PARTITIONS GRATUITES : VIOLON SEUL
- MOTHER'S STORIES

Composed by Henry Mollicone (1946-). For soprano voice solo, piano. Secular, 21st century. Moderately difficult. Collection. Published by Ione Press

SKU: GI.G-1090

Revised Edition - Includes Digital Download. Composed by Jill Trinka and John M. Feierabend. First Steps in Music. Music Education. GIA Publications #1090. Published by GIA Publications (GI.G-1090).

UPC: 785147009023.

Click here to download the 2020 Supplement to First Steps in Music. Over the past year, a committee formed by the Feierabend Association for Music Education (FAME) developed a set of standards for evaluating repertoire associated with the curriculum. With their guidance, we have removed several songs that were deemed to be harmful, derogatory, or disrespectful in regard to their histories or context. We have also added a number of new songs and rhymes from a variety of world cultures. The above link details these revisions for the curriculum book and the supplemental folk song collections.   The great American folk songs and rhymes on this CD have enthralled young people for generations. This recording embodies the true spirit of these songs, delightfully sung by Jill Trinka and accompanied by a wide variety of acoustic instruments, including guitar, dulcimer, autoharp, piano, percussion, string bass, and violin. The enclosed illustrated booklet includes complete lyrics and song directions. And all of the performances are in step with John M. Feierabend’s philosophy of providing a nurturing environment for musical growth. Children and their families are sure to enjoy this and the other imaginative and engaging CDs drawn from John’s eight collections of folk songs for kids ages three and up. Contents: There's a Hole in the Bucket - The Airplane Ride - In the Woods - In the Woods (sing-a-long) - Peep Squirrel - Wake Up You Lazy Bones - William He Had Seven Sons - The Old Woman and the Pig - Kitty Alone - There Was a Little Turtle - Johnny Works with One Hammer - I Met a Bear - I Met a Bear (sing-a-long) - Au Clair de la Lune/Pierrot (In the Evening Moonlight) - A Pumpkin for the Pie - Do, Do, Pity My Case - Momma, Buy Me a China Doll - Sea Lion - Sea Lion (sing-a-long) - A Tisket, a Tasket - All 'Round the Brickyard - Big Pig - Charlie Over the Ocean - Charlie Over the Ocean (sing-a-long) - I Have Lost My Closet Key - Two Tall Telephone Poles - Did You Ever See a Lassie? - The Crabfish - These Are Mother's Knives and Forks - The Minister's Cat - Tongo (Polynesian) - Tongo (sing-a-long) - Grandma Grunts - The Wise Man - Aserrín - John the Rabbit - John the Rabbit (sing-a-long) - Old Bald Eagle - Circle 'Round the Zoo - Risseldy Rosseldy.

Adult/Child Vocal Solo - Easy

SKU: LP.9780834179165

Composed by Pamela Vandewalker & Cherry Garasi. This edition: Spiral Bound. Children's Music. Teeny Tykes & Tunes. Curriculum, Bible Story, Scriptures and Music for weekly activity time with infants and toddlers, for use in after school programs, family centers, daycare, or Mother's Day Out programs. Multicultural and Sacred. Teacher curriculum guide. 116 pages. Published by Lillenas Publishing Company (LP.9780834179165).

ISBN 9780834179165.

Whet her it is used in a weekly activity time, after school programs, family centers, daycares, or mother's day out program, Teeny Tykes & Tunes is an exciting, proven tool for babies, toddlers, and caregivers. This 10-week, faith-based curriculum features carefully selected action songs, bounces, finger-plays, instrument songs, animal songs, Bible songs and stories that will give children the opportunity to wiggle, giggle, and learn about God. Generations will be connected by placing music in children's hearts and minds, babies will develop musical abilities, and homes will be transformed with the joy of music as babies and toddlers take baby and wee steps toward understanding God's love through the gift of music.

Teeny Tykes & Tunes: Toddler
18 month - 3 year old toddlers and their caregivers
The primary objective of Teeny Tykes & Tunes is to provide a resource that will help make music and spiritual activity a part of every child's.

Adult/Child Vocal Solo - Easy

SKU: LP.9780834179158

Composed by Pamela Vandewalker & Cherry Garasi. This edition: Spiral Bound. Children's Music. Teeny Tykes & Tunes. Curriculum, Bible Story, Scriptures and Music for weekly activity time with infants and toddlers, for use in after school programs, family centers, daycare, or Mother's Day Out programs. Multicultural and Sacred. Teacher curriculum guide. 120 pages. Published by Lillenas Publishing Company (LP.9780834179158).

ISBN 9780834179158.

Whet her it is used in a weekly activity time, after school programs, family centers, daycares, or mother's day out program, Teeny Tykes & Tunes is an exciting, proven tool for babies, toddlers, and caregivers. This 10-week, faith-based curriculum features carefully selected action songs, bounces, finger-plays, instrument songs, animal songs, Bible songs and stories that will give children the opportunity to wiggle, giggle, and learn about God. Generations will be connected by placing music in children's hearts and minds, babies will develop musical abilities, and homes will be transformed with the joy of music as babies and toddlers take baby and wee steps toward understanding God's love through the gift of music.

Teeny Tykes & Tunes: Infant
6 - 18 month infants and their caregivers
The primary objective of Teeny Tykes & Tunes is to provide a resource that will help make music and spiritual activity a part of every child's daily life.

Grade: Preschool

SKU: LP.765762139527

Composed by Pamela Vandewalker & Cherry Garasi. This edition: Paperback. Children's Music. Teeny Tykes & Tunes. Multicultural and Sacred. Bulk CDs (10 pack). Published by Lillenas Publishing Company (LP.765762139527).

UPC: 765762139527.

Wheth er it is used in a weekly activity time, after school programs, family centers, daycares, or mother's day out program, Teeny Tykes & Tunes is an exciting, proven tool for babies, toddlers, and caregivers. This 10-week, faith-based curriculum features carefully selected action songs, bounces, finger-plays, instrument songs, animal songs, Bible songs and stories that will give children the opportunity to wiggle, giggle, and learn about God. Generations will be connected by placing music in children's hearts and minds, babies will develop musical abilities, and homes will be transformed with the joy of music as babies and toddlers take baby and wee steps toward understanding God's love through the gift of music.

Grade: Preschool

SKU: LP.765762139824

Composed by Pamela Vandewalker & Cherry Garasi. This edition: Paperback. Children's Music. Teeny Tykes & Tunes. Multicultural and Sacred. Bulk CDs (10 pack). Published by Lillenas Publishing Company (LP.765762139824).

UPC: 765762139824.

Wheth er it is used in a weekly activity time, after school programs, family centers, daycares, or mother's day out program, Teeny Tykes & Tunes is an exciting, proven tool for babies, toddlers, and caregivers. This 10-week, faith-based curriculum features carefully selected action songs, bounces, finger-plays, instrument songs, animal songs, Bible songs and stories that will give children the opportunity to wiggle, giggle, and learn about God. Generations will be connected by placing music in children's hearts and minds, babies will develop musical abilities, and homes will be transformed with the joy of music as babies and toddlers take baby and wee steps toward understanding God's love through the gift of music.

Choral SATB choir

SKU: CF.CM9700

Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700).

ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.

In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJa rba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).­­.

Classroom

SKU: BT.9780713658057

Composed by Helen East. Method. Book with CD. 80 pages. Collins Music Publishing #9780713658057. Published by Collins Music Publishing (BT.9780713658057).

ISBN 9780713658057. English.

The 28 stories in this book each contain a simple song, which helps the narrative unfold and invites instant participation. The CD contains all the songs, making a multi-cultural wealth of sounds, which is useful forstorytelling.