| Graffiti Boosey and Hawkes
Study Score Ensemble (Score) SKU: HL.48024565 Large Ensemble Study Sco...(+)
Study Score Ensemble
(Score) SKU:
HL.48024565 Large
Ensemble Study Score.
Composed by Unsuk Chin.
Boosey & Hawkes
Scores/Books. Classical.
Softcover. 160 pages.
Duration 1680 seconds.
Boosey & Hawkes
#M060133718. Published by
Boosey & Hawkes
(HL.48024565).
Most of us,
when confronted with the
term graffiti, are likely
to associate it with the
rather desolate wall
scrawlings all over our
urban landscapes.
However, this is not the
whole picture: no less
artists than Klee, Miro,
Dubuffet, and Picasso
were interestedin it (the
latter painting examples
himself on Parisian
walls). In our time,
there is the highly
interesting and
controversial phenomenon
of Street Art, which has
occasionally wittily
succeeded in criticizing
the commercialization of
cities. At their best,
street artists have been
able to thwart the
expectations created by
omnipresent mass media
and by advertising - one
can find some
particularly remarkable
examples in metropolises
such as Berlin, Paris, or
New York. Though this was
the initial stimulus for
Graffiti, it finally
branched into rather
different directions: it
is only very loosely,
ifat all, connected to
the phenomenon of Street
Art (or to the visual
arts). The music is not
illustrative nor is it
programmatic and the main
idea was to compose a
music which is not
restricted as to time or
place, and which offers
strong contrasts between
different modes of
expression. The three
movements headings give a
hint of the changing
modes, moods, and
structures of the music.
The first movement,
Palimpsest,is
polydimensional and
many-layered; one can
hear allusions to a
multiplicity of styles.
The second movement,
Notturno urbano, forms a
strong contrast to the
hyperactive previous
movement. It starts with
distant and gradually
approaching bell-like
sounds, from which the
whole movement's musical
material is being
derived. The instruments
are often used in an
unconventional way: the
winds as well as the
strings employ extended
techniques, which
contributes to the
aloofness and the
mysteriousness of the
movement. The third,
highly virtuosic,
movement, is a kind of an
'urban passacaglia' (the
name of this musical form
actually derives from the
Spanish 'pasar una
calle', 'to walk along a
street'). It consists of
eight incisive chords,
which are played
continuously by the
brass, albeit always in a
different way. Two worlds
collide in this movement:
the brass attacks are
commented upon by
flitting interjections of
different instruments,
which are highly varied
in character and length.
As a whole, the musical
language of Graffiti
shifts between roughness
and refinement,
complexity and
transparency. It is rich
in contrast and
labyrinthine, neither
tonal nor atonal.
Graffiti calls for great
agility, virtuosity, and
constant changes of
perspective from the
musicians; each
instrument is being
treated as a soloist.
Graffiti was commissioned
by the Los Angeles
Philharmonic Association,
Barbican, London;
Orchestra Ensemble
Kanazawa, Kunststiftung
NRW and Ensemble
musikFabrik. It was first
performed on 26th of
February 2013 by the Los
Angeles Philharmonic New
Music Group conducted
b. $64.00 - Voir plus => Acheter | | |
| Traffic Jam Orchestre d'harmonie [Conducteur] - Débutant FJH
Concert Band Concert Band - Grade 1 SKU: FJ.B1380S Score Only. Com...(+)
Concert Band Concert Band
- Grade 1 SKU:
FJ.B1380S Score
Only. Composed by
Timothy Loest. Concert
Band. FJH Beginning Band.
Light Concert; Novelty;
Rock. Score. Duration
1:10. The FJH Music
Company Inc #98-B1380S.
Published by The FJH
Music Company Inc
(FJ.B1380S).
English. Experie
nce 'rush-hour rock' like
you've never experienced
before! This
easy-grooving,
well-crafted original
derives its automotive
charm from the various
car horn effects played
throughout. Various
novelty percussion
instruments such as the
police whistle and bulb
horn will car pool your
audience from the concert
hall to the expressway. A
charming piece that will
put a smile on everyone's
face, even if they get
stuck in traffic on the
way home from the
concert!
Traffic
Jam represents my idea of
rush hour rock. This work
derives its automotive
charm from the various
car horn effects played
throughout. The most
important articulation in
the work is the marcato
accent. Whenever this
articulation appears, a
car horn is being honked.
Each honk should be
percussive and short.
Although the honks are
dissonant, their
composite notes should be
balanced. It is
recommended that the
various honks be isolated
during rehearsal, so that
just the right sound and
feel is achieved. Other
important sounds include
the police whistle and
bulb horn. These novelty
instruments should be
held high for the
audience to see and hear.
With over 4 million miles
of roads in the United
States, one is destined
to experience automotive
gridlock. So before
giving into road rage,
roll down the windows,
turn on the radio, and
enjoy a traffic
jam! Score only. Full
set (score and parts)
also available:
B1380.
