| Nicola LeFanu: Trio 2: Song For Peter (Full Score) Music Sales
The performance score for Lefanu's Song For Peter for Soprano, Clarinet and Cell...(+)
The performance score for
Lefanu's Song For Peter
for Soprano, Clarinet and
Cello. Please Note both
this score and the
separate part (Catalogue
no. NOV951368-01) must be
ordered for a full
performance
$25.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nicola LeFanu: Trio 2: Song For Peter (Part) Music Sales
The performance score for Lefanu's Song For Peter for Soprano, Clarinet a...(+)
The performance score for
Lefanu's Song For
Peter for Soprano,
Clarinet and Cello.
Please Note both
the score (Catalogue no.
NOV951368) and this
separate part must be
ordered for a full
performance
$16.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rossetti Songs (2008) Chorale 3 parties SSA A Cappella [Vocal Score] Peters
By Nicola LeFanu (1947-). For SSA choir a cappella. Women's Choir (commissioned ...(+)
By Nicola LeFanu (1947-).
For SSA choir a cappella.
Women's Choir
(commissioned by MUSE,
Cincinnati's Women's
Choir, artistic director
Catherine Roma, for first
performance in
Cincinnati, November
22nd, 2008). Modern.
Vocal score
$3.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chansons Pour Boire Et Rire A Table Chorale SATB SATB A Cappella A Coeur Joie
Composed by Bernard Lallement. Collection. Secular. Choir part. 44 pages. Publis...(+)
Composed by Bernard
Lallement. Collection.
Secular. Choir part. 44
pages. Published by
Editions a Coeur Joie
(CJ.A135300156).
$15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Tamerlano HWV 18 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voi...(+)
Solo voices, orchestra
(Soprano Voice Solo,
Mezzo-Soprano Voice Solo,
2 Alto Voice Solo, Tenor
Voice Solo, Bass Voice
Solo, 2 recorder-A, 2 Fl,
2 Ob, 2 clarinet, Str,
Continuo) SKU:
BA.BA04052 Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052). ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym. Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$485.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Opera Omnia Ut Orpheus
Orchestra; Violin SKU: UT.NAP-4 Vol. 1. Critical Edition. Composed...(+)
Orchestra; Violin SKU:
UT.NAP-4 Vol. 1.
Critical Edition.
Composed by Nicola
Fiorenza. Edited by
Giovanni Borrelli.
Hardback (Cloth Hard
Cover). Napoli e
l’Europa (Naples
and Europe). Classical.
Critical commentary. Ut
Orpheus #NAP 4. Published
by Ut Orpheus (UT.NAP-4).
ISBN 9790215318373. 9
x 12
inches. Concerto
in Mi bem. magg. per
Violino principale, 2
Violini, Viola e Basso;
Concerto in Re min. per 2
Violini e Basso (1728);
Concerto in La magg. per
3 Violini e Basso
(1728)_x0008_; Concerto
in La min. per 3 Violini
e Basso (1727)_x0008_;
Concerto in La min. per 3
Violini e Basso; Sinfonia
in Fa min. a 2 Violini e
Basso; Sinfonia in Sol
magg. a 3 Violini e
Basso; Sinfonia fugata in
Fa min. a 3 Violini e
Basso; Sinfonia in Do
min. a 4 Violini e Basso;
Trio in Si min. per 2
Violini e
Cembalo
Nicola
Fiorenza (1700?-1764),
composer and virtuoso
Neapolitan violinist,
lived during the first
half of the 1700s. His
musical production, whose
manuscripts are preserved
for the big part in the
Library of the
Conservatorio di Musica
S. Pietro a Majella in
Naples, is composed of 15
concerts with different
instrumental organics, 9
symphonies whose
principal instrument is
the violin – that
sometimes proposes pieces
with a lot of
virtuosities typical of
the solo concert
–, some pieces for
one or two instruments
with continuo and two
cantatas. Skilled
virtuoso, Fiorenza had
assimilated both the
style of the elegant
Baroque of French school,
and the a terrazze style,
the improvised language
typical of the Venetian
composers. He knew the
style of the Concerto
Grosso of Corelli very
well, to which he joined
a dressy counterpoint
maybe too much present
for the style of that
time. Fiorenza elaborated
different styles,
filtering them through
his sensitive
predilection towards the
Neapolitan party music
and the popular melody,
developing a personal
composite language that
doesn’t consider
him belonging to one of
the schools of his time.
From a formal point of
view and for the choice
of the instrumental
organic, his compositions
have not a strong
stylistic individuality
in comparison with the
composite canons of the
first part of the XVIII
century, but the
production of Fiorenza
seems to reflect the
schemes and the composite
forms typical of the late
Baroque. His choice of
the incisive brevity of
the thematic figures is
typical of the XVII
century, that almost
never overcomes the
breath and the circle of
one or few beats.
Fiorenza’s solo
compositions show his
research of virtuosities,
but he never lapses into
a rash virtuosity, on the
contrary he maintains a
gallant taste. $214.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Pax Vobis for Trompet og Piano/Orgel. Musikk-Husets Forlag A/S
By Nicolae Bogdan. For trumpet and piano/organ. Published by Musikk-Husets Forla...(+)
By Nicolae Bogdan. For
trumpet and piano/organ.
Published by
Musikk-Husets Forlag
$41.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Ultimate Tenor Aria Album (Version 2.0)
Voix Tenor [CD Sheet Music] Subito Music
For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 800 pages. Pub...(+)
For Vocal. (Voice). CD
Sheet Music (Version
2.0). PDF file on CD. 800
pages. Published by
Subito Music.
(3)$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
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