PARTITIONS GRATUITES : BASSE éLECTRIQUE
- Strange Productions

Mezzo-Soprano voice, Piano Accompaniment (mezzo-soprano)

SKU: HL.277288

Mezzo-Soprano and Piano. Composed by Nico Muhly. Music Sales America. Classical. Softcover. Composed 2018. 24 pages. St. Rose Music #SRO100151. Published by St. Rose Music (HL.277288).

UPC: 888680953249. 9x12 inches.

Nico Muhly's Strange Productions for Mezzo-Soprano and Piano.

Composed in 2016.

Duration: 14 minutes.

SATB choir

SKU: BP.BP2177

Composed by Howard Helvey. Sacred octavos. Octavo. Beckenhorst Press #BP2177. Published by Beckenhorst Press (BP.BP2177).

Printed product.

The original American Folk melody takes on new significance in this stunning, deeply moving arrangement. The aching beauty in the persistent power of the promise in the text resolves in settled conviction in the final statement. It will leave the congregation breathless.

Flute (Flute)

SKU: HL.48186032

Composed by Sophie Dufeutrelle. Leduc. Classical. CD. Alphonse Leduc #AL29840. Published by Alphonse Leduc (HL.48186032).

The Flute Way, 1 is a set of 18 pieces for Flute by Sophie Dufeutrelle and Brigitte Le Borgne. This work includes a CD with the Piano accompaniment and some scores at the end for it at the end of the book. Written in French and in English, with explanations and comments, it offers Flute beginners the possibility of playing beautiful melodies from the start. The CD features the pieces in the same order as the scores: 1. Barrel-organ 2. Rain 3. ?Bass Danse? 4. Village Fete 5. Troublemaker 6. Sorrow 7. Peasant Dance 8. From the top of the Tower 9. Cuddle 10. Indian Dance 11. Strange Waltz 12. Hide and Seek 13. The little Brazilian train 14. Melancholy 15. Bell 16. Lullaby 17. A walk in the King?s wood 18. Trumpet 19. Tuning Track 20. Piano only track (same order as the score) Sophie Dufeutrelle and Brigitte Le Borgne are both great pedagogues who have won Prizes. While the former published 11 books under the Alphonse Leduc name, the second one created her own production, Antidote..

Mezzo-Soprano and Guitar Guitar Accompaniment; Mezzo-Soprano (Mezzo-Soprano)

SKU: HL.48024676

15 Old Songs About 'Orlando Furioso' by Ariost Mezzo_Soprano and. Composed by Detlev Glanert. Boosey & Hawkes Voice. Classical. Softcover. 48 pages. Bote & Bock #M202532027. Published by Bote & Bock (HL.48024676).

ISBN 9781540058522. UPC: 888680952501.

Creat ed in 2004 for the radio production Orlando furioso of the WDR, 'Orlando-Lieder' tries to give new and colourful form to the old narrative style of an invented time of troubadours. Tenderness is juxtaposed to passion, harmony to brusqueness. The voice of the countertenor symbolizes the objective observation of what is happening in the novel by one of the balladeers travelling the courts of the world and informing us about the adventures of people, their strange encounters and their great emotions. Mezzo-Soprano and Guitar.

Mezzo-Soprano and Piano Mezzo-Soprano; Piano Accompaniment (Mezzo-Soprano)

SKU: HL.48024675

15 Old Songs About 'Orlando Furioso' by Ariost Mezzo-Soprano and Piano. Composed by Detlev Glanert. Boosey & Hawkes Voice. Classical. Softcover. 52 pages. Bote & Bock #M202532010. Published by Bote & Bock (HL.48024675).

ISBN 9781540058515. UPC: 888680952495.

