| Stylistic Etudes for Trombone Carl Fischer
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone
SKU: CF.WF231
20 Original Etudes in
a Variety of Styles.
Composed by Tom Brantley.
Collection - Performance.
With Standard notation.
48 pages. Carl Fischer
Music #WF231. Published
by Carl Fischer Music
(CF.WF231). ISBN
9781491153314. UPC:
680160910816. Styli
stic Etudes for Trombone
was written for
intermediateto advanced
level trombonists,
seeking to meet
thedemands of the modern
marketplace for
performers. AsI often
tell my students,
it’s simply not
enough to mastera single
style and fake the rest.
To make a living as
aperformer, trombonists
are expected to play
many, manydifferent
styles authentically.
Classical performers
studyhard and devote
themselves to mastering
the stylisticnuances of
various eras, various
composers, variousforms;
jazz musicians seek to
accurately reflect the
stylesof everything from
bar-room burlesque to
Coltrane; hornbands in
the funk, rock, ska and
hip-hop idioms
mustreflect attention to
the details of their
influences even asthey
create new paths through
popular music.This etude
collection is an attempt
to help studentsand their
teachers work on the
details associated
withmastering each of
these various styles.In
order to perform with the
correct feel,
articulationand sound,
trombonists must first
get these concepts
intheir head through
diligent listening and
then disciplinedpractice
playing in every single
style. The same
wayorchestral players
study the symphonic
literature andexcerpts,
or the way a professional
jazz musician mightwork
on chord changes in
excruciating detail, a
wellroundedtrombone
player must master styles
by listeningto and
playing with great
recordings. Most of the
etudesin this book are
based on styles from
specific
orchestralliterature,
jazz standards and other
styles such as
NewOrleans’ funk
music (Meters) or the
music of JamesBrown and
Tower of Power.One final
note: some of these are
hard. On purpose.
Theseare not warm-ups
that you can play through
mindlesslyto get your
face going. These are
“study
pieces†in the
oldfashionedsense. They
are designed to challenge
you asa player, to make
you a little
uncomfortable. Some
aretougher than others,
of course, but none of
them are easy.If you can
play through each of
these well, with
greatmusicianship and
impeccable technique, you
will be anincredibly
versatile instrumentalist
and be able to
secureperformance
opportunities that are
outside the comfortzone
of many
trombonists.Thanks for
buying this book. I hope
you enjoy workingthrough
these, whether
you’re a teacher,
student,performer, or
weekend warrior. I
learned a lot by
puttingthese together and
I hope you find them
useful and
helpful. Stylistic
Etudes for Trombone was
written for intermediate
to advanced level
trombonists, seeking to
meet the demands of the
modern marketplace for
performers. As I often
tell my students,
it’s simply not
enough to master a single
style and fake the rest.
To make a living as a
performer, trombonists
are expected to play
many, many different
styles authentically.
Classical performers
study hard and devote
themselves to mastering
the stylistic nuances of
various eras, various
composers, various forms;
jazz musicians seek to
accurately reflect the
styles of everything from
bar-room burlesque to
Coltrane; horn bands in
the funk, rock, ska and
hip-hop idioms must
reflect attention to the
details of their
influences even as they
create new paths through
popular music.This etude
collection is an attempt
to help students and
their teachers work on
the details associated
with mastering each of
these various styles.In
order to perform with the
correct feel,
articulation and sound,
trombonists must first
get these concepts in
their head through
diligent listening and
then disciplined practice
playing in every single
style. The same way
orchestral players study
the symphonic literature
and excerpts, or the way
a professional jazz
musician might work on
chord changes in
excruciating detail, a
well-rounded trombone
player must master styles
by listening to and
playing with great
recordings. Most of the
etudes in this book are
based on styles from
specific orchestral
literature, jazz
standards and other
styles such as New
Orleans’ funk
music (Meters) or the
music of James Brown and
Tower of Power.How these
etudes were conceived,
composed and transcribed:
The style or concept of
the etude was thought out
in my head and ear. I
then improvised in that
style and concept on my
trombone, recording my
efforts until I was
satisfied with the etude.
All along, my goal was to
play the range of the
instrument while
emphasizing certain
articulations, rhythms,
range and, fundamentally,
the intended style of the
etude. The resulting
etude was then
transcribed by a terrific
graduate student named
Zach Bornheimer, who also
works with many other
classical and jazz
composers as a
copyist/arranger.Tips for
working on the etudes:
Seek out professional
recordings that match the
style of each etude to
get a good idea of what
the etude should sound
like musically. My
recording of each of
these etudes is available
for download and can be
purchased online for a
modest fee. Search for
“Brantley
Etudes†at either
iTunes or CDBaby.
Practice each etude very
slowly and in segments as
needed, using a
metronome. Record
yourself and listen for
good technique,
musicianship and
authenticity of style
with your sound, feel and
articulations. Compare
your own efforts to the
sounds you’ve
heard on recordings.
Would you fit in that
ensemble or band? If
range is an issue, take
certain notes or passages
down or up an octave.
Work on your fundamentals
every day, including the
techniques and skills
needed for these etudes.
Be patient! Small
improvements every day
result in big success
over time. Always play
with a wide dynamic
range. Always play with
line and direction.
