PARTITIONS GRATUITES : VOIX, GUITARE OU PIANO
- Boundless

Joni Jensen Choral Series. Composed by Rene Clausen. Mark Foster. Festival, Concert. Octavo. 16 pages. Published by Mark Foster Music (HL.252724).

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone 1, Trombone 2 and more. - Grade 2

SKU: CF.YPS245

Composed by Mark Lortz. Set of Score and Parts. 16+8+2+4+4+2+2+5+2+2+4+4+ 4+3+3+3+2+3+1+1+1+4+2 pages. Duration 3 minutes, 10 seconds. Carl Fischer Music #YPS245. Published by Carl Fischer Music (CF.YPS245).

ISBN 9781491159910. UPC: 680160918508.

In December of 2020, after almost a year of living socially distanced, isolated, and not knowing when we would return to life as we knew it, I began to think about what life used to look like. I realized that I sometimes might have taken all the beautiful things in my life for granted. Personally, the year 2020 was a time of loss where someone close to me left, and at the same time, I was also able to have other successes. This dichotomy inspired me to realize that there is hope in all that we do; it is how we perceive life. Boundless Hope represents my thoughts, feelings, and emotions during this time. The piece is roughly based on the Lydian mode, introducing the raised fourth degree in m. 2 of the mallet percussion and then at m. 15 in the main melody. The Lydian mode naturally gives a sense of positivity, hopefulness, inspiration, and heavenly colors. That was my exact intention with this piece: using the mode to define the mood showing gratitude for all that we have, and yearning to return to normalcy with a new and fresh perspective. Measure 30 should be slightly faster, followed by a rit. into the grandiose recapitulation of the theme in m. 38. At m. 45, the wind chimes should start before the clarinet entrance, with the subsequent measures representing dark and warm colors. This piece is very personal to me, and I appreciate you playing the composition.
In December of 2020, after almost a year of living socially distanced, isolated, and not knowing when we would return to life as we knew it, I began to think about what life used to look like. I realized that I sometimes might have taken all the beautiful things in my life for granted. Personally, the year 2020 was a time of loss where someone close to me left, and at the same time, I was also able to have other successes. This dichotomy inspired me to realize that there is hope in all that we do; it is how we perceive life. Boundless Hope represents my thoughts, feelings, and emotions during this time. The piece is roughly based on the Lydian mode, introducing the raised fourth degree in m.  2 of the mallet percussion and then at m. 15 in the main melody. The Lydian mode naturally gives a sense of positivity, hopefulness, inspiration, and heavenly colors. That was my exact intention with this piece: using the mode to define the mood showing gratitude for all that we have, and yearning to return to normalcy with a new and fresh perspective. Measure 30 should be slightly faster, followed by a rit. into the grandiose recapitulation of the theme in m. 38. At m. 45, the wind chimes should start before the clarinet entrance, with the subsequent measures representing dark and warm colors.This piece is very personal to me, and I appreciate you playing the composition.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone 1, Trombone 2 and more. - Grade 2

SKU: CF.YPS245F

Composed by Mark Lortz. Full score. 11 pages. Carl Fischer Music #YPS245F. Published by Carl Fischer Music (CF.YPS245F).

ISBN 9781491159927. UPC: 680160918515.