Creat ed in 2004 for the radio production Orlando furioso of the WDR, 'Orlando-Lieder' tries to give new and colourful form to the old narrative style of an invented time of troubadours. Tenderness is juxtaposed to passion, harmony to brusqueness. The voice of the countertenor symbolizes the objective observation of what is happening in the novel by one of the balladeers travelling the courts of the world and informing us about the adventures of people, their strange encounters and their great emotions.Mezzo-Soprano and Piano. Contents: Lied der Sehnsucht * Lied der Wehmut * Der Hippogryph * Hexensabbat * Orlandos Traum * Logistillas Schloss * Amors Pfeil * Insel der Dufte * Lied der Augen * Eis * Liebesschmerz * Lied vom Meer * Lied vom Mond * Untrostlich * Erwachen.

Opera Piano, solo Voices

SKU: PR.411411630

Opera in Two Acts. Composed by Ricky Ian Gordon. Piano Reduction Score. 438 pages. Duration 2 minutes, 30 seconds. Theodore Presser Company #411-41163. Published by Theodore Presser Company (PR.411411630).

ISBN 9781491137635. UPC: 680160691081. English. Intimate Apparel by Lynn Nottage.

Originally an award-winning play, Lynn Nottage’s INTIMATE APPAREL was inspired by her great-grandmother’s life in New York in the early 20th century. The Pulitzer-laureate also created the libretto for Ricky Ian Gordon’s grand-yet-intimate opera whose complete instrumentation is two pianos. The story follows the life of a young, single seamstress who has recently emigrated from Barbados, the fascinating cast of characters in her life, and her socially-unacceptable feelings of affection for a Jewish fabric salesman. The premiere production of this 2½-hour drama was televised nationally from Lincoln Center on PBS’s “Great Performances.”.
Inti mate Apparel began with an old photograph that I found haphazardly wedged between the pages of a Family Circle magazine. I was helping my grandmother, who’d developed debilitating senile dementia, move from her longtime home in Crown Heights, Brooklyn. In the midst of a pile of weathered magazines I discovered a black and white passport photograph of my grandmother Waple and her younger sister Eurita sitting on their mother’s lap. It was the first time I’d ever seen an image of my great-grandmother Ethel, a striking woman with high West African cheekbones and a gentle intensity. She had been a seamstress from Barbados, who at the age of 18 arrived alone in New York City at the dawn of the Twentieth Century. The image invited a thousand questions, none that could be answered by the living, and it led me on a journey to piece together the history of my great-grandmother Ethel, a woman who was basically a stranger to me. The only clue that I had about Ethel, was a story that my grandmother had once told me about her mother corresponding with a man laboring on the Panama Canal, who would eventually become her husband. I was fascinated by this story, which served as the inspiration for INTIMATE APPAREL.As I began my research for INTIMATE APPAREL at the New York Public Library, I discovered that lives of Black working women in the early 1900s were woefully absent from the archive. So, I found myself perusing help wanted listings, boarding house and clothing advertisements, looking for any sign of women like my great-grandmother on the printed page. As I was doing so, I began to find the characters that would populate the world of INTIMATE APPAREL; Esther the lonely seamstress, Mrs. Dickson the proprietress of the boardinghouse for Black women, Mr. Marks the Jewish fabric salesman on the Lower Eastside, Mrs. Van Buren the wealthy white socialite on the Upper Eastside, Mayme the sex worker in the tenderloin, and George the laborer toiling on the Panama Canal. As I was conjuring the characters, I realized that I was interested in the unexpected intersections between class, race, and gender at the turn of the Twentieth Century, and what happens when people across cultural and economic divides are thrust into spaces of intimacy.INTIMATE APPAREL began its life as a popular play, but it was the brilliant composer Ricky Ian Gordon who invited me to consider adapting it into an opera. He saw something epic and expansive in the life of Esther that he felt demanded to be sung, and with his loving guidance I was able to write my first libretto. It took me several tries to figure out how to wrestle my play into a form that was new to me. As a playwright, I kept wanting to maintain absolute control of the narrative. But, it was Ricky’s words that freed me creatively to find my way into the libretto. He said, “You’re not trusting my music as a narrative tool; I can say “I love you” without any words, with just music. So, allow me to be your collaborator on the storytelling.” And once he said that, we found INTIMATE APPAREL the opera together.