About FJH
Beginning
Band Appro
priate within the first
year of instruction and
beginning of the second
year. Clarinets do not go
above the break, and
there is limited use of
accidentals. Plenty of
doublings in the lower
voices. Grade 1. $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Graffiti HPS 1682 Boosey and Hawkes
Chorus; Orchestra (Study Score) SKU: HL.48025427 For Chorus and Orches...(+)
Chorus; Orchestra (Study
Score) SKU:
HL.48025427 For
Chorus and Orchestra
Study Score. Composed
by Magnus Lindberg.
Boosey and Hawkes
Scores/Books. Classical.
Softcover. 156 pages.
Duration 1920 seconds.
Boosey and Hawkes
#M060137518. Published by
Boosey and Hawkes
(HL.48025427). ISBN
9781784546175. UPC:
196288207788. Compo
sed in 2008-09, GRAFFITI
is Lindberg's first work
for chorus and orchestra,
and it earned him the
2009 Finnish Composer
Society's Award. The
libretto for the
half-hour work is
compiled from ancient
Latin graffiti discovered
during excavations of
Pompeii, the city
destroyed by volcanic
eruption in 79 CE. Some
of the writings are
specific to the time and
place, such as publicity
for gladiatorial combats,
but many of the political
denunciations, silly
aphorisms, and sexual
encounters either
documented or solicited
could, with the Roman
names changed, be found
in present-day settings.
Lindberg assembled the
brief texts without
aiming to create a
narrative or thematic
scheme, his intention
being to evoke 'a grand
choral and orchestral
fresco of the life of the
town'. A work of great
energy and originality,
and a significant
addition to the
repertoire of large-scale
choral writing. $72.00 - Voir plus => Acheter | | |
| Rush Hour Traffic Piano seul - Intermédiaire Alfred Publishing
By Margaret Goldston. For Piano. Piano Solo. Intermediate level piece for the Pi...(+)
By Margaret Goldston. For
Piano. Piano Solo.
Intermediate level piece
for the Piano Solo event
with the National
Federation of Music Clubs
(NFMC) Festivals Bulletin
2008-2009-2010. Sheet. 4
pages. Published by
Alfred Publishing.
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scenes for Guitar Book 1 (+)
-
Barn Dance
-
Black Stallion
-
Caribbean Dance
-
Highland Chimes
-
Lost At Sea
-
Night Sky
-
Russian Bear
-
Snake In A Basket
-
The Old Watermill
-
Urban Traffic
| | |
| Traffic Orchestre d'harmonie [Conducteur et Parties séparées] Boosey and Hawkes
Score and Parts. By Ned Rorem. (BAND SET). Boosey and Hawkes Concert Band. Publ...(+)
Score and Parts. By Ned
Rorem. (BAND SET).
Boosey and Hawkes Concert
Band. Published by Boosey
and Hawkes.
$85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Extreme: Pornograffitti Guitare notes et tablatures [Partition] - Intermédiaire Hal Leonard
(A Funked Up Fairy Tale) Performed by Extreme. For guitar and voice. Format: gui...(+)
(A Funked Up Fairy Tale)
Performed by Extreme. For
guitar and voice. Format:
guitar tablature
songbook. With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names,
guitar chord diagrams and
guitar tab glossary.
Metal. Series: Hal
Leonard Guitar Recorded
Versions. 116 pages. 9x12
inches. Published by Hal
Leonard.
(5)$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hoerspielmusiken/zimmermann&zillig Schott
SKU: HL.49015469 Zu den Horspielmusiken von Winfried Zillig und Bernd ...(+)
SKU: HL.49015469
Zu den Horspielmusiken
von Winfried Zillig und
Bernd Alois
Zimmermann. Composed
by Silke Hilger. This
edition: Hardback/Hard
Cover. Book. Edition
Schott. Classical. 288
pages. Schott Music #ED
8312. Published by Schott
Music (HL.49015469).
ISBN 9783795718930.
German. Verzeichnis
der Abkurzungen -
Danksagung - Einleitung -
Theorie und Methodologie
der Analyse von
Horspielmusiken -
Gesamtuberblick und
allgemeiner Vergleich der
Horspielmusiken Zilligs
und Zimmermanns -
Horspielwerkverzeichnisse
- Vergleich der
Produktivitat im
Horspielmusikschaffen
Zilligs und Zimmermanns -
Zum Verhaltnis
Originalhorspiel,
Bearbeitung und Thematik
- Wie beliebt ist
Kostummusik? - Uber die
Funktion von Fremdzitaten
- Einzelaspekte der
instrumentalen Besetzung
- Bandschleifen und
andere technische
Raffinessen - Von
Erscheinungen, inneren
und ausserirdischen
Stimmen, Traumen anderen
Phantastereien -
Einzelanalysen: - Zillig
- Zimmermann - Vergleich:
Das Postamt -
Zusammenfassung der
Horspielmusikanalysen im
Hinblick auf das
jeweilige Gesamtwerk von
Zillig und Zimmermann -
Literaturverzeichnis -
Anhang:
Zillig-Werkverzeichnis.
p>
$69.95 - Voir plus => Acheter | | |
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