PARTITIONS GRATUITES : FLûTE à BEC TRIO
- bass voices.

Double Bass Solo. By Peteris Vasks. Schott. Book only. Size 9x12 inches. 12 pages. Published by Schott.

Low Voice (Low Voice)

SKU: HL.48189579

Composed by Girolamo Frescobaldi. Leduc. Softcover. Alphonse Leduc #NT17610Y. Published by Alphonse Leduc (HL.48189579).

Frescobaldi Canzona Quintedecima 2 Bass Voices & Basso Continuo Sc/Pts.

Low Voice

SKU: HL.48189580

Composed by Girolamo Frescobaldi. Leduc. Softcover. Alphonse Leduc #NT17620Y. Published by Alphonse Leduc (HL.48189580).

UPC: 888680884512. 8.5x12.0x0.55 inches.

Frescobaldi Canzona Decimasesta 2 Bass Voices & Basso Continuo Sc/Pts.

(Bassoon and Piano). By Katherine Hoover (1937-). For Bassoon, Piano. Premiered by Peter Kolkay (bassoon), Alexandra Nguyen (piano), Teatro Nacional, Panama City, Panama. Bassoon Part and Piano Score. 25 pages. Published by Papagena Press

Choir; Orchestra; Early Music

SKU: UT.TME-1

Composed by Giovanni Battista Bassani. Edited by Elisabetta Pasquini. Hardback (Cloth Hard Cover). Tesori Musicali Emiliani (Emilian Musical Treasures). Classical. Ut Orpheus #TME 1. Published by Ut Orpheus (UT.TME-1).

ISBN 9790215316096. 9 x 12 inches.

P erformance Material on Hire

[S olo: SAATB - Str - Bc]

Thanks to its patron the Duke Francesco II, Modena became a capital city worldwide for the oratorio genre: renowned maestro di cappella in Ferrara, also Bassani wished to offer to the Duke his own work, setting aside for him the summit of his melodic and dramaturgical inventiveness.
Accordi ng to the documents that we have, the performance of Giona was Bassani's debut at the court of Francesco II. Born in Padua around 1650, the composer carried out the main part of his activities in Ferrara, where he was organist (probably from 1667), and maestro di cappella at the Accademia della Morte (from 1683), and subsequently also at the Cathedral (from 1686); he also became a member of the Accademia Filarmonica of Bologna (in 1677) and was committed to Alessandro II Pico, Duke of Mirandola and Marquis of Concordia. In 1712 he moved to Bergamo, where he was maestro di cappella at S. Maria Maggiore; he died there on 1st October 1716. Before his commission in Modena, the <> - as he was often called at that time - had already printed seven instrumental and vocal works as well as a few operas and oratorios.

Composed by Jonathan Russell. For Wind Octet (Oboe, Bassoon, Clarinet, Horn). Chamber music, 20th century. Published by Potenza Music