Always play with
impeccable time as well
as rhythm. Use a
metronome to help with
this. Always play in
tune. You can work on
this with a tuner as well
as with drones. Play
these for teachers,
friends, peers and
colleagues not only for
their feedback but also
for the experience of
informal performance. An
audience changes
everything. Make music,
listen to music, record
yourself, play in public
and have fun!One final
note: some of these are
hard. On purpose. These
are not warm-ups that you
can play through
mindlessly to get your
face going. These are
“study
pieces†in the
old-fashioned sense. They
are designed to challenge
you as a player, to make
you a little
uncomfortable. Some are
tougher than others, of
course, but none of them
are easy. If you can play
through each of these
well, with great
musicianship and
impeccable technique, you
will be an incredibly
versatile instrumentalist
and be able to secure
performance opportunities
that are outside the
comfort zone of many
trombonists.Thanks for
buying this book. I hope
you enjoy working through
these, whether
you’re a teacher,
student, performer, or
weekend warrior. I
learned a lot by putting
these together and I hope
you find them useful and
helpful.Best
wishes,—Tom
Brantley. $18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Youth Album for Piano Piano seul [Partition] - Facile AMA Verlag
by Manfred Schmitz. For Piano. solos. AMA Verlag. Contemporary. Level: Beginning...(+)
by Manfred Schmitz. For
Piano. solos. AMA Verlag.
Contemporary. Level:
Beginning-Intermediate.
Book. Size 9x12. 216
pages. Published by AMA
Verlag.
$22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 30 Piano Pieces for Beginners Piano seul [Partition + CD] Play Music Publishing
Piano SKU: BT.MUSME0282 Composed by Paul Murphy. Play Music. Tuition. Boo...(+)
Piano SKU:
BT.MUSME0282 Composed
by Paul Murphy. Play
Music. Tuition. Book with
CD. Composed 2015. Play
Music Publishing
#MUSME0282. Published by
Play Music Publishing
(BT.MUSME0282).
English. The 30
pieces contained within
this tutorial are aimed
exclusively at piano
beginners. All pieces are
easy to play and will
enable you to rapidly
gain substantial
experience in piano
playing and, since they
are adapted versions of
real musical pieces, you
will at no time lose your
pleasure of playing. In
order not to overwhelm
you, the level of
difficulty of the pieces
to be performed increases
progressively, allowing
you to work in a fluent
and coherent manner. The
piano pieces put together
in this tutorial will
also allow you to
discover musical styles
which are totally
different from one
another, forming a large
panorama of contemporary
and classic music. You
will get a tasteof
popular music, jazz,
ragtime, blues and rock.
So you can rest assured,
there’s something
for everyone in here(!)
The CD attached to the
book will make your study
even more enjoyable.
Every musical piece
appears twice: the first
time for demonstration
purposes (with the piano)
and the second in the
form of a backing track
(without the piano), in
order to give you the
opportunity to play the
piano and enjoy the
accompaniment of other
musicians. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Impro-Piano, Vol. 1 Piano seul Hofmeister Musikverlag
Piano - Level 3-4 SKU: HF.FH-3424 18 short pieces for piano. Compo...(+)
Piano - Level 3-4 SKU:
HF.FH-3424 18
short pieces for
piano. Composed by
Christoph Reuter. Sheet
music. Friedrich
Hofmeister Musikverlag
#FH 3424. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-3424).
ISBN 9790203434245. 9
x 12 inches. 1. A
little bit of Happiness;
2. Serenade; 3. Dona
Nobis Pacem; 4. Prelude
in C; 5. Walking on a
lake; 6. Sah ein Knab ein
Roslein stehn; 7. Sommer;
8. Jazz-Etude; 9. So
treiben wir den Winter
aus; 10. Surfin'; 11.
Bagatelle; 12. Wyntons
Smile; 13. Schlaf
Kindchen schlaf; 14.
Prelude in C; 15. Run;
16. Pas de Deux; 17.
Skalenetude in C; 18.
Fast train. $32.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Total Beginning Guitarist Guitare notes et tablatures [Partition + CD] - Débutant Alfred Publishing
(A Fun and Comprehensive Beginning Method Featuring Rock, Blues, and Jazz Styles...(+)
(A Fun and Comprehensive
Beginning Method
Featuring Rock, Blues,
and Jazz Styles). By Rich
Hinman and Amanda Monaco.
For Guitar. Book; CD;
Guitar Method or
Supplement;
Method/Instruction. The
Total Guitarist.
Beginner. 128 pages.
Published by Alfred Music
Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dog Toys Suite Theodore Presser Co.
Chamber Music Flute(s) SKU: PR.114423820 Composed by Laurel Zucker. 8 pag...(+)
Chamber Music Flute(s)
SKU: PR.114423820
Composed by Laurel
Zucker. 8 pages. Duration
7 minutes. Theodore
Presser Company
#114-42382. Published by
Theodore Presser Company
(PR.114423820). ISBN
9781491136263. UPC:
680160688746. Compo
sed for her own
performances, Laurel
Zucker’s DOG TOYS
SUITE is a short
collection of adorable
and jazzy little concert
etudes which may be
performed as a
fast-slow-fast set, or as
individual movements. I.
Duck Pond is a melody
that flows through
ornamental variations,
II. Moo the Blues is
gutsy and less demanding
on the fingers, and III.
Minimal Donkey is a
dazzling toccata-like
etude. Zucker has
recorded DOG TOYS SUITE
for Cantilena
Records. $12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| MBGU Rock Curriculum: Fluid Pentatonics, Book 2 Guitare notes et tablatures [Partition + CD] - Intermédiaire Mel Bay
(84 Melodic Studies for Guitar). By Tim Quinn. For Guitar (Electric). Improvisat...(+)
(84 Melodic Studies for
Guitar). By Tim Quinn.
For Guitar (Electric).
Improvisation. MBGU.
Rock. Intermediate.
Book/CD Set. 85 pages.
Published by Mel Bay
Publications, Inc
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |