PARTITIONS GRATUITES : 3 VIOLONS (TRIO)
- Comparison

SKU: GI.G-4099

GIA Monograph Series. Composed by Edwin E. Gordon. Music Learning Theory (MLT). Instructional. 48 pages. GIA Publications #4099. Published by GIA Publications (GI.G-4099).

English.

A Comparison of Scores on the 1971 and 1993 Editions of the Iowa Tests of Music Literacy: Implications for Music Education and Selecting an Appropriate String Instrument for Study Using the Instrument Timbre Preference Test. .

by J. S. Bach arranged by Stanley Yates. For classic guitar. Stanley Yates Gtr. Classic, Baroque. Level: Intermediate. Book. Solos. Size 8.75x11.75. 192 pages. Published by Mel Bay Pub., Inc.

Viola (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-19

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: viola part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Dances/marches; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5299-19. Published by Breitkopf and Haertel (BR.OB-5299-19).

ISBN 9790004339312. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Violin 1 (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-15

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: violin 1 part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Dances/marches; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5299-15. Published by Breitkopf and Haertel (BR.OB-5299-15).

ISBN 9790004339299. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Violoncello (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-23

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: cello part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Dances/marches; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5299-23. Published by Breitkopf and Haertel (BR.OB-5299-23).

ISBN 9790004339329. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Violin 2 (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-16

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: violin 2 part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Dances/marches; Early modern. Part. 8 pages. Duration 16'. Breitkopf and Haertel #OB 5299-16. Published by Breitkopf and Haertel (BR.OB-5299-16).

ISBN 9790004339305. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Double bass (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-27

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: double bass part. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Dances/marches; Early modern. Part. 4 pages. Duration 16'. Breitkopf and Haertel #OB 5299-27. Published by Breitkopf and Haertel (BR.OB-5299-27).

ISBN 9790004339336. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.

Woodwinds (3(picc).3(ob.d'am.cor angl.).3(Eb-clar.B-clar). S-Sax,T-Sax(S-Sax).3(dble bsn) - 4.4.3.1 - timp.perc(4) - hp - cel - str)

SKU: BR.OB-5299-30

Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. This edition: wind parts. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. Dances/marches; Early modern. Set of parts. 134 pages. Duration 16'. Breitkopf and Haertel #OB 5299-30. Published by Breitkopf and Haertel (BR.OB-5299-30).

ISBN 9790004339343. 10 x 12.5 inches.

Jean-Franco is Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.Jean-Francois Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel's sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel's ideas concerning the tempo: ,,I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies. The performance material to Ravel's Bolero can now also be purchased in its entirety for the first time.

Jean-Francoi s Monnard's new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel's first sketch of the score as well as his final handwritten score were laid down as the principal sources.