PARTITIONS GRATUITES : VOIX, GUITARE OU PIANO
- Alan Diaz

SKU: M7.KC-3002-50

Composed by Agustin Barrios Mangore, Antonio Lauro, Federico Mompou, Fernando Sor, Gaspar Sanz, Manuel Ponce, and Regino Sainz De La Maza. Recording mediums. MDS (Music Distribution Services) #KC 3002-50. Published by MDS (Music Distribution Services) (M7.KC-3002-50).

ISBN 9782848580272.

Violoncello (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-23

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-23. Published by Breitkopf and Haertel (BR.OB-15136-23).

ISBN 9790004341322. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin 2 (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-16

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-16. Published by Breitkopf and Haertel (BR.OB-15136-16).

ISBN 9790004341308. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Double bass (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-27

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-27. Published by Breitkopf and Haertel (BR.OB-15136-27).

ISBN 9790004341339. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin solo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15137-07

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Study Score. 36 pages. Breitkopf and Haertel #PB 15137-07. Published by Breitkopf and Haertel (BR.PB-15137-07).

ISBN 9790004214732. 6.5 x 9 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin 1 (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-15136-15

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 4 pages. Breitkopf and Haertel #OB 15136-15. Published by Breitkopf and Haertel (BR.OB-15136-15).

ISBN 9790004341292. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.

Violin and orchestra (solos: vl - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15136

Urtext. Composed by Camille Saint-Saens. Edited by Christiane Strucken-Paland. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 32 pages. Breitkopf and Haertel #PB 15136. Published by Breitkopf and Haertel (BR.PB-15136).

ISBN 9790004214725. 10 x 12.5 inches.

The Havanaise possibly has its roots in the friendship of the composer with the Cuban-born violinist Rafael Diaz Albertini. It is thus perfectly plausible that Saint-Saens borrowed the Cuban syncopated slow dance Habanera out of kindness towards his performance partner when he was getting ready to write a work for Diaz Albertini in 1887. Saint-Saens originally wrote a version for violin and piano, which was later followed by the orchestral version that the publisher Durand had urged him to write. Diaz Albertini, to whom the work was dedicated, gave its world premiere before other virtuosos adopted it for themselves and spread its fame throughout the world. The basis of this first Urtext edition of the piece is the first edition, which was presumably personally overseen by Saint-Saens.