| The Shaw-Parker Book Of Christmas Carols
Chorale SATB SATB A Cappella [Partition] - Intermédiaire Schirmer
Mixed chorus vocal songbook for SATB choir (a cappella). With SATB vocal score a...(+)
Mixed chorus vocal
songbook for SATB choir
(a cappella). With SATB
vocal score and piano
accompaniment (rehearsal
only). 176 pages.
Published by G. Schirmer,
Inc.
(2)$19.99 $18.9905 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Shepherd's Carol Chorale SATB SATB A Cappella Novello & Co Ltd.
SATB a cappella. Composed by Richard Rodney Bennett. Choral. Christmas, Classi...(+)
SATB a cappella. Composed
by
Richard Rodney Bennett.
Choral. Christmas,
Classical,
Contemporary, Holiday,
Sacred. Choral Score. 8
pages. Novello and Co
Ltd.
#MUSNOV050303. Published
by
Novello and Co Ltd.
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Shepherd's Bell Carol Chorale SATB Daybreak Music
Choral (SATB) SKU: HL.365751 Composed by Diane Hannibal and Michael Barre...(+)
Choral (SATB) SKU:
HL.365751 Composed by
Diane Hannibal and
Michael Barrett. Daybreak
Christmas Choral.
Christmas. Octavo.
Duration 155 seconds.
Published by Daybreak
Music (HL.365751).
UPC: 840126961867.
6.75x10.5x0.029 inches.
Isaiah 53:5-7, John
10:26-28, Psalm
79:13. Bright and
lively, this original
anthem has the feeling of
a middle-European folk
song. Incorporating NOEL
NOUVELET, the piano and
percussion bring the
vibe, adorning the catchy
minor melody with
colorful timbres. In
troubadour style, the
text tells the story of
faithful shepherds
looking for their lost
sheep. The second verse
uses an ostinato to
create a rustic folk band
with vocal sounds instead
of instruments.
Unforgettable sonic joy!
Score and Parts (cl, perc
1-2) avialable as a
digital download. $2.35 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Julie Stanley: Shepherd Boy (Teacher's Book) Guitare - Facile Music Sales
Piano, Vocal and Guitar - Grade 2 SKU: HL.14029939 Composed by Julie Stan...(+)
Piano, Vocal and Guitar -
Grade 2 SKU:
HL.14029939 Composed
by Julie Stanley. Music
Sales America. Musical
Education. Book and CD.
Composed 2013. 40 pages.
Music Sales #GA11116.
Published by Music Sales
(HL.14029939). ISBN
9780711979277. UPC:
884088436810. 9x12
inches. English. A
fun Nativity containing
10 new songs and an
original script
re-telling the timeless
Biblical story by Julie
Stanley and Mary Green.
The (Pupil's Book -
GA11117) contains the
play and song words. This
(Teacher's Book) contains
the piano score with
vocal line, chord symbols
and production notes,
with matching CD. Script
available in student
book. If you need to
license a school/youth
theatre performance of
this product, please use
the online application
form. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Calendar of Carols Orchestre de chambre Aurea Capra Editions
25 traditional Christmas carols for flexible arrangements. Composed by Var...(+)
25 traditional Christmas
carols for flexible
arrangements. Composed by
Various. Arranged by John
Alley Elisabeth Parry.
Collection - Score and
Parts.
Aurea Capra Editions
#494-
03220. Published by Aurea
Capra Editions
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| There Is No Rose Chorale 3 parties SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU:
CF.CM9580 Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol. The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Four Carols Chorale 3 parties SSA, Piano [Octavo] Theodore Presser Co.
(Women's Voices - S.S.A.). By Emma Lou Diemer (1927-). Female chorus. For SSA, P...(+)
(Women's Voices -
S.S.A.). By Emma Lou
Diemer (1927-). Female
chorus. For SSA, Piano
Rehearsal. Piano
reduction/vocal score.
Standard notation. 19
pages. Published by
Theodore Presser Company
$3.50 $3.325 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
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