Scala.
But the failure of the
opera may also have been
due to the presence of
the part of an amoroso
en travesti,
Paolo, to whom Mercadante
assigns a prominent role
also in terms of music:
in 1831 and in Italy such
a solution was no longer
so frequent as a few
years before or in
provincial theatres, and
so this condition may
possibly have affected
the fate of the
negotiations in Milan,
and may explain how the
composer was then unable
to have the score
performed
elsewhere. This
critical edition is based
on manuscript copies
conserved in the Museo
internazionale e
Biblioteca della Musica
di Bologna (autograph
score) and in the
Biblioteca Histórica
Municipal in Madrid
(score and separate
parts). $121.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Francesca da Rimini. Dramma per musica in due atti (1830/31). Critical Edition [Conducteur] Ut Orpheus
Stage Works SKU: UT.NAP-11 Composed by Saverio Mercadante. Edited by Elis...(+)
Stage Works SKU:
UT.NAP-11 Composed by
Saverio Mercadante.
Edited by Elisabetta
Pasquini. Paperback (Soft
Cover). Napoli e
l’Europa (Naples
and Europe). Classical.
Score. 916 (2 volumes)
pages. Ut Orpheus #NAP
11. Published by Ut
Orpheus (UT.NAP-11).
ISBN 9790215323438. 9
x 12 inches. P
erformance Material on
Hire
[S
olo: SSATTB - Choir: SATB
- 2.2.2.2 - 4.2.3.0 - Tp
- Hp -
Str]
Francesca
da Rimini is a drama
for music in two acts by
Saverio Mercadante,
libretto by Felice
Romani; the text is
freely inspired by the
unfortunate events of the
two lovers, Francesca and
Paolo, of which Dante's
Comedy (canto V)
also
narrates. According to
some scholars, the first
performance of
Francesca da
Rimini took place in
Madrid in January 1828;
however, this date is not
reflected in the Diario
de Avisos de Madrid, a
publication that daily
reserved a conspicuous
space for news on the
shows staged in the
Spanish city: the years
between 1828 and 1831 in
fact do not mention the
work. Furthermore, no
printed libretto of
Mercadante's Francesca
da Rimini is
preserved today –
an inexplicable fact, if
one admits that the
performance took place.
The text of the opera can
be largely traced back to
the one prepared by
Romani for the homonymous
work by Antonio Carlini
(Naples 1825), which
Mercadante was able to
know before his stay in
Spain. Following the
missed Spanish premiere,
the opera should then
have been represented at
La Scala Theater in a
subsequent season, with
reliability the imminent
one of the 1831/32
carnival; but shortly
thereafter the impresario
died: thus the
contractual obligations
involving him were no
longer fulfilled, and,
for a second time,
Mercadante was then
forced to shelve the
plans about Francesca
da Rimini, put aside
now for several months.
In fact, the scoring
– very similar to
that of the operas
planned at La Scala in
the same Carnival period
– assumes that
Francesca da
Rimini was destined
for a theatre of great
means, like few others in
Italy besides La Scala.
But the failure of the
opera may also have been
due to the presence of
the part of an amoroso
en travesti,
Paolo, to whom Mercadante
assigns a prominent role
also in terms of music:
in 1831 and in Italy such
a solution was no longer
so frequent as a few
years before or in
provincial theatres, and
so this condition may
possibly have affected
the fate of the
negotiations in Milan,
and may explain how the
composer was then unable
to have the score
performed
elsewhere. This
critical edition is based
on manuscript copies
conserved in the Museo
internazionale e
Biblioteca della Musica
di Bologna (autograph
score) and in the
Biblioteca Histórica
Municipal in Madrid
(score and separate
parts). $332.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Facultad Organica (Alcalá 1626) [Complete Edition] Ut Orpheus
Organ; Early Music SKU: UT.ES-47 Composed by Francisco Correa de Arauxo. ...(+)
Organ; Early Music
SKU: UT.ES-47
Composed by Francisco
Correa de Arauxo. Edited
by Guy Bovet. Hardback
(Cloth Hard Cover with
Jacket). Classical. Ut
Orpheus #ES 47. Published
by Ut Orpheus (UT.ES-47).
ISBN 9790215314511. 9
x 12 inches. The
few available
biographical data tell us
that Francisco Correa de
Arauxo (or de Acevedo)
was born in Seville and
baptized probably in
September 1584. He was
appointed organist of the
Salvador, the second
church in Seville, in
1599, and ordained priest
probably in 1608. After
several unsuccessful
attempts to become
organist of the
Cathedral, he accepted an
offer to take the main
position at the Cathedral
of Segovia and remained
there until his death, in
spite of invitations by
the Chapter of Seville to
return home and take the
office he had always
wanted. He is buried in
the Cathedral of
Segovia. Not unlike
J.S. Bach, Correa gives
the image of an artist
inbetween times, with one
foot in tradition and
establishment, and the
other in revolution and
novity. We must recognize
the amazing beauty and
genius of his music, a
genius which sets him
apart from all other
Spanish, just as
Frescobaldi from all
other Italians, Grigny
from all other French and
Bach from all other
German composers of their
times. The Facultad
Organica was
published in 1626. This
new Urtext edition,
edited by Guy Bovet, is
based on the Brussels
copy; doubtful passages
have been compared with
the two copies of the
Madrid Biblioteca
Nacional. $321.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Facultad Organica (Alcala 1626) Orgue Ut Orpheus
(Volume 4: Tientos Nos. 15-23). By Francisco Correa de Arauxo (1576-1654). For o...(+)
(Volume 4: Tientos Nos.
15-23). By Francisco
Correa de Arauxo
(1576-1654). For organ.
This edition: in 11
vols.. Early Music. 68
pages. Published by Ut
Orpheus
$33.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Missa Scala Aretina [Conducteur] Trito
11 voices with instruments and continuo SKU: TI.TR01516 Composed by Franc...(+)
11 voices with
instruments and continuo
SKU: TI.TR01516
Composed by Francesc
Valls. Score. Trito
Ediciones #TR01516.
Published by Trito
Ediciones (TI.TR01516).
$85.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Facultad Organica (Alcala 1626) Ut Orpheus
(Volume 2: Tientos Nos. 1-7). By Francisco Correa de Arauxo (1576-1654). [Editio...(+)
(Volume 2: Tientos Nos.
1-7). By Francisco Correa
de Arauxo (1576-1654).
[Edition in 11 vols.]. 68
pages. Published by Ut
Orpheus
$33.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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