In December of 2020, after almost a year of living socially distanced, isolated, and not knowing when we would return to life as we knew it, I began to think about what life used to look like. I realized that I sometimes might have taken all the beautiful things in my life for granted. Personally, the year 2020 was a time of loss where someone close to me left, and at the same time, I was also able to have other successes. This dichotomy inspired me to realize that there is hope in all that we do; it is how we perceive life. Boundless Hope represents my thoughts, feelings, and emotions during this time. The piece is roughly based on the Lydian mode, introducing the raised fourth degree in m. 2 of the mallet percussion and then at m. 15 in the main melody. The Lydian mode naturally gives a sense of positivity, hopefulness, inspiration, and heavenly colors. That was my exact intention with this piece: using the mode to define the mood showing gratitude for all that we have, and yearning to return to normalcy with a new and fresh perspective. Measure 30 should be slightly faster, followed by a rit. into the grandiose recapitulation of the theme in m. 38. At m. 45, the wind chimes should start before the clarinet entrance, with the subsequent measures representing dark and warm colors. This piece is very personal to me, and I appreciate you playing the composition.
In December of 2020, after almost a year of living socially distanced, isolated, and not knowing when we would return to life as we knew it, I began to think about what life used to look like. I realized that I sometimes might have taken all the beautiful things in my life for granted. Personally, the year 2020 was a time of loss where someone close to me left, and at the same time, I was also able to have other successes. This dichotomy inspired me to realize that there is hope in all that we do; it is how we perceive life. Boundless Hope represents my thoughts, feelings, and emotions during this time. The piece is roughly based on the Lydian mode, introducing the raised fourth degree in m.  2 of the mallet percussion and then at m. 15 in the main melody. The Lydian mode naturally gives a sense of positivity, hopefulness, inspiration, and heavenly colors. That was my exact intention with this piece: using the mode to define the mood showing gratitude for all that we have, and yearning to return to normalcy with a new and fresh perspective. Measure 30 should be slightly faster, followed by a rit. into the grandiose recapitulation of the theme in m. 38. At m. 45, the wind chimes should start before the clarinet entrance, with the subsequent measures representing dark and warm colors.This piece is very personal to me, and I appreciate you playing the composition.

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2

SKU: CF.YAS199

Composed by Doug Spata. Folio. Yas. Set of Score and Parts. 12+2+5+5+5+8+8 pages. Duration 2 minutes, 51 seconds. Carl Fischer Music #YAS199. Published by Carl Fischer Music (CF.YAS199).

ISBN 9781491157749. UPC: 680160916320. 9 x 12 inches.

Boundless features a soaring theme, uplifting harmonies, and simple rhythms. Limited part independence will help developing students gain confidence playing in 3/4 time. With a spirited, yet playable tempo, the piece reinforces note-reading in the key of G while avoiding low-two finger patterns. Dramatic dynamic contrasts are important to the spirit of the piece, and sections with the melody should play out. Each section of the orchestra gets a chance to play the sweeping theme which celebrates the boundless potential of each young musician.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2

SKU: CF.YAS199F

Composed by Doug Spata. Sws. Yas. Full score. 12 pages. Carl Fischer Music #YAS199F. Published by Carl Fischer Music (CF.YAS199F).

ISBN 9781491157565. UPC: 680160916146. 9 x 12 inches.

Boundless features a soaring theme, uplifting harmonies, and simple rhythms. Limited part independence will help developing students gain confidence playing in 3/4 time. With a spirited, yet playable tempo, the piece reinforces note-reading in the key of G while avoiding low-two finger patterns. Dramatic dynamic contrasts are important to the spirit of the piece, and sections with the melody should play out. Each section of the orchestra gets a chance to play the sweeping theme which celebrates the boundless potential of each young musician.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

SATB choir, descant

SKU: LO.10-2356LA

Composed by Katherine K. Davis. Choral. Sacred Anthem. Octavo. Laurel Press #10/2356LA. Published by Laurel Press (LO.10-2356LA).

UPC: 000308048506.

A full-bodied original text, virile Russian flavored harmonies, and stepwise octave movement in the accompaniment are knit together into a lavish song of praise for the love of God.

Choral (SATB)

SKU: HL.345808

Composed by Greg Gilpin. Shawnee Sacred. Easter, General Worship, Lent, Sacred. Octavo. 12 pages. Duration 195 seconds. Published by Shawnee Press (HL.345808).

UPC: 840126920741. 6.75x10.5x0.029 inches. I John 4:8, John 15:9, Titus 3:4-7.

It is love at first listen with this stunning new setting of a beloved hymn of hope. Unison singing delivers the theme and first verse. The second stanza adds a vocal orchestration that creates a lovely sonic ambience. The anthem continues to grow in choral texture with enchanting moments of word painting and lush vocal adornments. After a final key change and a soaring obbligato, the piece recedes to a whispered ending and a final spiritual affirmation.