| Protest of Praise GIA Publications
SKU: GI.G-10101 50 Hymn Texts by David Bjorlin. Sacred. 136 pages....(+)
SKU: GI.G-10101
50 Hymn Texts by David
Bjorlin. Sacred. 136
pages. GIA Publications
#10101. Published by GIA
Publications
(GI.G-10101). ISBN
9781622774661. English,
Spanish. Text by David
Bjorlin. David
Bjorlin is a pastor and
seminary professor with a
unique ability to put
practical theology into
poetic forms. He states
that The act of true
praise is always a
protest against all that
curses or denigrates the
Creator’s world
and the people made in
the Creator’s
image, and an act of true
protest is always in
praise of a world that
the protestor has begun
to envision and works to
make real. Many of these
50 texts were written in
response to particular
injustices of church and
state, with titles such
as: Build a Longer Table,
When Pharaoh Came for
Children, If We Eat Our
Lavish Banquets, and I
Met a Stranger on the
Road. Others are
responses to the signs of
hope and beauty that
evoke our praise,
including such titles as:
Light Is Kindled in the
Darkness, Dare to Live
the Dream God Gave You,
We Thank You God for
Human Love, and For All
Who Craft Their Words
with Skill. The texts are
paired both with familiar
tunes and newly-composed
ones by Benjamin Brody,
Lim Swee Hong, Sally Ann
Morris, and others. $20.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rebellische Musik -Gesellschaftlicher Protest und kultureller Wandel um 1968- Verlag Dohr
SKU: VD.978-3-936655-48-3 Gesellschaftlicher Protest und kultureller W...(+)
SKU:
VD.978-3-936655-48-3
Gesellschaftlicher
Protest und kultureller
Wandel um 1968.
Edited by Arnold
Jacobshagen and Markus
Leniger. Musicolonia 1.
Classical. Book. With
Text Language: German.
320 S. pages. Verlag Dohr
#978-3-936655-48-3.
Published by Verlag Dohr
(VD.978-3-936655-48-3).
ISBN 9783936655483.
9.65 x 6.69
inches. $53.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Chorale And Canzone Sc/pts Grade 2 Orchestre d'harmonie [Conducteur] - Facile Hal Leonard
Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 2 SKU: HL.44007224 B...(+)
Concert
Band/Harmonie/Fanfare/Bra
ss Band - Grade 2 SKU:
HL.44007224 Based
on 'From Highest Heaven I
Come to Tell'.
Composed by Giovanni
Taeggio and Hans Leo
Hassler. Arranged by Jan
de Haan. De Haske Concert
Band. Score Only.
Composed 1998. Hal
Leonard #981154.
Published by Hal Leonard
(HL.44007224). UPC:
884088243548. The
words and lyrics of the
Christmas Carol From
Highest Heaven I Come To
Tell were written by
the great Martin Luther
(1483-1546) and can be
found in The Hymns of
Martin Luther. Martin
Luther expressed radical
views which began the
reformation movement. His
followers protested at
the treatment given to
Martin Luther, the event
from which the term
'Protestant' was derived.
It was first published in
Joseph Klug's
Gesangsbuch in
around 1535. Add a
majestic Baroque feel to
any concert with this
simple yet effective
arrangement.
The
words and lyrics of the
Christmas Carol From
Highest Heaven I Come To
Tell were written by
the great Martin Luther
(1483-1546) and can be
found in The Hymns of
Martin Luther. Martin
Luther expressed radical
viewswhich began the
reformation movement. His
followers protested at
the treatment given to
Martin Luther, the event
from which the term
'Protestant' was derived.
It was first published in
Joseph Klug's
Gesangsbuch in
around 1535.Add a
majestic Baroque feel to
any concert with this
simple yet effective
arrangement.
Diese
Bearbeitung des beruhmten
Liedes Vom Himmel
hoch, da komm' ich
her von Martin Luther
stammt aus der gewandten
Feder von Jan de Haan. In
vier Teilen verarbeitete
er die festliche Melodie
und machte sie fur
variable Besetzung
spielbar.
The
words and lyrics of the
Christmas Carol From
Highest Heaven I Come To
Tell were written by
the great Martin Luther
(1483-1546) and can be
found in The Hymns of
Martin Luther. Martin
Luther expressed radical
views which began the
reformation movement. His
followers protested at
the treatment given to
Martin Luther, the event
from which the term
'Protestant' was derived.
It was first published in
Joseph Klug's
Gesangsbuch in
around 1535. Add a
majestic Baroque feel to
any concert with this
simple yet effective
arrangement.
The
words and lyrics of the
Christmas Carol From
Highest Heaven I Come To
Tell were written by
the great Martin Luther
(1483-1546) and can be
found in The Hymns of
Martin Luther. Martin
Luther expressed radical
views which began the
reformation movement. His
followers protested at
the treatment given to
Martin Luther, the event
from which the term
'Protestant' was derived.
It was first published in
Joseph Klug's
Gesangsbuch in
around 1535. Add a
majestic Baroque feel to
any concert with this
simple yet effective
arrangement. $92.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Factory Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphoni...(+)
Band Bass Clarinet,
Bassoon, Brake Drum,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Jingle
Bells, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Ratchet, Snare Drum,
Suspended Cymbal, Timpani
and more. - Grade 2.5
SKU: CF.YPS207
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+4+2+4+4+24+4+4
pages. Duration 4
minutes, 14 seconds. Carl
Fischer Music #YPS207.
Published by Carl Fischer
Music (CF.YPS207).
ISBN 9781491152270.
UPC: 680160909773. Key: C
minor. Factory
Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer . $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Factory Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bassoon, Brake Drum, Chimes, Clarinet 1, Clarinet 2, Euphoni...(+)
Band Bass Clarinet,
Bassoon, Brake Drum,
Chimes, Clarinet 1,
Clarinet 2, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Jingle
Bells, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Ratchet, Snare Drum,
Suspended Cymbal, Timpani
and more. - Grade 2.5
SKU: CF.YPS207F
Sweatshop Protest
Song. Composed by Ed
Kiefer. Young Band (YPS).
Full score. With Standard
notation. 24 pages. Carl
Fischer Music #YPS207F.
Published by Carl Fischer
Music (CF.YPS207F).
ISBN 9781491152959.
UPC:
680160910458. Facto
ry Child is a protest
song against child
sweatshops. The piece
depicts the factory life
of children laboring many
hours a day and
manufacturing the shoes
and clothes that end up
in American retail
stores. Young performers
will find this
thought-provoking piece
an excellent way to use
their musical voice to
affect change. Factory
Child is a protest song
against child sweatshops.
Written in memory of Mrs.
Peterson, who loved
children dearly, the
piece depicts the factory
life of children laboring
16+ hours a day,
manufacturing the shoes
and clothes that end up
in American retail
stores.Factory Child
begins with factory
sounds and an oppressive,
repetitive pattern that
supports the melody
carried by the upper
voices. The second
section is composed of
wistful, dream-like
sounds and melodies that
have traces of
children’s songs
that remind us that these
children forced into
labor would love to have
the opportunity to play,
attend school, and dream,
but cannot and
realistically have little
hope for a life we
consider normal. The
middle section gives way
to more sounds from the
factory. The climax is a
raucous circus-like waltz
using themes from both
sections.The percussion
parts can be covered by
six players. Some players
will need to cover two
parts. Use someone from
the wind section if you
do not have six, as some
of the parts, although
important, are not very
difficult. The second
clarinet never goes over
the break and the bass
line is usually doubled
in the euphonium as well
as in the low reeds.This
piece is an excellent way
for young performers to
use their musical voice
to affect change. It is a
great discussion starter
for researching where our
apparel comes from and
why to stay away from
some brands. It can also
make students aware of
the fantastic opportunity
they have to attend
school that children in
other parts of the world
do not. Young students
will find this piece very
thought provoking.Ed
Kiefer . $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Baltic Way Ensemble de cuivres [Conducteur] - Intermédiaire De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1206253-130 Composed by Jan de Haan. Con...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1206253-130
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2019. 48 pages. De Haske
Publications #DHP
1206253-130. Published by
De Haske Publications
(BT.DHP-1206253-130).
English-German-French-
Dutch. In 1989, the
demonstration named the
Baltic Way also
known as the Baltic
Chain— was held in
the Baltic states of
Estonia, Latvia and
Lithuania by its citizens
in a call for
independence from the
Soviet Union. On 23rd
August 1989, some two
million participants
formed a human chain,
hand-in-hand all the way
from the Estonian capital
of Tallinn its Latvian
counterpart, Riga,
through to the Lithuanian
capital of Vilnius - six
hundred kilometres long.
It became the longest
human chain ever created
and turned out to be the
final push needed for
much sought-after
independence. This
historic event became the
source of inspiration for
this composition. The
introduction of thefirst
movement, ‘Struggle
for Independence’,
is based on a nocturne
for piano by the renowned
Lithuanian composer and
painter Mikalojus
Konstantinas iurlionis
(1875-1911), thematic
material from which has
been incorporated
throughout the whole
composition. The
melancholic beginning is
followed by a powerful
theme which reflects the
resolve of the Baltic
people. The sudden
aggressive, dissonant
chords and a dominant
and—in rhythmic
terms—contrary
bass drum announce that
the resistance is not
going smoothly. Just for
a moment, we hear the
anthem of the Soviet
Union in the lower brass,
but this is relentlessly
pushed to the background
by the rest of the band
playing the Lithuanian
national anthem,
‘Tautiška giesm
’ (Lithuania, our
homeland). The second
movement, ‘Decades
of Suffering’,
echoes life under the
Soviet Union's thumb. In
the pursuit of
independence, a peaceful
protest is planned in
which a human chain is
formed across the Baltic
states of Estonia, Latvia
and Lithuania. This
‘Chain of
Freedom’ is
depicted in the final
movement of the work.
De Baltische Weg
(The Baltic Way)
was een demonstratie van
de bevolking van de
Baltische staten die in
1989 plaatsvond als een
roep om onafhankelijkheid
van de Sovjet-Unie. Deze
historische gebeurtenis
vormde de inspiratiebron
voor deze compositie. Van
Vilnius via Riga naar
Tallinn werd een
zeshonderd kilometer
lange keten van naar
schatting twee miljoen
mensen gevormd. Op 23
augustus 1989 gaven al
die mensen elkaar de hand
en werd De Baltische Weg
de langste menselijke
keten ooit. Het bleek de
uiteindelijke opmaat tot
de zo gewenste
onafhankelijkheid. De
inleiding van het eerste
deel, ‘Struggle for
Independence’, is
gebaseerd op een nocturne
voor piano van
devooraanstaande Litouwse
componist en
kunstschilder Mikalojus
Konstantinas iurlionis
(1875-1911). Het
thematische materiaal van
deze nocturne is door de
hele compositie heen
verwerkt. Na het
melancholische begin
volgt een krachtig thema,
waarmee de strijdbaarheid
van de Baltische
bevolking wordt
uitgebeeld. De
plotselinge agressieve
dissonante akkoorden en
een dominante en ritmisch
gezien tegendraadse grote
trom laten horen dat het
verzet niet eenvoudig
verloopt. Even klinkt het
begin van het volkslied
van de Sovjet-Unie in het
lage koper, maar dat
wordt door de rest van de
band onverbiddelijk naar
de achtergrond verwezen
door het Litouwse
nationale volkslied
‘Tautiška giesm
’ (Litouwen, ons
vaderland). In deel twee,
‘Decades of
Suffering’, wordt
het leven onder het juk
van de Sovjet-Unie
verklankt. In het streven
naar onafhankelijkheid
worden plannen gemaakt om
als vreedzaam protest
tegen de onderdrukking
een menselijke keten te
vormen over de wegen van
de Baltische staten
Litouwen, Letland en
Estland. Deze
‘Chain of
Freedom’ wordt in
het laatste deel van het
werk muzikaal
weergegeven.
Der
sogenannte Baltischer Weg
(The Baltic Way)
auch unter dem Namen
Baltische Kette bekannt
war 1989 eine
Demonstration von
Bürgern in den
baltischen Staaten
Estland, Lettland und
Litauen mit dem Aufruf
zur Unabhängigkeit von
der Sowjetunion. Am 23.
August 1989 bildeten rund
zwei Millionen Teilnehmer
eine sechshundert
Kilometer lange
Menschenkette, die von
der estnischen Hauptstadt
Tallinn über das
lettische Riga bis zur
litauischen Hauptstadt
Vilnius reichte. Die
längste Menschenkette,
die jemals geschaffen
wurde, erwies sich als
der letzte Schritt, der
zur lang ersehnten
Unabhängigkeit
führte. Dieses
historische Ereignis
diente der Komposition
alsInspirationsquelle.
Die Einleitung des ersten
Satzes, Struggle for
Independence“,
basiert auf einem
Nocturne für Klavier
des bekannten litauischen
Komponisten und Malers
Mikalojus Konstantinas
iurlionis (1875 1911),
dessen thematisches
Material in der gesamten
Komposition verwendet
wird. Dem melancholischen
Anfang folgt ein
mitreißendes Thema,
das die Entschlossenheit
der baltischen
Bevölkerung
widerspiegelt. Die
plötzlichen
aggressiven, dissonanten
Akkorde und eine
dominante und rhythmisch
gegenläufige Bewegung
in der Basstrommel
kündigen an, dass der
Widerstand nicht
reibungslos verläuft.
Für einen kurzen
Moment erklingt die Hymne
der Sowjetunion in den
tiefen Blechbläsern,
aber diese wird
unerbittlich vom
restlichen Orchester in
den Hintergrund
gedrängt, welches die
litauische Nationalhymne
Tautiška giesm “
(Litauen, unser
Heimatland“)
spielt. Der zweite Satz,
Decades of
Suffering“,
spiegelt das Leben unter
dem Joch der Sowjetunion
wider. Für das Streben
nach Unabhängigkeit
war ein friedlicher
Protest geplant, bei dem
eine Menschenkette durch
die baltischen Staaten
Estland, Lettland und
Litauen gebildet wurde.
Diese Chain of
Freedom“ wird im
letzten Satz des Werkes
beschrieben.
En
1989, la manifestation
nommée « La Voie
balte » (The Baltic
Way) s’est
tenue en Estonie, en
Lettonie et en Lituanie,
les pays baltes dont les
citoyens demandaient
être indépendants
de l’Union
soviétique. Le 23 ao t
1989, quelque deux
millions de personnes se
tenant par la main ont
formé une chaîne
humaine de 600 km de long
reliant les trois
capitales Tallinn
(Estonie), Riga
(Lettonie) et Vilnius
(Lituanie). Cette
chaîne humaine, la
plus longue ce jour,
donna une impulsion
décisive au
rétablissement
d’une
indépendance vivement
souhaitée. Cet
événement
historique est devenu
source
d’inspiration pour
cette composition.
L’introduction du
premier mouvement,«
Struggle for Independence
», est fondée sur
un nocturne pour piano du
célèbre compositeur
et peintre letton
Mikalojus Konstantinas
iurlionis (1875-1911). Du
matériel thématique
emprunté ce nocturne
est parsemé travers la
présente composition.
Un début
mélancolique est suivi
d’un thème
puissant qui reflète
la détermination des
peuples baltes. La
présence soudaine
d’accords
agressifs et dissonants,
associés une grosse
caisse dont le
décalage rythmique
domine, indiquent que la
résistance rencontre
des obstacles. Nous
entendons
momentanément
l’hymne
soviétique dans les
cuivres graves, mais cet
air est inexorablement
repoussé
l’arrière-plan
par le reste de
l’orchestre
interprétant
l’hymne national
de Lettonie, «
Tautiška giesm »
(Lettonie, notre patrie).
Le deuxième mouvement,
« Decades of Suffering
», dépeint la vie
sous le joug de
l’Union
soviétique. la
recherche de
l’indépendance,
une manifestation
pacifique est
organisée sous la
forme d’une
chaîne humaine
traversant les trois pays
baltes l ’Estonie,
la Lettonie et la
Lituanie. Le dernier
mouvement de la pièce,
« Chain of Freedom
», exprime cet appel
la liberté. $30.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Baltic Way Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1206253-030 Composed by Jan de Haan. Con...(+)
Brass Band - Grade 4
SKU:
BT.DHP-1206253-030
Composed by Jan de Haan.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Set (Score & Parts).
Composed 2019. De Haske
Publications #DHP
1206253-030. Published by
De Haske Publications
(BT.DHP-1206253-030).
English-German-French-
Dutch. In 1989, the
demonstration named the
Baltic Way also
known as the Baltic
Chain— was held in
the Baltic states of
Estonia, Latvia and
Lithuania by its citizens
in a call for
independence from the
Soviet Union. On 23rd
August 1989, some two
million participants
formed a human chain,
hand-in-hand all the way
from the Estonian capital
of Tallinn its Latvian
counterpart, Riga,
through to the Lithuanian
capital of Vilnius - six
hundred kilometres long.
It became the longest
human chain ever created
and turned out to be the
final push needed for
much sought-after
independence. This
historic event became the
source of inspiration for
this composition. The
introduction of thefirst
movement, ‘Struggle
for Independence’,
is based on a nocturne
for piano by the renowned
Lithuanian composer and
painter Mikalojus
Konstantinas iurlionis
(1875-1911), thematic
material from which has
been incorporated
throughout the whole
composition. The
melancholic beginning is
followed by a powerful
theme which reflects the
resolve of the Baltic
people. The sudden
aggressive, dissonant
chords and a dominant
and—in rhythmic
terms—contrary
bass drum announce that
the resistance is not
going smoothly. Just for
a moment, we hear the
anthem of the Soviet
Union in the lower brass,
but this is relentlessly
pushed to the background
by the rest of the band
playing the Lithuanian
national anthem,
‘Tautiška giesm
’ (Lithuania, our
homeland). The second
movement, ‘Decades
of Suffering’,
echoes life under the
Soviet Union's thumb. In
the pursuit of
independence, a peaceful
protest is planned in
which a human chain is
formed across the Baltic
states of Estonia, Latvia
and Lithuania. This
‘Chain of
Freedom’ is
depicted in the final
movement of the work.
De Baltische Weg
(The Baltic Way)
was een demonstratie van
de bevolking van de
Baltische staten die in
1989 plaatsvond als een
roep om onafhankelijkheid
van de Sovjet-Unie. Deze
historische gebeurtenis
vormde de inspiratiebron
voor deze compositie. Van
Vilnius via Riga naar
Tallinn werd een
zeshonderd kilometer
lange keten van naar
schatting twee miljoen
mensen gevormd. Op 23
augustus 1989 gaven al
die mensen elkaar de hand
en werd De Baltische Weg
de langste menselijke
keten ooit. Het bleek de
uiteindelijke opmaat tot
de zo gewenste
onafhankelijkheid. De
inleiding van het eerste
deel, ‘Struggle for
Independence’, is
gebaseerd op een nocturne
voor piano van
devooraanstaande Litouwse
componist en
kunstschilder Mikalojus
Konstantinas iurlionis
(1875-1911). Het
thematische materiaal van
deze nocturne is door de
hele compositie heen
verwerkt. Na het
melancholische begin
volgt een krachtig thema,
waarmee de strijdbaarheid
van de Baltische
bevolking wordt
uitgebeeld. De
plotselinge agressieve
dissonante akkoorden en
een dominante en ritmisch
gezien tegendraadse grote
trom laten horen dat het
verzet niet eenvoudig
verloopt. Even klinkt het
begin van het volkslied
van de Sovjet-Unie in het
lage koper, maar dat
wordt door de rest van de
band onverbiddelijk naar
de achtergrond verwezen
door het Litouwse
nationale volkslied
‘Tautiška giesm
’ (Litouwen, ons
vaderland). In deel twee,
‘Decades of
Suffering’, wordt
het leven onder het juk
van de Sovjet-Unie
verklankt. In het streven
naar onafhankelijkheid
worden plannen gemaakt om
als vreedzaam protest
tegen de onderdrukking
een menselijke keten te
vormen over de wegen van
de Baltische staten
Litouwen, Letland en
Estland. Deze
‘Chain of
Freedom’ wordt in
het laatste deel van het
werk muzikaal
weergegeven.
Der
sogenannte Baltischer Weg
(The Baltic Way)
auch unter dem Namen
Baltische Kette bekannt
war 1989 eine
Demonstration von
Bürgern in den
baltischen Staaten
Estland, Lettland und
Litauen mit dem Aufruf
zur Unabhängigkeit von
der Sowjetunion. Am 23.
August 1989 bildeten rund
zwei Millionen Teilnehmer
eine sechshundert
Kilometer lange
Menschenkette, die von
der estnischen Hauptstadt
Tallinn über das
lettische Riga bis zur
litauischen Hauptstadt
Vilnius reichte. Die
längste Menschenkette,
die jemals geschaffen
wurde, erwies sich als
der letzte Schritt, der
zur lang ersehnten
Unabhängigkeit
führte. Dieses
historische Ereignis
diente der Komposition
alsInspirationsquelle.
Die Einleitung des ersten
Satzes, Struggle for
Independence“,
basiert auf einem
Nocturne für Klavier
des bekannten litauischen
Komponisten und Malers
Mikalojus Konstantinas
iurlionis (1875 1911),
dessen thematisches
Material in der gesamten
Komposition verwendet
wird. Dem melancholischen
Anfang folgt ein
mitreißendes Thema,
das die Entschlossenheit
der baltischen
Bevölkerung
widerspiegelt. Die
plötzlichen
aggressiven, dissonanten
Akkorde und eine
dominante und rhythmisch
gegenläufige Bewegung
in der Basstrommel
kündigen an, dass der
Widerstand nicht
reibungslos verläuft.
Für einen kurzen
Moment erklingt die Hymne
der Sowjetunion in den
tiefen Blechbläsern,
aber diese wird
unerbittlich vom
restlichen Orchester in
den Hintergrund
gedrängt, welches die
litauische Nationalhymne
Tautiška giesm “
(Litauen, unser
Heimatland“)
spielt. Der zweite Satz,
Decades of
Suffering“,
spiegelt das Leben unter
dem Joch der Sowjetunion
wider. Für das Streben
nach Unabhängigkeit
war ein friedlicher
Protest geplant, bei dem
eine Menschenkette durch
die baltischen Staaten
Estland, Lettland und
Litauen gebildet wurde.
Diese Chain of
Freedom“ wird im
letzten Satz des Werkes
beschrieben.
