PARTITIONS GRATUITES : 2 TROMBONES (DUO)
- The Sound of a Sound: Vocals

Composed by Mary Mcdonald. For SAB choir, piano accompaniment. Sacred Anthem, All Saints' Day, General, Lent. Octavo. Published by SoundForth

Book/CD Pack Vocal

SKU: HL.143507

Great Standards. Composed by Various. Music Minus One. Standards. Softcover with CD. 20 pages. Music Minus One #MMO2125. Published by Music Minus One (HL.143507).

ISBN 9781941566251. UPC: 888680056346. 9.0x12.0x0.14 inches. Featuring the Hollywood Sound Stage Orchestra.

The at-home vocalist can sing along to great standards in an actual professional setting with the Professional Sound Tracks series! These book/CD packs feature example vocals for each song plus separate background tracks. Orchestral interludes and instrumental solos typical of a live club performance are included, retaining the natural performance flow of an actual performance with an accompanying rhythm section or orchestra. Volume 5 includes: Some Enchanted Evening * This Nearly Was Mine * Oh, What a Beautiful Morning * Surrey with the Fringe on Top * People Will Say We're in Love/Oklahoma * Memory * I Won't Send Roses * (Where Do I Begin) Love Story * Send in the Clowns.

Choral TBB choir, piano

SKU: CF.CM9594

Composed by Greg Gilpin. Fold. Performance Score. 8 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9594. Published by Carl Fischer Music (CF.CM9594).

ISBN 9781491154168. UPC: 680160912667. 6.875 x 10.5 inches. Key: Bb major. English. Alfred Tennyson. Alfred, Lord Tennyson (1809-1892).

The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 710, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 1417 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 2225, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 3336. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 3738 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson'sA There is Sweet Music HereA is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7a10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14a17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22a25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33a36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37a38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words. The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7-10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14-17 as well as those that contain three-part singing. The piano establishes a consistent undulating tempo in mm. 22-25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes. Maintain a consistent tempo when singing the eighth notes in mm. 33-36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37-38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment. Linger with quiet, full and supported singing during the last three measures.
The text of Alfred, Lord Tennyson's There is Sweet Music Here is a wonderful example of word painting. Keep this in mind while learning to sing the music and try to capture the different scenes created through these famous words.The first two measures of accompaniment outline the opening chord in the voices. Crescendo to the word music every time it occurs. In mm. 7–10, the vocals cascade gently into a dissonance that develops into a full, rich sound. Allow the piano to support the unison lines in mm. 14–17 as well as those that contain three-part singing.The piano establishes a consistent undulating tempo in mm. 22–25, as if lulling someone to sleep. Be intentional with word/syllabic stress when singing through the quarter notes.Maintain a consistent tempo when singing the eighth notes in mm. 33–36. The chord progression helps establish the coolness of the mosses and ivies. Notice the melodic movement in mm. 37–38 reflecting the craggy ledge and hanging poppy followed by the unison sleep which ushers in the return of the original melody within the accompaniment.Linger with quiet, full and supported singing during the last three measures.

Piano

SKU: AP.44353

Piano/Vocal. Composed by Various and arrangers. This edition: Piano/Vocal/Play-Along. Artist/Personality; Piano Mixed Folio; Piano Supplemental; Play-Along. Alfred's Piano Play-Along. Rock. Book and DVD. 56 pages. Alfred Music #00-44353. Published by Alfred Music (AP.44353).

ISBN 9781470623111. UPC: 038081499741. English.

For novice and intermediate musicians, Alfred's Piano Play-Along series makes possible the satisfying experience of playing popular songs along with professionally recorded backing tracks. Incorporating vocal melody and signature instrument parts from classic recordings, these custom arrangements also sound great completely on their own, and will have you rocking out from the comfort of your living room in no time. The sound-alike backing tracks on the included DVD-ROM come in two formats: play-along MP3s that can be loaded onto your computer, smartphone, or iPod; or, if you access them via our exclusive TNT 2 Custom Mix software, you can mix the vocals and instruments in the track to your liking, slow the audio down without changing the pitch, change keys, and loop parts for practice! Titles: Do You Want to Know a Secret (The Beatles) * I Saw Her Standing There (The Beatles) * Let's Spend the Night Together (The Rolling Stones) * Ruby Tuesday (The Rolling Stones) * (I Can't Get No) Satisfaction (The Rolling Stones) * She Loves You (The Beatles) * She's Not There (The Zombies) * Tell Her No (The Zombies) * Time of the Season (The Zombies) * You Don't Have to Say You Love Me (Dusty Springfield).

SKU: HL.321276

Instructional DVD on Live Sound. DVD. Recording/Music Business. DVD. Published by Hal Leonard (HL.321276).

UPC: 884088620707. 5.25x7.5 inches.

Your Sound is a comprehensive 90-minute instructional DVD showcasing live sound – made easy. Join Dave “Mighty Mouse” West as he takes you on a tour of his world. Here he will show you some of the best techniques in both concert and theatrical sound. Whether you are in your garage or in a house of worship, these tricks of the trade are sure to help you improve your skills.

Do you have trouble hearing the vocals? How about the instruments? Does the band complain that they can't hear as well? With easy to understand analogies and hands on demonstrations you will see how to solve these problems yourself.

Is that pesky feedback...back? You don't have to be a seasoned sound person to restore peace to the stage. Your Sound is an ultimate teaching tool and is a must-have for schools, houses of worship, theaters, clubs, studios or even the garage. The DJ and karaoke scene are sure to benefit as well.

Musicians, are you having trouble speaking the same language as your engineer? Then this video is also perfect for you. A good gig is a 50/50 split between tech crew and talent. Knowledge is a key to success and Your Sound is a master key.

West has over 25 years of experience in the business of live entertainment spanning from his garage to the fair and festival circuit. He has also worked with international touring dance and theatrical companies as well as, some of the biggest names in music.

By Mary Mcdonald. For SATB Choir and Piano. Sacred Anthem: Baptism, Family Days, General. Octavo. 12 pages. Published by Lorenz Publishing Company

Performed by Chris Smither. Homespun Tapes (Instructional). DVD (Digital Video Disk). With notes and tablature. Size 5.3x7.5 inches. Published by Homespun.