| Ultimate Movie Instrumental Solos Saxophone Alto [Partition + CD] - Intermédiaire Alfred Publishing
(Alto Sax). For Alto Sax. Book; CD; Instrumental Series; Play-Along. Ultimate Po...(+)
(Alto Sax). For Alto Sax.
Book; CD; Instrumental
Series; Play-Along.
Ultimate Pop Instrumental
Solos Series. Movie.
Grade 2; Grade 3. 84
pages. Published by
Alfred Music Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Let Love Light the Way (from Elena of Avalor) Chorale 2 parties 2 parties, Piano - Facile Hal Leonard
Discovery Level 2. Composed by John Kavanaugh. Arranged by Audrey Snyder. Disc...(+)
Discovery Level 2.
Composed
by John Kavanaugh.
Arranged
by Audrey Snyder.
Discovery
Choral. Christmas,
Disney,
Holiday, Pop. Octavo. 12
pages. Published by Hal
Leonard
$2.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ultimate Movie Instrumental Solos for Strings Alto seul [Partition + CD] - Intermédiaire Alfred Publishing
(Viola). For Viola. Book; CD; Play-Along; String Series. Ultimate Pop Instrument...(+)
(Viola). For Viola. Book;
CD; Play-Along; String
Series. Ultimate Pop
Instrumental Solos
Series. Movie. Grade 2;
Grade 3. 84 pages.
Published by Alfred Music
Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jesus No Other King Chorale SATB PraiseGathering
Choral (SATB) SKU: HL.2050288 Praise Gathering Choral. Easter. Softcover....(+)
Choral (SATB) SKU:
HL.2050288 Praise
Gathering Choral. Easter.
Softcover. Duration 3300
seconds. PraiseGathering
#A08438. Published by
PraiseGathering
(HL.2050288). UPC:
797242287190.
6.75x10.5x0.311
inches. Jesus, the
King. Jesus, King of the
Ages. Jesus, King of
kings and Lord of
lords.The Royalty of
Jesus - the only Son of
God - the Firstborn over
all creation - is woven
into the very fabric of
the Scriptures. He is a
Lamb with the lineage of
a Lion. He is a pauper
with the unsearchable
riches of an
inexhaustible Kingdom. He
is a Man with no home
whose Eternal Throne
rests in the Courts of
Praise. He is a teacher
with no formal
credentials who is the
Creator of all
Knowledge.No one can ever
lay claim to His unique
station as Savior of the
World.And yet, Christ
Jesus . . .Who, being in
very nature God, did not
consider equality with
God something to be
grasped, but made Himself
nothing, taking the very
nature of a servant,
being made in human
likeness. And being found
in appearance as a man,
He humbled Himself and
became obedient to
death-- even death on a
cross! Therefore God
exalted Him to the
highest place and gave
Him the name that is
above every name, that at
the name of Jesus every
knee should bow, in
Heaven and on earth and
under the earth, and
every tongue confess that
Jesus Christ is Lord, to
the glory of God the
Father. (Philippians
2:6-11)This is the story
of our redemption. This
is the story of the
miracle of our moving
from the bloodline of
Adam to the bloodline
ofChrist. Only one figure
in all of history could
have accomplished
this.This is His
story...Jesus, No Other
King! $13.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Star Wars I-VI Instrumental Solos - Alto Saxophone Saxophone Alto [Partition + CD] - Facile Alfred Publishing
By John Williams. For alto saxophone. Instrumental Series. Pop Instrumental Solo...(+)
By John Williams. For
alto saxophone.
Instrumental Series. Pop
Instrumental Solo Series.
Play Along. Level: Level
2-3 (grade 2-3). Book and
CD. 32 pages. Published
by Alfred Publishing.
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ultimate Movie Instrumental Solos for Strings Violoncelle [Partition + CD] - Intermédiaire Alfred Publishing
(Cello). For Cello. Book; CD; Play-Along; String Series. Ultimate Pop Instrument...(+)
(Cello). For Cello. Book;
CD; Play-Along; String
Series. Ultimate Pop
Instrumental Solos
Series. Movie. Grade 2;
Grade 3. 84 pages.
Published by Alfred Music
Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ultimate Movie Instrumental Solos Trompette [Partition + CD] - Intermédiaire Alfred Publishing
(Trumpet). For Trumpet. Book; CD; Instrumental Series; Play-Along. Ultimate Pop ...(+)
(Trumpet). For Trumpet.
Book; CD; Instrumental
Series; Play-Along.
Ultimate Pop Instrumental
Solos Series. Movie.
Grade 2; Grade 3. 84
pages. Published by
Alfred Music Publishing
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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