En
1989, la manifestation
nommée « La Voie
balte » (The Baltic
Way) s’est
tenue en Estonie, en
Lettonie et en Lituanie,
les pays baltes dont les
citoyens demandaient
être indépendants
de l’Union
soviétique. Le 23 ao t
1989, quelque deux
millions de personnes se
tenant par la main ont
formé une chaîne
humaine de 600 km de long
reliant les trois
capitales Tallinn
(Estonie), Riga
(Lettonie) et Vilnius
(Lituanie). Cette
chaîne humaine, la
plus longue ce jour,
donna une impulsion
décisive au
rétablissement
d’une
indépendance vivement
souhaitée. Cet
événement
historique est devenu
source
d’inspiration pour
cette composition.
L’introduction du
premier mouvement,«
Struggle for Independence
», est fondée sur
un nocturne pour piano du
célèbre compositeur
et peintre letton
Mikalojus Konstantinas
iurlionis (1875-1911). Du
matériel thématique
emprunté ce nocturne
est parsemé travers la
présente composition.
Un début
mélancolique est suivi
d’un thème
puissant qui reflète
la détermination des
peuples baltes. La
présence soudaine
d’accords
agressifs et dissonants,
associés une grosse
caisse dont le
décalage rythmique
domine, indiquent que la
résistance rencontre
des obstacles. Nous
entendons
momentanément
l’hymne
soviétique dans les
cuivres graves, mais cet
air est inexorablement
repoussé
l’arrière-plan
par le reste de
l’orchestre
interprétant
l’hymne national
de Lettonie, «
Tautiška giesm »
(Lettonie, notre patrie).
Le deuxième mouvement,
« Decades of Suffering
», dépeint la vie
sous le joug de
l’Union
soviétique. la
recherche de
l’indépendance,
une manifestation
pacifique est
organisée sous la
forme d’une
chaîne humaine
traversant les trois pays
baltes l ’Estonie,
la Lettonie et la
Lituanie. Le dernier
mouvement de la pièce,
« Chain of Freedom
», exprime cet appel
la liberté. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Chorale And Canzone Sc/pts Grade 2 Full Score Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare/Bra ss Band (Score) - Grade 2 SKU: HL.44007225<...(+)
Concert
Band/Harmonie/Fanfare/Bra
ss Band (Score) - Grade 2
SKU: HL.44007225
Based on 'From Highest
Heaven I Come to
Tell'. Composed by
Giovanni Taeggio and Hans
Leo Hassler. Arranged by
Jan de Haan. De Haske
Concert Band. Score Only.
Composed 1998. De Haske
Publications #981154.
Published by De Haske
Publications
(HL.44007225). UPC:
884088243555. The
words and lyrics of the
Christmas Carol From
Highest Heaven I Come To
Tell were written by
the great Martin Luther
(1483-1546) and can be
found in The Hymns of
Martin Luther. Martin
Luther expressed radical
views which began the
reformation movement. His
followers protested at
the treatment given to
Martin Luther, the event
from which the term
'Protestant' was derived.
It was first published in
Joseph Klug's
Gesangsbuch in
around 1535. Add a
majestic Baroque feel to
any concert with this
simple yet effective
arrangement.
The
words and lyrics of the
Christmas Carol From
Highest Heaven I Come To
Tell were written by
the great Martin Luther
(1483-1546) and can be
found in The Hymns of
Martin Luther. Martin
Luther expressed radical
viewswhich began the
reformation movement. His
followers protested at
the treatment given to
Martin Luther, the event
from which the term
'Protestant' was derived.
It was first published in
Joseph Klug's
Gesangsbuch in
around 1535.Add a
majestic Baroque feel to
any concert with this
simple yet effective
arrangement.
Diese
Bearbeitung des beruhmten
Liedes Vom Himmel
hoch, da komm' ich
her von Martin Luther
stammt aus der gewandten
Feder von Jan de Haan. In
vier Teilen verarbeitete
er die festliche Melodie
und machte sie fur
variable Besetzung
spielbar. $16.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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