PARTITIONS GRATUITES : ALTO ET PIANO (OU ORGUE)
- Pierrot

Clarinet, Violin and Piano

SKU: HL.14025544

Composed by Thea Musgrave. Music Sales America. Post-1900. Set. Music Sales #NOV120705. Published by Music Sales (HL.14025544).

ISBN 9780853609773. 8.25x11.75x0.33 inches.

Score and parts for Thea Musgrave's Pierrot, arranged for Violin, Clarinet and Piano. Duration 17 minutes.

Guitar - Advanced

SKU: DY.DO-1555

Composed by Stephen Goss. Score. Les Editions Doberman-Yppan #DO 1555. Published by Les Editions Doberman-Yppan (DY.DO-1555).

ISBN 9782897963354.

Pier rot, or Harlequin? (2023) is based on stock characters from the Italian commedia dell’arte tradition. Columbina has a choice of partner – Pierrot, or Harlequin? Or maybe she will select neither of them. In this set of triple variations, Pierrot and Harlequin compete for Columbina's attention and favour. Pierrot is deep, quiet, thoughtful, and loving, but sometimes melancholic. Harlequin is light-hearted, extrovert, and fun to be with, but somewhat shallow and brash. Columbina herself is coquettish, impulsive, and unpredictable. How will the story end between these imperfect characters? The performer gets to select one of three possible endings as the piece nears its conclusion.
Pierrot, or Harlequin? was commissioned by the International Guitar Festival Homenaje 2023. The premiere was given by Giacomo Susani at Barco Teatro, Padova, Italy, on 10th November 2023.

Pierrot, or Harlequin? (2023) est basé sur des personnages de la tradition italienne de la commedia dell’arte. Columbina a le choix entre deux partenaires – Pierrot ou Harlequin? Ou peut-être ne choisira-t-elle aucun des deux. Dans cette série de variations en trio, Pierrot et Harlequin rivalisent pour l'attention et les faveurs de Columbina. Pierrot est profond, calme, réfléchi et aimant, mais parfois mélancolique. Harlequin est enjoué, extraverti, amusant à être avec, mais quelque peu superficiel et effronté. Columbina elle-même est coquette, impulsive et imprévisible. Comment se terminera l'histoire entre ces personnages imparfaits? Le performer a le choix entre trois fins possibles alors que la pièce approche de sa conclusion.
Pierrot, or Harlequin? a été commandé par le Festival International de Guitare Homenaje 2023. La première a été donnée par Giacomo Susani au Barco Teatro, Padoue, Italie, le 10 novembre 2023.

Chamber Music Bass Clarinet, Cello, Clarinet, Flute, Percussion, Piano, Piccolo, Viola, Violin, alto Flute, soprano voice

SKU: PR.114417970

For Soprano and Chamber Ensemble. Composed by William Kraft. This edition: Full Set. Texts from Pierrot Lunaire by Albert Giraud, German by Otto Erich Hartleben; English by C.E. Cooper. First Performance September 27, 1991, Cambridge, MA The Boston Musica Viva, Richard Pittman, conductor Christine Schadeberg, soprano. Contemporary. Set of Score and Parts. With Standard notation. Composed 1987-1990. 58+8+8+8+12+8+16 pages. Duration 28 minutes. Theodore Presser Company #114-41797. Published by Theodore Presser Company (PR.114417970).

UPC: 680160638741. 9 x 12 inches. Texts from Pierrot Lunaire by Albert Giraud, German by Otto Erich Hartleben; English by C.E. Cooper.

As part of the Arnold Schoenberg Institute's celebration of the 75th anniversary of Schoenberg's Pierrot Lunaire, Kraft was asked to write for the same Pierrot ensemble, choosing text from the 29 unused poems of Albert Giraud's original cycle. Kraft set about writing movements based on Feerie, Mein Bruder, Harlequinade, and Selbstmord, with musical Interludes separating the movements, along with an extended Fantasmagoria preceding the concluding Selbstmord. In homage to Schoenberg, Kraft modified his own seven-tone environment to the master's 12-tone pallette, also using Schoenberg's speaking/singing style in the vocal line. Each of the first three movements was premiered at the Institute over successive years, 1988 through 1990. Selbstmord would premiere in Boston in 1991 by Musica Viva. Kraft also created an orchestration of the work over a five year period, 1990-1994. (Available on rental.).

Chamber Music Bass Clarinet, Cello, Clarinet, Flute, Percussion, Piano, Piccolo, Viola, Violin, alto Flute, soprano voice

SKU: PR.11441797S

For Soprano and Chamber Ensemble. Composed by William Kraft. This edition: score. Texts from Pierrot Lunaire by Albert Giraud, German by Otto Erich Hartleben; English by C.E. Cooper. First Performance September 27, 1991, Cambridge, MA The Boston Musica Viva, Richard Pittman, conductor Christine Schadeberg, soprano. Contemporary. Full score. With Standard notation. Composed 1987-1990. 58 pages. Duration 28 minutes. Theodore Presser Company #114-41797S. Published by Theodore Presser Company (PR.11441797S).

UPC: 680160638765. 9 x 12 inches. Texts from Pierrot Lunaire by Albert Giraud, German by Otto Erich Hartleben; English by C.E. Cooper.

As part of the Arnold Schoenberg Institute's celebration of the 75th anniversary of Schoenberg's Pierrot Lunaire, Kraft was asked to write for the same Pierrot ensemble, choosing text from the 29 unused poems of Albert Giraud's original cycle. Kraft set about writing movements based on Feerie, Mein Bruder, Harlequinade, and Selbstmord, with musical Interludes separating the movements, along with an extended Fantasmagoria preceding the concluding Selbstmord. In homage to Schoenberg, Kraft modified his own seven-tone environment to the master's 12-tone pallette, also using Schoenberg's speaking/singing style in the vocal line. Each of the first three movements was premiered at the Institute over successive years, 1988 through 1990. Selbstmord would premiere in Boston in 1991 by Musica Viva. Kraft also created an orchestration of the work over a five year period, 1990-1994. (Available on rental.).

Clarinet (Clarinet) - difficult

SKU: HL.49011080

For Solo Clarinet. Composed by Volker David Kirchner. This edition: Saddle stitching. Sheet music. Klarinetten-Bibliothek (Clarinet Library). Classical. Composed 2001. 8 pages. Duration 6'. Schott Music #KLB 52. Published by Schott Music (HL.49011080).

ISBN 9790001132428. 9.25x12.0x0.075 inches.

Kirchner's oeuvre spans a wide range of musical genres. Apart from numerous compositions for orchestra and for the music theatre the former professional viola player has always had a soft spot for chamber music. Though even in this sphere of absolute and pure art Kirchner's music has strong connections with the more theatrical, the Comedie huMayne which is also reflected in his choice of titles (e.g. Mysterion, Il canto della notte, Lamento d'Orfeo, Exil). The clarinet proves to be the ideal instrument to bring out the somewhat scurrilous humour and character of Pierrot; no doubt, player and audience alike will conjure up suitable images (scenes) from the Commedia del' arte.

Im Ganzen herrscht ein feinsinnig empfundener, transparenter Klang vor, den auszukosten die Stucke vielfachen Anreiz geben. Schweizer musikpedagog. Blatter