PARTITIONS GRATUITES : 2 ALTOS (DUO)
- Hodie

(from Hodie!). Arranged by John Leavitt. (2 part). Sacred Christmas Choral. 16 pages. Published by Hal Leonard.

Choral Bass, Finger Cymbals, Hand Drum, Piano, tenor voice

SKU: CF.CM9756

On This Day. Composed by Anonymous Elizabethan. Arranged by Austin Hunt. Mjts. Duration 2 minutes, 21 seconds. Carl Fischer Music #CM9756. Published by Carl Fischer Music (CF.CM9756).

ISBN 9781491162446. UPC: 680160921195. Key: E minor. Latin, English.

Personent Hodie is a medieval Christmas carol from the larger work Piae Cantiones—a published collection of songs intended for cathedral schools in 16th century Finland. The original tune uses modality and plainchant to evoke the mysterious character of Christmastide.This rhythmic setting of Personent Hodie expresses the tune in compound meter, resulting in a joyful energy. The optional hand drum and finger cymbals complement the melody with an exciting, dance-like pulse.“Ideo, gloria in excelsis Deo!”Therefore, glory be in the highest to God!Ideas for study and reflection: How might word stress be used to enhance overall musicality? What syllables should be stressed vs. unstressed? What dynamic markings are indicted in the score, and where do they occur? Listen to a recording of the original “Personent Hodie” written in 4/4 time. How are the two settings different? .

SSAA choir

SKU: CA.964420

No. 3 from Three Marian Motets. Composed by Ko Matsushita. Contemporary Choir Music. Hodie Beata Virgo Maria Fass.Ssaa. Sacred vocal music, Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Carus Verlag #CV 09.644/20. Published by Carus Verlag (CA.964420).

ISBN 9790007143497. Text language: Latin.

The aged Simeon takes the new-born Jesus in his arms, recognises his significance and celebrates this moment in a paean of praise as the fulfilment of his life. In Matsushita's motet this song of praise, the nunc dimittis, stands at the centre of the composition. Here, the triad of C-F sharp-G, used for the word hodie - today at the beginning, symbolically combines with a Gregorian-like motif, revolving around the central note of B flat in whole-tone movement, and which is used to represent the Virgin Mary. The work ends with a mystical wash of sound, a whole-tone cluster which emerges from the aleatorically repeated basic motifs of the work, and fades away to nothing.

SATB choir, percussion - Late intermediate

SKU: GI.G-9685

Composed by Kevin A. Memley. This edition: SATB edition. Christmastide, Christmas Vigil, Christmas Night, Christmas Dawn, Christmas Day. Christmas. Sacred. Octavo. 12 pages. GIA Publications #9685. Published by GIA Publications (GI.G-9685).

UPC: 785147968504. Latin. Text Source: Antiphon for Christmas Day Vespers.

Kevin Memley’s celebratory setting of the familiar Latin text (“Hodie Christus natus est”) has a sprightly, memorable tune and vivacious rhythms punctuated with crisp tambourine, triangle, and drum accompaniment. The percussion will help the choir negotiate the frequent meter changes in the score. Also available in a setting for SSAA, G-9686. The percussion part is for tambourine, triangle, and drum. Listen to a performance of Hodie by Kevin A. Memley.

Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Piano - Grade 3

SKU: CF.CAS95

Composed by Jan Sweelinck. Arranged by Bud Caputo. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. With Standard notation. 16+4+16+10+10+10+4+12 pages. Duration 3 minutes, 38 seconds. Carl Fischer Music #CAS95. Published by Carl Fischer Music (CF.CAS95).

ISBN 9781491142141. UPC: 680160630202. Key: G major.

Hodie Christus Natus Est, by Jan Pieters Sweelinck (1562-1621), is an extremely popular Renaissance a cappella choral work that has been transcribed for string orchestra. Although the work is usually associated with the Christmas season, it is a timeless piece that can be programmed at anytime during the school year.
Hodie Christus Natus Est by Jan Pieterszoon Sweelinck (1562-1621) is an extremely popular Renaissance a cappella choral work that has been transcribed for string orchestra. Although the work is usually associated with the Christmas season, it is a timeless piece that can be programmed at any time during the school year. The string parts mirror the voice parts, but are in the more comfortable key of G major, rather than the original B≤ major. String teachers may want to consult with their choral counterparts to determine if combining their groups might provide a unique experience for all of their students.All the string parts remain in first position. The work contains the less common alternating meters of ëand ò, and will provide students with insight into the unique rhythmic style of the Renaissance period. A piano part is included for rehearsal purposes.Performance suggestions: By listening to a recording of the original vocal performance and focusing on the lyrics, students will understand where to use a connected legato bowing style for running eighth-note passages and for the longer note durations, as expressed in the lyric “Ho-di-e, Ho-di-e” that alternates with a light detached style “No-e, No –e, No-e.” A most recent YouTube link is suggested here: www.youtube.com/watch?v=B 2rAkZE5UU0.

About Carl Fischer Concert String Orchestra Series

Thi s series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

Chorus a cappella

SKU: BR.CHB-3064-02

Motet - Urtext. Composed by Giovanni Pierl da Palestrina. Edited by Rudolf Ewerhart. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Renaissance/early Baroque. Choral score. 8 pages. Breitkopf and Haertel #ChB 3064-02. Published by Breitkopf and Haertel (BR.CHB-3064-02).

ISBN 9790004403044. 7.5 x 10.5 inches.

Palestrinas doppelchorige Motette ,,Hodie Christus natus est steht im ,,Liber tertius motettorum, dem dritten Motettenbuch, das erstmals 1575 in Rom gedruckt wurde und spater mehrere Neuauflagen erlebte. Diese Motette bildet auch das Modell zur gleichnamigen Messe des Meisters, die allerdings erst nach seinem Tode im Jahre 1601 im Druck veroffentlicht wurde (Dreizehntes Messenbuch).Als Textvorlage diente die Magnificat-Antiphon der zweiten Vesper vom Weihnachtstag; statt des ,,Alleluja hat Palestrina den alten Weihnachtsruf ,,Noe in jubelndem Dreiertakt an den Schluss gestellt, mit dem er schon im Verlauf der Komposition in konzertierendem Wechsel die einzelnen ,,Hodie-Einsatze gegeneinander absetzte.Bereits vor mehreren Jahrzehnten war die vorliegende Motette in einer Bearbeitung des verdienten Wilhelm Widmann im Verlag Breitkopf & Hartel veroffentlicht worden. Unsere Ausgabe geht auf das Original von 1575 zuruck. Eine Transposition war fur die heutige Chorpraxis unumganglich; die Notenwerte wurden auf die Halfte, im Dreiertakt auf ein Viertel gekurzt. Man achte bei der Wiedergabe darauf, dass gerader und ungerader Taktablauf in einem strengen Zeitverhaltnis zueinander stehen.Moge diese Neuausgabe dazu beitragen, der strahlenden Weihnachtsmotette Palestrinas mit ihrem wirkungsvollen Klangkontrast zwischen hohem und tiefem Chor neue Freunde unter unseren Choren zu gewinnen.Ubersetzung des TextesHeute ist Christus geboren,heute uns der Erloser erschienen:heute singen die Engel auf Erden,es jauchzen die Erzengel,heute frohlocken die Gerechten und rufen:Ehre sei Gott in der Hohe.Noe, Noe.Rudolf Ewerhart, im Mai 1958, Munster (Westf.).

For Mixed Chorus and Piano (SATB). Christmas Carols. Hodie Choral Suite. Vocal score. Published by Aspen Grove Music