PARTITIONS GRATUITES : ALTO ET PIANO (OU ORGUE)
- Neale

27 Christmas Favorites (Alto Sax Book - Includes CD). By Benjamin R. Hanby; Felix Mendelssohn Bartholdy; Franz Gruber; George Frideric Handel; James Pierpont; James R. Murray; John Francis Wade; John Henry Hopkins; Lewis Redner; Richard Storrs Willis; Theodoricus Petrus Of Nyland; Thomas Helmore. Arranged by Sandy Feldstein. Text: Charles Wesley; Edward H. Sears; John Francis Wade; John Mason Neale; William Sandy. For Alto Saxophone. Score and Audio CD. 32 pages. Published by Carl Fischer.

27 Christmas Favorites - Includes A Play-Along CD in Today's Musical Styles (Flute Book). By Benjamin R. Hanby; Felix Mendelssohn Bartholdy; Franz Gruber; George Frideric Handel; James Pierpont; James R. Murray; John Francis Wade; John Henry Hopkins; Lewis Redner; Richard Storrs Willis; Theodoricus Petrus Of Nyland; Thomas Helmore. Arranged by Sandy Feldstein. Text: Charles Wesley; Edmund H. Sears; John Francis Wade; John Mason Neale; Joseph Mohr; Phillips Brooks. For Flute. Score and Audio CD. 32 pages. Published by Carl Fischer. (O5543)

SATB choir, piano reduction - Early intermediate

SKU: GI.G-7344

Composed by Jerry Weseley Harris. Advent. Choral. Sacred. Octavo. 8 pages. GIA Publications #7344. Published by GIA Publications (GI.G-7344).

UPC: 785147734406. English, Latin. Text Source: Latin, 9th c., tr. John Mason Neale, 1818–1866, adapt.; Translation: John Mason Neale. Text by John Mason Neale.

An a cappella setting of this famous text and tune that incorporates choral improvisation—well , at least the simultaneous random singing of a given part by each singer of the choir—Latin and English texts, with the former sung to an original melody, and the latter set to a 2-voice 4/4 scoring of the chant tune. There's a lot here, and we hope, if this commentary arouses some interest, you'll give it a look.

SATB choir, organ accompaniment, violin 1, violin 2, viola, cello, bass, horn in F, trumpet in B-flat, flugelhorn, timpani, glockenspiel

SKU: GI.G-8653ORCH

Composed by Leo Nestor. Tune Name: Great Falls. Sacred. Full score and parts. 20 pages. GIA Publications #8653ORCH. Published by GIA Publications (GI.G-8653ORCH).

UPC: 785147865391. English. Text Source: Ode III: Deute poma piomen kainon, tr. John Mason Neale, 1818–1866, alt.; Translation: John Mason Neale. Translation: John Mason Neale.

2-part equal voices, 2-part mixed voices, assembly, keyboard accompaniment - Beginning

SKU: GI.G-9508

Composed by Johann Horn. Arranged by Robert LeBlanc. Eastertide, Easter Sunday, Christ the King, Easter Vigil. Choral. Tune Name: Gaudeamus Pariter. Sacred. Octavo. 12 pages. GIA Publications #9508. Published by GIA Publications (GI.G-9508).

UPC: 785147950806. English. Text Source: Text I: Christopher M. Idle, alt., Text II: John of Damascus, ca. 675-ca. 749, tr. John M. Neale, 1818-1886, alt.; Translation: John Mason Neale. Text by Christopher Idle.

Choral TB chorus with Piano and optional Solos

SKU: CF.CM9725

Composed by Traditional. Arranged by Noah Reese. 12 pages. Duration 2:40. Carl Fischer Music #CM9725. Published by Carl Fischer Music (CF.CM9725).

ISBN 9781491161043. UPC: 680160919642. Key: G minor. English. Traditional Carol.

O Come, O Come Emmanuel is a hymn for Advent and Christmas whose words and music developed separately over time. The Latin text was first documented in 1710 and the tune's origins date back to the 15th century. In the 18th century, John Mason Neal discovered the hymn and translated the text into English. The melody was first linked with the hymn in 1851, when Thomas Helmore paired it with Neale's translation of the text. This original version of O Come, O Come, Emmanuel was included in Hymns Ancient and Modern in 1861, which was the official hymnal of the Church of England. The song's influence spread over time and it remains one of the most popular and enduring Christmas hymns. In this arrangement of O Come, O Come, Emmanuel, the piano accompaniment is written in 12/8 meter. The vocal lines, however, can be easily taught in 4/4 time. This will allow developing students to experience the feeling of a new meter while being able to apply skills they already know.  .
O Come, O Come Emmanuel is a hymn for Advent and Christmas whose words and music developed separately over time. The Latin text was first documented in 1710 and the tune's origins date back to the 15th century. In the 18th century, John Mason Neal discovered the hymn and translated the text into English. The melody was first linked with the hymn in 1851, when Thomas Helmore paired it with Neale's translation of the text. This original version of O Come, O Come, Emmanuel was included in Hymns Ancient and Modern in 1861, which was the official hymnal of the Church of England. The song's influence spread over time and it remains one of the most popular and enduring Christmas hymns.In this arrangement of O Come, O Come, Emmanuel, the piano accompaniment is written in 12/8 meter. The vocal lines, however, can be easily taught in 4/4 time. This will allow developing students to experience the feeling of a new meter while being able to apply skills they already know. .

From the Bigger Than Life choral collection. By Michael Neale. Arranged by Michael Neale, Jay Rouse, Harold Ross. (SATB). Integrity Choral. 16 pages. Published by Integrity Music.

Guitar

SKU: GI.G-10438G

Arranged by Tony Alonso S.J. This edition: Guitar edition. Tune Name: Veni Emmanuel. Sacred. Guitar part. With guitar chord names. 3 pages. GIA Publications #10438G. Published by GIA Publications (GI.G-10438G).

UPC: 785147043874. English, Latin. Text Source: Veni, veni Emmanuel, Latin, 9th c., tr. John M. Neale, 1818&ndash,1866, alt.; Translation: John Mason Neale.