PARTITIONS GRATUITES : VIOLON, VIOLONCELLE
- Greg Smith

Santorella Publications' proudly boasts our connection to some of the best studio players in the Los Angeles studio circuit. Each one of these great musicians, when they are not in a session or performing on a new movie soundtrack, is giving lessons to horn players of all ages. Santorella Publications is setting a new trend in the industry by making it possible for you to study with these talented professionals in a virtual world with Learn From A Pro. Nick Lane will walk you through all 23 lessons as if you're sitting in a studio by his side. If you went to Los Angeles and took 23 lessons, it would cost over $1,000.00. Now you can Learn "Trombone" From A Pro for only $12.95 and in the privacy of your own home. Whether you are an early beginner or an adult, here is your chance to fulfill that dream. Do something for yourself and learn to play today with Santorella's Learn From A Pro series. About your private instructor, Nick Lane Nick Lane has been active in the Los Angeles music scene for over twenty five years. He joined Maynard Ferguson's Band after graduating from Bostones Berklee College of Music and remained on the road for three years before moving to Los Angeles. He continued touring while based in L. A. with Rod Stewart, The Who and Tom Petty and The Heart Breakers. Nick Lane continues to perform with Etta James, Chicago, Shakira, Alejandro Sans and has even performed with Jennifer Lopez. Nick has also been featured in a special PBS broadcast about "the blues" with T-Bone Burnett. Nick remains active in the commercial recording fields for movies, television, commercials and has recorded with such Pop artists as; Macy Gray, Tim Mc Graw, Baby Face, Destiny's Child, The Offspring, The Wallflowers, Fast Ball, Green Day, No Doubt, Natalie Merchant, Everclear, Barbara Streisand and Joe Cocker. Nick has recorded with such Jazz artists as; Rick Braun, Jeff Golub, David Benoit, Dave Koz, Kombo, Greg Karukus and Warren Hill. Nick's popular "lounge jazz" CD performed with baritone saxophonist Greg Smith and an organ trio is recorded on the Oakland Stroke Label.

Composed by Gregg Smith. Octavo for SATB choir (or SATB solo quartet), 5 speaking groups and piano four-hands (one player on keyboard, second player playing percussion on piano strings). With introductory text and vocal score notation. Series: Gregg Smith Choral Series. Text language English. 27 pages. Published by G. Schirmer, Inc.

By Gregg Smith. Arranged by M Hayes. (SATB). Choral Collection. Size 6.8x10.5 inches. Published by G. Schirmer.

(Holy). By Felix Mendelssohn. Arranged by Gregg Smith. (SATB Double Choir). Walton Choral. 8 pages. Published by Walton Music.

SATB Unison Choral (SATB AND UNISON)

SKU: HL.1450920

Composed by Gregg Smith. Festival Choral. Octavo. Duration 135 seconds. Published by Hal Leonard (HL.1450920).

UPC: 196288208020. 6.75x10.5 inches.

Choral legend Greg Smith wrote his contemporary opera â??Rip Van Winkleâ? for SATB choir with a Unison line for a children's chorus. Premiering in 1990, it has gone on to garner acclaim and numerous performances across the country. â??Welcome Homeâ? is a magical text which eases through it's 6/8 setting with an aural wonderment befitting the title character.

SATB choir, SATB soli (a cappella) - Late Intermediate to Advanced

SKU: MN.CH-1321

Composed by Gregg Smith and Kieth Clark. Arranged by Gregg Smith. Multi-Movement/Large Choral Work. Mass Settings. Choral score. Duration 15 minutes. Laurendale Associates #CH-1321. Published by Laurendale Associates (MN.CH-1321).

A collaborative effort by four composers with close ties to the late Roger Wagner, who was a strong advocate and devotee of 16th century performance practices and Gergorian Chant. In particular, Roger was very fond of the Ave Maria, and was closely identified with this remarkable plainchant, which is the thematic basis for each movement of this mass. This publication also contains the Ave Maria plainchant in both Gregorian and modern notation.

SATB choir divisi, SATB soli, piano - Advanced

SKU: MN.CH-1285

Composed by Gregg Smith. Multi-Movement/Large Choral Work. 21st Century. Laurendale Associates #CH-1285. Published by Laurendale Associates (MN.CH-1285).

Multiple Choirs. The Mass in Space was begun in the early 1980s and premiered March 12,1983 at Saint Peter's Church in NYC. After many years of following Charles Ives' dictum concerning spatial music (Place sound forces in space according to the structure of the music) in the Gregg Smith Singers' programming, Gregg decided to write a larger work completely devoted to spatial techniques. Writing music for space has one major problem: rhythmic togetherness. A couple of modern techniques and aleatoric devices and free rhythms are ideal for solving some of the problems, especially for performers at some distance from the conductor. Throughout the Mass, the chorus on stage and the piano are the set unit, while the performers in back/balcony have greater rhythmic freedom. All six movementsKyrie, Gloria, Credo, Sanctus-Hosanna, Benetictus-Hosanna and Agnus Dei pursue a different spatial aspect.The Gregg Smith Singers have performed excerpts from Mass in Space all across the US on several national tours, and in Russia in 1995 for the St. Petersburg International Spring Festival of Contemporary Music. In a subsequent tour of Northern France, GSS was challenged and thrilled to sing it in the Riems Cathedral and in the huge Amiens Cathedral. Wherever it has been performed, audience reaction has been overwhelmingly good.